Palestrina: Missarum Liber Primus (Remastered) Coro Polifonico dell'Accademia Nazionale di Santa Cecilia & Roberto Gabbiani

• Giovanni Pierluigi da Palestrina (1525 - 1594): Missa 1:
• 1 Missa 1 “Ecce sacerdos magnus” -Kyrie 04:25
• 2 Missa 1 “Ecce sacerdos magnus” - Gloria 06:26
• 3 Missa 1 “Ecce sacerdos magnus” - Credo 10:33
• 4 Missa 1 “Ecce sacerdos magnus” - Sanctus 08:23
• 5 Missa 1 “Ecce sacerdos magnus” - Agnus Dei I 02:18
• 6 Missa 1 “Ecce sacerdos magnus” - Aguns Dei II 02:30
• 7 Missa 1 “Ecce sacerdos magnus” - Agnus Dei III 02:04
• Missa 2:
• 8 Missa 2 “O Regem Coeli” - Kyrie 03:46
• 9 Missa 2 “O Regem Coeli” - Gloria 05:28
• 10 Missa 2 “O Regem Coeli” - Credo 09:50
• 11 Missa 2 “O Regem Coeli” - Sanctus 05:30
• 12 Missa 2 “O Regem Coeli” - Agnus Dei I 02:29
• 13 Missa 2 “O Regem Coeli” - Aguns Dei II 02:49
• Missa 3:
• 14 Missa 3 “Virtute magna” - Kyrie 04:29
• 15 Missa 3 “Virtute magna” - Gloria 05:36
• 16 Missa 3 “Virtute magna” - Credo 09:54
• 17 Missa 3 “Virtute magna” - Sanctus 07:43
• 18 Missa 3 “Virtute magna” - Agnus Dei I 02:24
• 19 Missa 3 “Virtute magna” - Aguns Dei II 03:04
• Missa 4:
• 20 Missa 4 “Gabriel Archangelus” - Kyrie 03:39
• 21 Missa 4 “Gabriel Archangelus” - Gloria 05:52
• 22 Missa 4 “Gabriel Archangelus” - Credo 08:09
• 23 Missa 4 “Gabriel Archangelus” - Sanctus 08:15
• 24 Missa 4 “Gabriel Archangelus” - Agnus Dei I 02:22
• 25 Missa 4 “Gabriel Archangelus” - Aguns Dei II 02:29
• Missa 5:
• 26 Missa 5 “Ad coenam Agni providi” - Kyrie 03:01
• 27 Missa 5 “Ad coenam Agni providi” - Gloria 05:11
• 28 Missa 5 “Ad coenam Agni providi” - Credo 09:50
• 29 Missa 5 “Ad coenam Agni providi” - Sanctus 07:02
• 30 Missa 5 “Ad coenam Agni providi” - Agnus Dei I 02:22
• 31 Missa 5 “Ad coenam Agni providi” - Aguns Dei II 02:57
• Total Runtime 02:40:50

Info for Palestrina: Missarum Liber Primus (Remastered)

One basic feature, which determines the difference between fonè and other record companies, is the recording of performances in their natural spaces, that is in the places where they were originally presented. This leads to a constant search for suitable locations, and the choice of churches, theatres, country mansions, drawing rooms and so on. The recordings are carried out with the utmost simplicity, the only way not to do violence to the music: all the equipment is high fidelity; use is made of valve-type paired microphones manufactured in the years 1947 and 1949 (U47, U48 and M49) with an extremely natural and transparent timbre and a bi-microphonic field effect; these microphones have a very important history: they were used to record the Beatles at the Abbey Road Studio and by the RCA for the "Living Stereo" recordings.

Coro Polifonico Dell' Accademie Nazionale Di Santa Cecilia
Roberto Gabbiani, conductor

Digitally remastered

No biography found.

Booklet for Palestrina: Missarum Liber Primus (Remastered)