Mark John McEncroe: Dark Clouds in Life Janáček Philharmonic Orchestra

• Mark John McEncroe (1947- ):
• 1 Natalie's Suite (3 Faces of Addiction): I. Facing the Demons 21:31
• 2 Natalie's Suite (3 Faces of Addiction): II. Into the Dark Spaces 20:50
• 3 Natalie's Suite (3 Faces of Addiction): III. Moving into the Light 07:04
• 4 Natalie's Theme 03:52
• 5 Symphonic Poem (Echoes from a Haunted Past) 08:37
• 6 The Pendulum 04:22
• Total Runtime 01:06:16

Info for Mark John McEncroe: Dark Clouds in Life

A persistent goal of Mark John McEncroe is to create compositions that elicit an emotional response, as is echoed in the titles of his works. This is particularly true of the Australian composer’s Navona debut DARK CLOUDS OF LIFE, a conceptual release focused on overcoming addiction and depression, challenges McEncroe has personally struggled with. His sessions in Ostrava, Czech Republic with the Janáček Philharmonic Orchestra and pianist Helen Kennedy produced a cornerstone suite and three addendums that capture the essence of the record’s stated purpose.

The most personal of these works is the three-movement Natalie’s Suite. McEncroe dedicated the piece to his daughter, who has been “wrestling with addiction and depression as I have and is well on the way to a better life. This suite is all about that struggle.” The emotive, expansive performances of this tribute by Kennedy and the Janáček Philharmonic amount to a stirring soundtrack to Natalie’s journey and the turmoil of all who battle addiction.

The composer describes these themes as grappling with an insane, detrimental cycle of repeating mistakes, which he chose to illustrate by staying in the home key throughout the entire work and creating a “tragic soundscape.” This is most prominently showcased in the storming density of the suite’s first two, 20-minute movements – “Facing the Demons” and “Into the Dark Spaces.”

Yet, as “Moving into the Light” concludes Natalie’s Suite, a lighter mood begins to dissipate the tragedy of the suite. The movement accomplishes what its title suggests, presenting and embodiment of McEncroe’s view that “there can be no recovery until acceptance of complete powerlessness is reached. Only at that point can an addict and/or alcoholic begin the long slow, painful, but richly rewarding journey into a brand new life.”

Though the Janáček Philharmonic returns on Echoes from a Haunted Past, Kennedy dominated the album’s three addendums with her solo piano performances on Natalie’s Theme and The Pendulum. While both pieces are haunting displays, it is the pianist’s reprise of Natalie’s Suite which beautifully accents the album’s central theme. The solo duet also draws from McEncroe’s fondness of Japanese gardens, bonsai and koi ponds, an influence he compares to the way in which Claude Monet took inspiration from his garden for many of his paintings.

Helen Kennedy, piano
Janáček Philharmonic Orchestra
Anthony Armore, conductor

Janáček Philharmonic Orchestra
Raising from a Radio Orchestra founded in the mid-wars period when Paul Hindemith, Leoš Janáček, Sergei Prokofiev and Igor Stravinsky frequently visited Ostrava, a big symphony orchestra was launched in 1954. Thanks to demanding artistic direction it soon became one of the leading Czech orchestras and started to tour abroad only two years later (1956). Many world-known conductors and soloist made their artistic attribution to the orchestra since then: Maris Jansons, Serge Baudo, Václav Neumann, Karel Ančerl, Jiří Bělohlávek, Helmuth Rilling, Vladimir Fedoseyev, Iván Fischer; Rudolf Firkušný, Svjatoslav Richter, Frank-Peter Zimmermann, André Navarra and many others.

The Velvet Revolution and the two upcoming decades (90s and 00s) sees the orchestra touring a lot to the West, including tours with the opera stars such as Plácido Domingo, José Carreras, Diana Ross or Joseph Calleja in the same time when Christian Arming becomes the youngest Artistic director in the orchestra`s history.

Mark John McEncroe
Born in Sydney, Australia, Mark John McEncroe had a varied interest in many kinds of music that led him to working in the music/record business for EMI Records in his early 20s and 30s. For much of that time he was a Label Manager, first with EMI Australia and then with EMI Sweden, and it was during this period that he commenced his music studies with lessons in piano, trumpet, flute and later the clarinet.

At age 37 McEncroe studied piano in earnest under Will Scarlett in Sydney, continuing lesson with Valerie Fawcett and then Helen Kennedy, after Will Scarlett's death. During this time McEncroe developed an interest in composition that was to become his all consuming passion and main focus. To this end, in 2003 he began his study of music theory and composition with Margaret Brandman in Sydney, which continued until 2012.

In 2006 he collaborated with Mark J Saliba who orchestrated a piano work from McEncroe's "Symphonic Poem - The Passing". This work was later recorded and performed by The Janacek Philharmonic Orchestra (JPO) in The Czech Republic. Since then Saliba has orchestrated much of McEncroe's material from his piano works and piano reductions. During this time McEncroe has been studying orchestration with Saliba, and more recently, commenced lessons with Australian composer, Houston Dunleavy.

To date McEncroe has recorded and released two piano CDs, Reflections & Recollections Vol. 1 and Vol. 2, with pianist Helen Kennedy. He has also released his Fanfare Suite for orchestra; two Symphonic Poems: “The Passing” and “A Celebration of The Natural World” on the CD Affirmations & Aspirations recorded in The Czech Republic with The JPO conducted by Anthony Armore. Over the last few years McEncroe has recorded many works with The JPO and conductor Anthony Armore.

In 2016 McEncroe signed up with Parma Recordings in the USA, to release his his fourth CD Dark Clouds In Life which features his work for piano and orchestra “Natalie's Suite - Three Faces of Addiction”, and “Symphonic Poem - Echoes from A Haunted Past”, together with pieces from his piano volumes. Parma will follow this with the release of Mark's “Symphonic Suites No. 1 and 2” on a double CD.

Live concert performances of McEncroe's orchestral works to date include “Symphonic Poem - The Passing” performed by The JPO with conductor Anthony Armore; “Symphonic Suite No. 1” under conductor Heiko Mathias Foerster and “Symphonic Suites No. 1 and No. 2” featuring The Rousse Philharmonic conducted by Nayden Todorov. Symphonic Suite No. 3 will premiere in concert in 2018.

McEncroe’s current projects include writing a ballet based on Symphonic Suites Nos 1 and 2, a new CD release of solo piano works performed by John Martin, planning more European concerts of his Symphonic Suites, collaborating with Mark Saliba on orchestrations of his piano pieces to be recorded with the JPO, and continually composing more works for piano and orchestra.

This album contains no booklet.