Afghanistan: Requiem for a Generation (Live) Vancouver Symphony Orchestra & Bramwell Tovey

• Jeffrey Ryan (b. 1962):
• 1 Ryan: Requiem Aeternam (Live) 10:14
• 2 Ryan: Kyrie (Live) 07:17
• 3 Ryan: Dies Irae (Live) 05:34
• 4 Ryan: Offertorium (Live) 07:53
• 5 Ryan: Sanctus (Live) 06:11
• 6 Ryan: Agnus Dei (Live) 04:54
• 7 Ryan: Lux Aeterna (Live) 03:04
• 8 Ryan: Libera Me (Live) 07:47
• 9 Ryan: In Paradisum (Live) 07:52
• Total Runtime 01:00:46

Info for Afghanistan: Requiem for a Generation (Live)

Most of us, certainly those of us in North America, experience war from a safe distance, through what we see on television and read in the media, while the reality of war happens far away. Poet Suzanne Steele, however, gained a unique firsthand perspective on war. As Canada’s first War Poet, Steele joined the 1st Battalion Princess Patricia’s Canadian Light Infantry in 2009 during the war in Afghanistan, documenting her experiences in her poetry and at warpoet.ca. She saw the fear, the belief, and the sacrifice. She met people who did not come home alive. She met people who did come home, but broken, to a life shattered by post-traumatic stress disorder. She met their families, mourning, powerless. Her writings and experiences–stories we do not see on television or read in the media–provide the foundation for this hour-long concert work with music by Canadian composer Jeffrey Ryan.

Afghanistan: Requiem for a Generation opens with an evocation of the space and calm of the North, and a prayer for healing lifted up to the starry night sky of the winter solstice. It quickly comes back to earth, and to Afghanistan, with the fractured memories of a soldier suffering from PTSD, living in the present but tortured by the past, the sound of helicopters ringing in his ears. As the work unfolds, a young soldier writes home during a cold Afghan night, the voices of parents and children echoing in his mind. In the Day of Wrath, apprehension turns to catastrophe seen first in slow motion, gradually speeding up to real time as a soldier, critically injured by an Improvised Explosive Device, is airlifted to emergency care. A lover mourns. A soldier is killed two days before the tour of duty ends. A body returns home. Two soldiers tell their story of a lamb. Children play, voices of light evoking a flock of birds flying freely overhead. A medic is overwhelmed by mounting casualties. A soldier seeks to be made whole again. In the final movement, the choir looks to an unknown future as the soloists remember past sacrifices, all coming together in a closing appeal for rest and peace.

Almost every generation has its war (or wars) that it carries as a scar forever. For Steele, this work is “a love letter. Not just to one person…but to each of us, to our country, and to a generation that will be paying for this war emotionally or financially (looking after the injured and next of kin) for another generation.” Afghanistan: Requiem for a Generation marks one particular war for one particular generation, but its message is universal and timeless.

Vancouver Symphony Orchestra
Bramwell Tovey, conductor

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