Lover Taylor Swift

Album info

Album-Release:
2019

HRA-Release:
28.08.2019

Label: Taylor Swift

Genre: Pop

Subgenre: Pop Rock

Artist: Taylor Swift

Album including Album cover

I`m sorry!

Dear HIGHRESAUDIO Visitor,

due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • 1 I Forgot That You Existed 02:50
  • 2 Cruel Summer 02:58
  • 3 Lover 03:41
  • 4 The Man 03:10
  • 5 The Archer 03:31
  • 6 I Think He Knows 02:53
  • 7 Miss Americana & The Heartbreak Prince 03:54
  • 8 Paper Rings 03:42
  • 9 Cornelia Street 04:47
  • 10 Death By A Thousand Cuts 03:18
  • 11 London Boy 03:10
  • 12 Soon You’ll Get Better 03:21
  • 13 False God 03:20
  • 14 You Need To Calm Down 02:51
  • 15 Afterglow 03:43
  • 16 ME! (feat. Brendon Urie of Panic! At The Disco) 03:13
  • 17 It’s Nice To Have A Friend 02:30
  • 18 Daylight 04:53
  • Total Runtime 01:01:45

Info for Lover



Lover is the seventh studio album by American singer-songwriter Taylor Swift. It was released on August 23, 2019, by Republic Records. As executive producer, Swift worked with producers Jack Antonoff, Joel Little, Louis Bell, Frank Dukes, and Sounwave on the album. Described by Swift as a "love letter to love itself", Lover celebrates the ups and downs of love and incorporates brighter, more cheerful tones, departing from the dark sounds of its predecessor, Reputation (2017).

At 18 tracks long, there are songs that easily slip through the cracks on Lover among so many shining pop tracks. Swift follows the paths of Beyoncé’s “If I Were a Boy”, Ciara’s “Like a Boy”, and even PJ Harvey’s “Man-Size” on her own feminism-fueled track “The Man”. “London Boy” features an extensive itinerary for the British city with a surprise appearance from Idris Elba, and the smooth and sexy “False God” is full of religious imagery, with Swift comparing the altar to her hips.

But pointing out what could have been better about Lover defeats the purpose Swift’s seventh album. After spending years becoming associated (often unfairly) with bitterness and gaining awareness about the reputation she’d garnered, Swift simply chose love. It’s a conclusion that required many mistakes, sacrifices, and petty lyrics to arrive at. In a spoken outro on the album’s final track, “Daylight”, solely written by Swift, she says pensively, “I wanna be defined by the things that I love/ Not the things I hate … I just think that you are what you love.” Maturity for Taylor Swift means shrugging off what isn’t worth a fight, looking inward rather than blaming others, and being able to admit when you were wrong. “I once believed love would be burning red, but it’s golden,” she says in the song’s bridge, looking to both the past and the future with equal devotion.

No biography found.

This album contains no booklet.

© 2010-2024 HIGHRESAUDIO