Forqueray: Intégrale des pièces de violes Myriam Rignol

• Antoine Forqueray (1672 - 1745): Allemande:
• 1 Forqueray: Allemande 03:55
• La Girouette:
• 2 Forqueray: La Girouette 02:29
• La Vénitienne:
• 3 Forqueray: La Vénitienne 02:33
• Rondeau:
• 4 Forqueray: Rondeau 01:24
• Nicolas-Gilles Forqueray (1703 - 1761): Rondeau "Que je regrette Papillon":
• 5 Forqueray: Rondeau "Que je regrette Papillon" 01:41
• Antoine Forqueray: Muzette:
• 6 Forqueray: Muzette 02:32
• Prélude:
• 7 Forqueray: Prélude 01:01
• Jean-Baptiste-Antoine Forqueray (1699 - 1782): Allemande:
• 8 Forqueray: Allemande 04:21
• Courante:
• 9 Forqueray: Courante 03:11
• Sarabande:
• 10 Forqueray: Sarabande 03:07
• Antoine Forqueray: Menuet:
• 11 Forqueray: Menuet 00:39
• Nicolas-Gilles Forqueray: Rondeau Musette "N'espère plus jeune Lisette":
• 12 Forqueray: Rondeau Musette "N'espère plus jeune Lisette" 01:50
• Antoine Forqueray: Branle:
• 13 Forqueray: Branle 01:30
• Suite No. 1 in D Minor:
• 14 Forqueray: Suite No. 1 in D Minor: No. 1, Allemande "La La Borde". Noblement et avec Sentiment 04:24
• 15 Forqueray: Suite No. 1 in D Minor: No. 2, La Forqueray. Vivement et d'aplomb 03:10
• 16 Forqueray: Suite No. 1 in D Minor: No. 3, La Cottin. Galamment et avec lenteur 02:44
• 17 Forqueray: Suite No. 1 in D Minor: No. 4, La Bellemont. Avec goût et sans lenteur 02:25
• 18 Forqueray: Suite No. 1 in D Minor: No. 5, La Portugaise. Marqué et d'aplomb 03:58
• 19 Forqueray: Suite No. 1 in D Minor: No. 6, La Couperin. Noblement et marqué 04:26
• Suite No. 4 in G Minor:
• 20 Forqueray: Suite No. 4 in G Minor: No. 1, La Marella. Vivement et marqué 03:28
• 21 Forqueray: Suite No. 4 in G Minor: No. 2, La Clément. Noblement et détaché 04:19
• 22 Forqueray: Suite No. 4 in G Minor: No. 3, Sarabande La D'Aubonne 04:27
• 23 Forqueray: Suite No. 4 in G Minor: No. 4, La Bournonville. Mouvement élevé 01:52
• 24 Forqueray: Suite No. 4 in G Minor: No. 5, La Sainscy. Gracieusement et avec esprit 02:26
• 25 Forqueray: Suite No. 4 in G Minor: No. 6, Le Carillon de Passy / La Latour / Reprise du Carillon de Passy 10:23
• 26 Forqueray: Suite No. 2 in G Major: No. 1, La Bouron. Vivement et détaché 03:07
• 27 Forqueray: Suite No. 2 in G Major: No. 2, La Mandoline. Point trop vite et d'aplomb 03:59
• 28 Forqueray: Suite No. 2 in G Major: No. 3, La du Breüil. Louré 03:45
• 29 Forqueray: Suite No. 2 in G Major: No. 4, La Leclair. Très Vivement et détaché 03:30
• 30 Forqueray: Suite No. 2 in G Major: No. 5, Chaconne "La Buisson". Gracieusement 05:08
• Suite No. 3 in D Major:
• 31 Forqueray: Suite No. 3 in D Major: No. 1, La Ferrand. Vivement 03:19
• 32 Forqueray: Suite No. 3 in D Major: No. 2. La Régente. Noblement et soutenu 03:54
• 33 Forqueray: Suite No. 3 in D Major: No. 3, La Tronchin. Mouvement aisé 04:12
• 34 Forqueray: Suite No. 3 in D Major: No. 4, La Angrave. Très vivement 02:24
• 35 Forqueray: Suite No. 3 in D Major: No. 5, La Du Vaucel. Très tendrement 03:44
• 36 Forqueray: Suite No. 3 in D Major: No. 6, La Eynaud. Fièrement 03:14
• 37 Forqueray: Suite No. 3 in D Major: No. 7, La Morangis ou La Plissay. Mouvement de Chaconne 07:52
• Suite No. 5 in C Minor:
• 38 Forqueray: Suite No. 5 in C Minor: No. 1, La Rameau. Majestueusement 02:44
• 39 Forqueray: Suite No. 5 in C Minor: No. 2, La Guignon. Vivement et détaché 03:13
• 40 Forqueray: Suite No. 5 in C Minor: No. 3, Sarabande "La Léon". Tendrement 03:58
• 41 Forqueray: Suite No. 5 in C Minor: No. 4, La Boisson. Vivement, les pincés bien soutenus 04:13
• 42 Forqueray: Suite No. 5 in C Minor: No. 5, La Montigni. Galamment sans lenteur 03:16
• 43 Forqueray: Suite No. 5 in C Minor: No. 6, La Silva. Très tendrement 05:28
• 44 Forqueray: Suite No. 5 in C Minor: No. 7, Jupiter. Modérément 03:56
• Musette:
• 45 Forqueray: Musette 03:03
• Total Runtime 02:36:14

Info for Forqueray: Intégrale des pièces de violes

"No one has surpassed Marais: only one has equalled him, and that is the famous Forqueray": with these words, in 1752, a contemporary praised one of the last great virtuosos of the viola da gamba. Known for his formidably difficult and technical musical style, Forqueray's world is nonetheless immensely rich: through the works of the father Antoine, his son Jean-Baptiste and his nephew Nicolas-Gilles, an august lineage emerges whose grace and genius never ceased to inspire. At times proud, even bellicose, at other times deeply tender, the viol pieces by this Forqueray family plunge us into a flight of expressions of passions whose vivacity is equalled only by their intensity. Myriam Rignol, as a distant granddaughter, accompanied by her exquisite Timbres, delivers in this complete work a powerful homage to these 18th-century chamber music icons who, in their image, could never be anything other than virtuoso.

Myriam Rignol, viola da gamba
Pau Marcos Vicens, viola da gamba
Gabriel Rignol, theorbo, lute, guitar
Julien Wolfs, clavecin
Lucile Boulanger, Dessus de Viole
Mathilde Vialle, viola da gamba

Myriam Rignol
Originally from Perpignan, where she began her musical education, Myriam Rignol studied at the CNSMD de Lyon, the Hochschule für Musik in Cologne and the Royal Conservatory of Brussels. She is regularly invited to appear as a soloist or with ensembles or orchestras in many countries, and has won many international prizes, including First Prize at the 2010 International Early Music Competition in Yamanashi (Kōfu, Japan) and Second Prize and Audience Prize at the International Musica Antiqua Competition 2011 in the MA Festival (Bruges).

She is a founder member of the ensemble Les Timbres with violinist Yoko Kawakubo and harpsichordist Julien Wolfs, which received First Prize and the Best Contemporary Creation Prize at the prestigious Bruges Chamber Music Competition (2009). The group now performs regularly throughout Europe and in Japan and has made several recordings.

A qualified teacher of early music (CA), she founded in 2011 the viola da gamba class at the Conservatoire du Grand Besançon, where she currently gives classes.

Booklet for Forqueray: Intégrale des pièces de violes