Pergolesi: Stabat Mater, Laudate pueri, Confitebor J. Lezhneva

• 1 I. Stabat mater dolorosa 04:29
• 2 II. Cujus animam gementem 02:08
• 3 III. O quam tristis et afflicta 01:58
• 4 IV. Quae moerebat et dolebat 02:05
• 5 V. Quis est homo qui non fleret 02:57
• 6 VI. Vidit suum dulcem natum 03:03
• 7 VII. Eja Mater, fons amoris 02:27
• 8 VIII. Fac ut ardeat cor meum 02:06
• 9 IX. Sancta Mater, istud agas 05:00
• 10 X. Fac ut portem Christi mortem 03:40
• 11 XI. Inflammatus et accensus 01:52
• 12 XII. Quando corpus morietur 04:27
• 13 I. Laudate pueri Dominum 03:03
• 14 II. A solis ortu 03:26
• 15 III. Excelsus super omnes 01:48
• 16 IV. Quis sicut Dominus 02:08
• 17 V. Suscitans a terra inopem 02:16
• 18 VI. Gloria Patri 03:09
• 19 VII. Sicut erat in principio 02:19
• 20 I. Confitebor tibi Domine 02:06
• 21 II. Confessio et magnificentia opus ejus 03:50
• 22 III. Fidelia omnia mandata ejus 01:54
• 23 IV. Redemptionem misit populo suo 01:00
• 24 V. Sanctum et terribile nomen ejus 03:52
• 25 VI. Gloria Patri 01:08
• 26 VII. Sicut erat in principio 02:47
• Total Runtime 01:10:58

Info for Pergolesi: Stabat Mater, Laudate pueri, Confitebor

Two voices of celestial beauty and expressive poignancy come together in this new recording of Pergolesi’s exquisite, but tragically charged Stabat Mater as Philippe Jaroussky is joined by the rising young soprano Julia Lezhneva.

The Stabat mater is written for solo soprano and solo alto accompanied by strings. The two singers on this new recording perfectly combine youthful vocal bloom with stylistic sensitivity and a capacity to convey the restrained tragedy of the work.

Philippe Jaroussky is, of course, established as one of the label's flagship artists. As his eminent colleague Cecilia Bartoli has said: 'When I heard Philippe Jaroussky for the first time, I was struck by his musicality and sensibility ... There is a beauty in his phrasing and a delicacy, if not fragility in his soul, that touches the listener profoundly.'

Julia Lezhneva established herself as a rising star when she won the prestigious Mirjam Helin singing competition in Helsinki in 2009. She has studied in both her native Russia and in the UK, and her distinguished mentors include tenor Dennis O’Neill and sopranos Ileana Cotrubas, Yvonne Kenny and, most notably, Dame Kiri Te Kanawa. Though still in her early twenties, Lezhneva has already shared a concert stage with Juan Diego Flórez, Angela Gheorghiu, Rolando Villazón, and Bryn Terfel. The New York Times has commented on the “almost childlike purity” of her timbre, praising its “angelic beauty”, while Cleveland’s Plain Dealer has described her voice as “an instrument of great distinction, a concentrated beam of pure sound. To borrow a Latin phrase ..., it's a voice one could attend ad infinitum.”

Diego Fasolis leads I Barocchisti in this programme of the Stabat Mater and two other choral works by Pergolesi, the Laudate pueri, which features a solo soprano, and the Confitebor tibi domine, which – like the Stabat mater – calls for two high-voiced soloists.

Julia Lezhneva, soprano
Philippe Jaroussky, countertenor
I Barocchisti
Diego Fasolis, conductor

No biography found.

Booklet for Pergolesi: Stabat Mater, Laudate pueri, Confitebor