Let It Bleed (50th Anniversary Edition - Remastered 2019) The Rolling Stones

Album info

Album-Release:
2019

HRA-Release:
01.11.2019

Album including Album cover

I`m sorry!

Dear HIGHRESAUDIO Visitor,

due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • 1 Gimme Shelter (Remastered 2019) 04:30
  • 2 Love In Vain (Remastered 2019) 04:19
  • 3 Country Honk (Remastered 2019) 03:07
  • 4 Live With Me (Remastered 2019) 03:33
  • 5 Let It Bleed (Remastered 2019) 05:28
  • 6 Midnight Rambler (Remastered 2019) 06:52
  • 7 You Got The Silver (Remastered 2019) 02:50
  • 8 Monkey Man (Remastered 2019) 04:11
  • 9 You Can't Always Get What You Want (Remastered 2019) 07:28
  • Total Runtime 42:18

Info for Let It Bleed (50th Anniversary Edition - Remastered 2019)



The Rolling Stones’ groundbreaking multi-platinum selling album Let It Bleed was originally issued in late 1969, charting at #1 in the UK and #3 in the US. In celebration of the album’s original release a half-century ago, the Let It Bleed (50th Anniversary Limited Deluxe Edition).

“No other rock & roll album of the late Sixties so embodied… the contradictions, turbulence of its time, creation and the band… than Let It Bleed,” (David Fricke)

The Rolling Stones, at this point already a critically and commercially dominant force, composed and recorded their eighth long player (tenth for the U.S.) amidst both geopolitical and personal turmoil. In June of 1969, during the peak of the Vietnam War and the era’s social upheaval, the group was in the process of recording eight Jagger/Richards-penned tunes and one cover (“Love In Vain” from the canon of bluesman Robert Johnson) when they made the difficult decision to part ways with founding member Brian Jones who was found dead in his swimming pool the following month. Jones had already been replaced by 20-year-old guitar prodigy Mick Taylor formerly of John Mayall’s Bluesbreakers. Let It Bleed stands as the only proper Rolling Stones full-length that contains contributions from both members; Jones played autoharp on “You Got the Silver” and congas on “Midnight Rambler,” while Taylor laid downslide guitar on “Country Honk” and guitar tracks, along with Richards, on “Live With Me.”

The second of four Rolling Stones albums made with producer Jimmy Miller (Traffic, Blind Faith), Let It Bleed perfectly captures the ominous spirit of the times with “Gimme Shelter,” the opening track. Keith Richards came up with the song’s hook while witnessing people scramble for shelter during a storm; it evolved to a much darker direction with background singer Merry Clayton’s cries of “rape” and “murder” on the choruses of the finished recording. The thematically similar “Midnight Rambler” was inspired by the Boston Strangler murders of 1962-1964; by coincidence, the Manson Family killings were front page news while the album was being finished at Elektra Studios and Sunset Sound in Los Angeles, a short drive away from both major crime scenes. Gloom and doom notwithstanding, Richards sings lead vocals on “You Got the Silver” – a first for the guitarist. With the aid of the London Bach Choir and Jack Nizsche’s vocal arrangements, “You Can’t Always Get What You Want” completes the album in an epic, uplifting fashion.

“Honky Tonk Women” (b/w “You Can’t Always Get What You Want”) was originally released four months ahead of Let It Bleed. “Honky Tonk Women,” with its distinctive cowbell-centric intro, was a #1 hit in both the US and UK, and was reprised on the album in a countryfied manner as “Country Honk.”

Eleven-time Grammy®-winning mastering engineer Bob Ludwig was tasked with remastering this edition from the original tapes at 96kHz, 24bit.

“When we did the first Let It Bleed remaster in 2002, our intention was to pay homage to the original work,” said Ludwig, who is no stranger to the Stones catalog, having mastered or remastered many of their classic albums over the past four decades. “When we did this new version, the purpose was to make it as great as it could possibly sound. If you listen on a good set of speakers or good headphones, you’ll hear subtle things in the background that are now much more clear that were somewhat hidden before.”

The Rolling Stones

Digitally remastered

No biography found.

This album contains no booklet.

© 2010-2024 HIGHRESAUDIO