Elements Kölner Vokalsolisten
Album info
Album-Release:
2024
HRA-Release:
02.02.2024
Label: Genuin
Genre: Classical
Subgenre: Vocal
Artist: Kölner Vokalsolisten
Composer: Agné Agneté Mažuliené (1991), Michael Ostrzyga (1975), Thomas Morley (1557–1602), William Byrd (1543-1623), Laura Marconi (1989), Carlo Gesualdo da Venosa (1566–1613), Orlando di Lasso (1532–1594), Johannes Brahms (1833–1897), Felix Mendelssohn Bartholdy (1809–1847), Stefan Heucke (1959)
Album including Album cover Booklet (PDF)
- Jacobus Clemens non Papa (1510 - 1555): Ego flos campi:
- 1 Papa: Ego flos campi 03:37
- Agnė Agnetė Mažulienė (b. 1991): Kleine Wünsche:
- 2 Mažulienė: Kleine Wünsche 05:13
- Michael Ostrzyga (b. 1975): Tall Trees Grove, March 1st 2016:
- 3 Ostrzyga: Tall Trees Grove, March 1st 2016 04:16
- Thomas Morley (1557 - 1602): Hard by a Crystal Fountain:
- 4 Morley: Hard by a Crystal Fountain 03:52
- Fyre, Fyre!:
- 5 Morley: Fyre, Fyre! 02:25
- William Byrd (1543 - 1623): This Sweet and Merry Month of May, T 317:
- 6 Byrd: This Sweet and Merry Month of May, T 317 02:57
- Laura Marconi (b. 1960): Vorrei:
- 7 Marconi: Vorrei 12:05
- Carlo Gesualdo da Venosa (1566 - 1613): Tristis est anima mea:
- 8 Venosa: Tristis est anima mea 04:29
- Orlando di Lasso (1532 - 1594): Lagrime di San Pietro:
- 9 Lasso: Lagrime di San Pietro: I. Il magnanimo Pietro, che giurato havea, LV 1005 02:21
- 10 Lasso: Lagrime di San Pietro: XI. E non fu il pianto suo rivo o corrente, LV 1015 01:59
- Johannes Brahms (1833 - 1897): 3 Songs, Op. 42:
- 11 Brahms: 3 Songs, Op. 42: I. Abendständchen 02:01
- 12 Brahms: 3 Songs, Op. 42: II. Vineta 02:50
- Traditional, Friedrich Heinrich Bothe (1771 - 1855): Es waren zwei Königskinder:
- 13 Traditional, Bothe: Es waren zwei Königskinder 03:42
- Felix Mendelssohn Bartholdy (1809 - 1847): 3 Psalms, Op. 78: I. Psalm 2:
- 14 Bartholdy: 3 Psalms, Op. 78: I. Psalm 2: Warum toben die Heiden, MWV B41 06:39
- Stefan Heucke (b.1959): Andenken, Op. 100:
- 15 Heucke: Andenken, Op. 100 12:27
Info for Elements
The Kölner Vokalsolisten are a six-voice vocal ensemble dedicated primarily to interpreting contemporary music. On their new GENUIN album, however, they juxtapose contemporary music with works from the 16th and 19th centuries and sing compositions based on the four elements. Not only does Renaissance meet Romanticism on this CD, but several world premieres by Stefan Heucke, Laura Marconi, and Michael Ostrzyga – works written especially for the slender and superbly blending voices of the vocal soloists – are featured as well. Fire, water, earth, air: virtuosic, sonorous, ethereal, and grounded – a truly extraordinary musical journey!
Kölner Vokalsolisten
The Kölner Vokalsolisten
are a six-part vocal ensemble devoted to the vocal chamber music of the twentieth and twenty-first centuries. They are unique among this type of ensemble in the Cologne region. Founded in 2007 on the occasion of the performance of Luciano Berio’s Canticum novissimi testamenti, they appeared for the first time at the Cologne Music Triennale under the direction of Marcus Creed. This was followed by regular performances at the festival Acht Brücken | Musik für Köln. The ensemble has also featured at festivals such as Schönes Wochenende (Düsseldorf), the Mittelrhein Musik Festival, and the Cologne Early Music Festival.
In 2015, the Kölner Vokalsolisten undertook their first major international tour, appearing at the Eilat Chamber Music Festival in Israel.
Early music cycles such as the responsory settings by Carlo Gesualdo da Venosa are just as much a part of their repertoire as modern classics such as György Ligeti’s Nonsense Madrigals. They have also performed Luciano Berio’s Passaggio and Morton Feldman’s Rothko Chapel successfully.
Another characteristic of the work of the Vokalsolisten is their close cooperation with numerous composers, resulting in a large number of premieres; four pieces premiered by the Vokalsolisten can be heard on this album. They have enjoyed an ongoing artistic collaboration with the composer and
conductor Michael Ostrzyga.
A particularly appealing aspect of their repertoire is its inclusion of music from different eras and the preparation of original programs that show how the great themes of love, life, death, passion, and faith have found expression in music over the centuries. In this respect, the ensemble sees itself as a bridge between different musical worlds.
Booklet for Elements