Album info

Album-Release:
2017

HRA-Release:
06.10.2017

Label: Masterworks

Genre: Jazz

Subgenre: Mainstream Jazz

Artist: Avishai Cohen

Album including Album cover Booklet (PDF)

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  • 1 Song of Hope 03:45
  • 2 My Lady 03:11
  • 3 It's Been so Long 03:56
  • 4 Se'i Yona 04:18
  • 5 Emptiness 03:27
  • 6 For No One 03:14
  • 7 Motherless Child 02:58
  • 8 D'ror Yikra 03:50
  • 9 Move on 03:34
  • 10 Ha'ahava 03:54
  • 11 Vamonos Pa'l Monte 05:43
  • 12 Blinded 03:41
  • Total Runtime 45:31

Info for 1970



1970 is arguably the most personal recording that Cohen has made so far in his career, as the title refers to the year he was born.

This album pushes all boundaries of jazz, we are dealing with the closest we can get to POP with Avishai. Unity, compassion, and togetherness have been recurrent themes in Cohens work to date, and he gives full vent to those feelings in the new album, especially with the piece "Song Of Hope." He also sketches out a more confessional emotional landscape with "My Lady" and "Move On", where he broaches the joy of love and the pain of heartbreak, drawing on the vocabulary of classic songwriters such as Stevie Wonder.

In one of the most interesting artistic decisions on the album, Cohen puts his stamp on the timeless gospel anthem, "Sometimes I Feel Like A Motherless Child". This new work reveals more layers of his artists personality as he approaches familiar and unfamiliar territories both in terms of material and arrangements. 1970 was a significant year and '1970' is a significant album in 2017.

Avishai Cohen, double bass, electric bass, vocals
Itamar Doari, percussion, vocals
Karen Malka, vocals
Yael Shapira, cello, vocals
Elyasaf Bishari, oud, vocals
Jonatan Daskal, keyboard
Tal Kohavi, drums

Recorded at Studio Ferber, Paris, France by Jay Newland assisted by Guillaume Dujardin
Mastered by Geoff Pesche at Abbey Road Studios, in June 2017
Produced by Jay Newland, Avishai Cohen and Johnny Goldstein


Avishai Cohen
For four years running, Cohen has been voted a Rising Star-Trumpet in the DownBeat Critics Poll. Along with leading his Triveni trio with Omer Avital and Nasheet Waits, thetrumpeter was a member of the SF Jazz Collective for six years. He also records and tours the world with The 3 Cohens Sextet, the hit family band with his sister, clarinetist-saxophonist Anat, and brother, saxophonist Yuval. Declared All About Jazz: “To the ranks of the Heaths of Philadelphia, the Joneses of Detroit and the Marsalises of New Orleans, fans can now add the 3 Cohens of Tel Aviv.”

The trumpeter began performing in public in 1988 at age 10, playing his first solos with a big band and eventually touring with the Young Israeli Philharmonic Orchestra to perform under the likes of maestros Zubin Mehta, Kurt Masur and Kent Nagano. Having worked with Israeli folk and pop artists in his native country and appeared on television early on, Cohen arrived as an experienced professional musician when he took up a full scholarship at Berklee College of Music in Boston. In 1997, the young musician established an international reputation by placing third in the Thelonious Monk Jazz Trumpet Competition. Avishai came of age as a jazz player as part of the fertile scene at the club Smalls in New York’s West Village.

Cohen first recorded for ECM as part of saxophonist Mark Turner’s quartet on Lathe of Heaven, released in September 2014. The trumpeter has performed at the Village Vanguard and beyond with Turner, as well as widely in a band led by pianist Kenny Werner. Cohen has played often in the Mingus Big Band and Mingus Dynasty ensemble, and he has lent his horn to recordings by Anat Cohen, Yuval Cohen and keyboardist Jason Lindner, along with collaborating on stage and in the studio with French-Israeli pop singer Keren Ann. In addition to performing, Cohen was named the Artistic Director of the International Jerusalem Festival in 2015.

“Cohen is a multicultural jazz musician, among whose ancestors is Miles Davis. Like Davis, he can make the trumpet a vehicle for uttering the most poignant human cries.” – Ben Ratliff, The New York Times

Booklet for 1970

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