Mahler: Symphony No. 8 Chicago Symphony Orchestra & Sir Georg Solti

• Gustav Mahler (1860-1911): Symphony No.8 in E flat - Symphony of a Thousand Part One: Hymnus Veni creator spiritus
• 1 Veni creator spiritus 01:27
• 2 Imple superna gratia 04:25
• 3 Infirma nostri corporis 06:20
• 4 Accende lumen sensibus 04:43
• 5 Veni, Creator...Da gaudiorum praemia 03:49
• 6 Gloria sit Patri Domino 02:37
• Part Two: Final scene from Goethe's Faust
• 7 Poco adagio: Waldung, sie schwankt heran 14:11
• 8 Ewiger Wonnebrand 01:34
• 9 Wie Felsenabgrund mir zu Füssen 04:41
• 10 Gerettet ist das edle Glied 03:02
• 11 Uns bleibt ein Erdenrest 02:59
• 12 Bei der Liebe, die den Füssen 04:53
• 13 Neige, neige, du Ohnegleiche 05:18
• 14 Blicket auf zum Retterblick 04:46
• 15 Alles Vergängliche 06:46
• 16 'Höchste Herrscherin der Welt' ('Symphony No.8 in E flat - 'Symphony of a Thousand' / Part Two: Final scene from Goethe's 'Faust') 08:07
• Total Runtime 01:19:38

Info for Mahler: Symphony No. 8

This version of the Eighth Symphony is one of Sir Georg Solti's greatest triumphs on record. The conductor's high-voltage interpretive style was not always ideally suited to Mahler's music -- for example, both of his recordings of the Ninth Symphony seem curiously fidgety -- but there's no question that this is one of the best recordings ever made of Mahler's mighty Eighth. Solti sculpts this sprawling score into a coherent, dramatic shape. His muscular approach makes the opening hymn 'Veni, creator spiritus' Come, Creator Spirit a true shout of joy, and the awesome exultation of the final climax of the Symphony is as overwhelming as it should be. Everything here works to express Mahler's spiritual vision. The mysterious opening of the second section based on the final scene of Part 2 of Goethe's 'Faust' is dark, profound, and full of longing. The playing of the Chicago Symphony Orchestra is extraordinary, and the singing is also consistently superb -- from Heather Harper's ethereal soprano to Martti Talvela's deep bass. Since its first release on LP in 1971, audiophiles have treasured this recording for its sonic potency -- it still has tremendous impact. The original was so good that this new remastering doesn't really have much to improve on, but the recording now fits on one disc, making it a genuine bargain.

'Solti's celebrated recording threatens to sweep the board. Its strengths are well known. Twenty five years have seen many improvements in audio technology, but few recordings so successfully capture the impression of a 'Symphony of a Thousand'. (Gramophone)

The Chicago Symphony Orchestra
John Shirley-Quirk, Baritone
Martti Talvela, Bass
Helen Watts, Mezzo-Soprano
Lucia Popp, Soprano
Arleen Augér, Soprano
Heather Harper, Soprano
Vienna State Opera Chorus
Sir Georg Solti, Conductor

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