Forqueray: Intégrale des pièces de violes Myriam Rignol

• Antoine Forqueray (1672 - 1745): Allemande:
• 1Forqueray: Allemande03:55
• La Girouette:
• 2Forqueray: La Girouette02:29
• La Vénitienne:
• 3Forqueray: La Vénitienne02:33
• Rondeau:
• 4Forqueray: Rondeau01:24
• Nicolas-Gilles Forqueray (1703 - 1761): Rondeau "Que je regrette Papillon":
• 5Forqueray: Rondeau "Que je regrette Papillon"01:41
• Antoine Forqueray: Muzette:
• 6Forqueray: Muzette02:32
• Prélude:
• 7Forqueray: Prélude01:01
• Jean-Baptiste-Antoine Forqueray (1699 - 1782): Allemande:
• 8Forqueray: Allemande04:21
• Courante:
• 9Forqueray: Courante03:11
• Sarabande:
• 10Forqueray: Sarabande03:07
• Antoine Forqueray: Menuet:
• 11Forqueray: Menuet00:39
• Nicolas-Gilles Forqueray: Rondeau Musette "N'espère plus jeune Lisette":
• 12Forqueray: Rondeau Musette "N'espère plus jeune Lisette"01:50
• Antoine Forqueray: Branle:
• 13Forqueray: Branle01:30
• Suite No. 1 in D Minor:
• 14Forqueray: Suite No. 1 in D Minor: No. 1, Allemande "La La Borde". Noblement et avec Sentiment04:24
• 15Forqueray: Suite No. 1 in D Minor: No. 2, La Forqueray. Vivement et d'aplomb03:10
• 16Forqueray: Suite No. 1 in D Minor: No. 3, La Cottin. Galamment et avec lenteur02:44
• 17Forqueray: Suite No. 1 in D Minor: No. 4, La Bellemont. Avec goût et sans lenteur02:25
• 18Forqueray: Suite No. 1 in D Minor: No. 5, La Portugaise. Marqué et d'aplomb03:58
• 19Forqueray: Suite No. 1 in D Minor: No. 6, La Couperin. Noblement et marqué04:26
• Suite No. 4 in G Minor:
• 20Forqueray: Suite No. 4 in G Minor: No. 1, La Marella. Vivement et marqué03:28
• 21Forqueray: Suite No. 4 in G Minor: No. 2, La Clément. Noblement et détaché04:19
• 22Forqueray: Suite No. 4 in G Minor: No. 3, Sarabande La D'Aubonne04:27
• 23Forqueray: Suite No. 4 in G Minor: No. 4, La Bournonville. Mouvement élevé01:52
• 24Forqueray: Suite No. 4 in G Minor: No. 5, La Sainscy. Gracieusement et avec esprit02:26
• 25Forqueray: Suite No. 4 in G Minor: No. 6, Le Carillon de Passy / La Latour / Reprise du Carillon de Passy10:23
• 26Forqueray: Suite No. 2 in G Major: No. 1, La Bouron. Vivement et détaché03:07
• 27Forqueray: Suite No. 2 in G Major: No. 2, La Mandoline. Point trop vite et d'aplomb03:59
• 28Forqueray: Suite No. 2 in G Major: No. 3, La du Breüil. Louré03:45
• 29Forqueray: Suite No. 2 in G Major: No. 4, La Leclair. Très Vivement et détaché03:30
• 30Forqueray: Suite No. 2 in G Major: No. 5, Chaconne "La Buisson". Gracieusement05:08
• Suite No. 3 in D Major:
• 31Forqueray: Suite No. 3 in D Major: No. 1, La Ferrand. Vivement03:19
• 32Forqueray: Suite No. 3 in D Major: No. 2. La Régente. Noblement et soutenu03:54
• 33Forqueray: Suite No. 3 in D Major: No. 3, La Tronchin. Mouvement aisé04:12
• 34Forqueray: Suite No. 3 in D Major: No. 4, La Angrave. Très vivement02:24
• 35Forqueray: Suite No. 3 in D Major: No. 5, La Du Vaucel. Très tendrement03:44
• 36Forqueray: Suite No. 3 in D Major: No. 6, La Eynaud. Fièrement03:14
• 37Forqueray: Suite No. 3 in D Major: No. 7, La Morangis ou La Plissay. Mouvement de Chaconne07:52
• Suite No. 5 in C Minor:
• 38Forqueray: Suite No. 5 in C Minor: No. 1, La Rameau. Majestueusement02:44
• 39Forqueray: Suite No. 5 in C Minor: No. 2, La Guignon. Vivement et détaché03:13
• 40Forqueray: Suite No. 5 in C Minor: No. 3, Sarabande "La Léon". Tendrement03:58
• 41Forqueray: Suite No. 5 in C Minor: No. 4, La Boisson. Vivement, les pincés bien soutenus04:13
• 42Forqueray: Suite No. 5 in C Minor: No. 5, La Montigni. Galamment sans lenteur03:16
• 43Forqueray: Suite No. 5 in C Minor: No. 6, La Silva. Très tendrement05:28
• 44Forqueray: Suite No. 5 in C Minor: No. 7, Jupiter. Modérément03:56
• Musette:
• 45Forqueray: Musette03:03
• Total Runtime02:36:14

Info for Forqueray: Intégrale des pièces de violes

"No one has surpassed Marais: only one has equalled him, and that is the famous Forqueray": with these words, in 1752, a contemporary praised one of the last great virtuosos of the viola da gamba. Known for his formidably difficult and technical musical style, Forqueray's world is nonetheless immensely rich: through the works of the father Antoine, his son Jean-Baptiste and his nephew Nicolas-Gilles, an august lineage emerges whose grace and genius never ceased to inspire. At times proud, even bellicose, at other times deeply tender, the viol pieces by this Forqueray family plunge us into a flight of expressions of passions whose vivacity is equalled only by their intensity. Myriam Rignol, as a distant granddaughter, accompanied by her exquisite Timbres, delivers in this complete work a powerful homage to these 18th-century chamber music icons who, in their image, could never be anything other than virtuoso.

Myriam Rignol, viola da gamba
Pau Marcos Vicens, viola da gamba
Gabriel Rignol, theorbo, lute, guitar
Julien Wolfs, clavecin
Lucile Boulanger, Dessus de Viole
Mathilde Vialle, viola da gamba

Myriam Rignol
Originally from Perpignan, where she began her musical education, Myriam Rignol studied at the CNSMD de Lyon, the Hochschule für Musik in Cologne and the Royal Conservatory of Brussels. She is regularly invited to appear as a soloist or with ensembles or orchestras in many countries, and has won many international prizes, including First Prize at the 2010 International Early Music Competition in Yamanashi (Kōfu, Japan) and Second Prize and Audience Prize at the International Musica Antiqua Competition 2011 in the MA Festival (Bruges).

She is a founder member of the ensemble Les Timbres with violinist Yoko Kawakubo and harpsichordist Julien Wolfs, which received First Prize and the Best Contemporary Creation Prize at the prestigious Bruges Chamber Music Competition (2009). The group now performs regularly throughout Europe and in Japan and has made several recordings.

A qualified teacher of early music (CA), she founded in 2011 the viola da gamba class at the Conservatoire du Grand Besançon, where she currently gives classes.

Booklet for Forqueray: Intégrale des pièces de violes