Victor Kissine: Between Two Waves Kremerata Baltica & Gidon Kremer

• 1 Between Two Waves - Concerto for Piano and String Orchestra (2006/2008) 21:35
• 2 Duo (After Osip Mandelstam) for Viola and Violoncello (1998/2011) 24:25
• 3 Barcarola for Violin Solo, String Orchestra and Percussion (2007) 22:48
• Total Runtime 01:08:48

Info for Victor Kissine: Between Two Waves

Following on from Victor Kissine’s luminous orchestration of Schubert’s String Quartet in G Major (ECM 1883) and his own “Zerkalo” with Kremer and friends (ECM 2202), here is the first ECM album devoted entirely to the compositions of the composer from St. Petersburg. The flavour of the sea pervades the three recent compositions heard here, variously inspired by the poetry of Mandelstam and Brodsky: the concerto for piano and string orchestra “Between Two Waves”, the Duo (After Osip Mandelstam) for viola and violoncello, and “Barcarola” for violin, string orchestra and percussion.

All three pieces are dedicated to the collaborating players – Gidon Kremer and the musicians of Kremerata Baltica. Of the “Barcarole”, Kissine has said that it reflects the experience with Kremer and company on the earlier Schubert orchestration. Subsequently Kissine “wanted to write a piece that was orchestral but intimate – a kind of ‘concerto in watercolour’. The explicitly chamber character of the ‘Barcarole’ guided me toward the form of a concerto in one movement, which also unfolds in waves.” The album, recorded at last year’s Lockenhaus Festival, is issued in time for Kissine’s 60th birthday on March 15, 2013.

Issued in time for the 60th birthday of the composer from St Petersburg, “Between Two Waves” is the first ECM disc devoted entirely to Victor Kissine’s music. It follows on, chronologically and conceptually, from two earlier New Series recordings (ECM 1883 and ECM 2202), both of which featured Gidon Kremer and his associates.

It was while working with Kremer and friends on the realization of his luminous orchestration of Schubert’s Quartet in G Major in 2003 that Kissine began to consider the creative possibilities of a new piece that would be “orchestral but intimate - a kind of ‘concerto in watercolour’.” This was the conceptual idea that set in motion the composition “Barcarola”, for violin solo, string orchestra and percussion.

All three pieces on the present disc of premiere recordings are dedicated to their respective interpreters, and all draw inspiration from the poetry of Osip Mandelstam and Joseph Brodsky. The three compositions were recorded at the Lockenhuas Festival 2011 and form “a kind of cycle” in the words of the composer. A unifying factor is “a flavour of the sea”. The topography of St Petersburg, city of canals (“the Venice of the North”) may also be reflected in the project, Kissine says: “Right bank, left bank and the two open arms of the bridge in between. The “Duo After Osip Mandelstam” [for viola and violoncello] begins and ends with a see breeze, while the waves in “Between Two Waves” [concerto for piano and string orchestra] unfurl right up to ‘Barcarola’.” The pieces are also linked by references to Bach, explicit in the Duo and implied in “Between Two Waves” and “Barcarola”.

The music’s signature, however is unmistakably Kissine’s. “Many experiences and emotions – friendship, admiration and affinity – lie beneath the surface of this reticent musical language,” Belgian critc Frans C. Lemaire has noted. “[It] prefers soft murmurings to loud pronouncements, and closely restricts the development of the melodic material. [Kissine’s] music does not celebrate vain and noisy human activity, but seeks to recapture a kind of lost harmony which – far removed from the world – is borne up by the mysterious voices of silence.“

Track: Between Two Waves

Andrius Zlabys, piano
Kremerata Baltica
Roman Kofman, conductor

Track: Duo (after Osip Mandelstam)

Daniil Grishin, viola
Giedre Dirvanauskaite, violoncello

Gidon Kremer, violin
Andrei Pushkarev, percussion
Kremerata Baltica

Track: Barcarola

Recorded July 2011
at Lockenhaus Festival
Tonmeister: Peter Laenger
Executive producer: Manfred Eicher

Gidon Kremer
Of all the world’s leading violinists, Gidon Kremer has perhaps had the most unconventional career. Born in Riga, Latvia, he began studying at the age of four with his father and grandfather, who were both distinguished string players. At the age of seven, he entered Riga Music School. At sixteen he was awarded the first Prize of the Latvian Republic and two years later he began his studies with David Oistrakh at the Moscow Conservatory. He went on to win prestigious awards including the 1967 Queen Elizabeth Competition and the first prize in both Paganini and Tchaikovsky International Competitions.

This success launched Gidon Kremer’s distinguished career, in the course of which he has established a worldwide reputation as one of the most original and compelling artists of his generation. He has appeared on virtually every major concert stage with the most celebrated orchestras of Europe and America. Also he has collaborated with today’s foremost conductors.

Gidon Kremer’s repertoire is unusually extensive, encompassing all of the standard classical and romantic violin works, as well as music by twentieth- and twenty-first century masters such as Henze, Berg and Stockhausen. He also championed the works of living Russian and Eastern European composers and has performed many important new compositions; several of them dedicated to him. He has become associated with such diverse composers as Alfred Schnittke, Arvo Pärt, Giya Kancheli, Sofia Gubaidulina, Valentin Silvestrov, Luigi Nono, Aribert Reimann, Peteris Vasks, John Adams, Victor Kissine, Michael Nyman, Philipp Glass, Leonid Desyatnikov and Astor Piazzolla, bringing their music to audiences in a way that respects tradition yet remains contemporary. It would be fair to say that no other soloist of his international stature has done as much for contemporary composers in the past 30 years.

An exceptionally prolific recording artist, Gidon Kremer has made more than 120 albums, many of which brought him prestigious international awards and prizes in recognition of his exceptional interpretative powers. These include the „Grand prix du Disque“, „Deutscher Schallplattenpreis“, the „Ernst-von-Siemens Musikpreis“, the „Bundesverdienstkreuz“, the „Premio dell‘ Accademia Musicale Chigiana“, the „Triumph Prize 2000” (Moscow), in 2001 the „Unesco Prize”, in 2007 the Saeculum-Glashütte Original-Musikfestspielpreis Dresden and in 2008 the Rolf-Schock Prize, Stockholm, in 2010 "life achievement" prize of the Istanbul Music festival, and in 2011 he was awarded "Una Vita Nella Musica - Artur Rubinstein" Prize (Venice) which is considered by many to be the "Nobel Prize" of music, among many others.

In February 2002 he and the Kremerata Baltica were awarded with the Grammy for the Nonesuch recording “After Mozart” in the category “Best small Ensemble Performance”. The same recording received in the fall of 2002 an ECHO prize in Germany.

The EMI Classics CD „The Berlin Recital“ with Martha Argerich and works by Schumann and Bartók has been recently released as well as an album with all violin concertos of Wolfgang Amadeus Mozart, a live recording with the label Nonesuch, recorded with Kremerata Baltica at Salzburg Festival 2006. His latest CD „De Profundis“ was published in September 2010 with Nonesuch. Gidon Kremer actively collaborates as well with the ECM label, which released his last recording of all J. S. Bach Sonatas and Partitas. The most recent releases are a Piano trio album with Khatia Buniatishvili and Giedre Dirvanauskaite and a CD set of Lockenhaus Live-recordings celebrating the 30 years of this unique festival, G. Kremer concluded in 2011.

In 1981 Mr. Kremer founded Lockenhaus, an intimate chamber music festival that continued to take place every summer in Austria for 30 years until 2011. In 1997, he founded the Kremerata Baltica chamber orchestra to foster outstanding young musicians from the three Baltic States. Since then, Mr. Kremer has been touring extensively with the orchestra appearing at world’s most prestigious festivals and concert halls. He has also recorded almost 20 CD’s with the orchestra for Teldec, Nonesuch, DGG and ECM. (From 2002 - 2006 Gidon Kremer was the artistic leader of the new festival „les muséiques” in Basel (Switzerland)).

Gidon Kremer plays a Nicola Amati, dated from 1641. He is also the author of three books, published in German and translated into many languages, which reflect his artistic pursuits.

Booklet for Victor Kissine: Between Two Waves