Des pas sous la neige Joël Grare

• Joël Grare ( b.1961):
• 1 Des pas sous la neige (À ma mère) 03:37
• 2 Transhumance et transcendance (À Didier Galas) 04:01
• 3 Battements d'ailes dans le brouillard (À Pierre Favre) 03:56
• 4 Les rythmes fantômes (À Jacques Debs) 02:58
• 5 Campanula alpestris (À Armand Amar) 02:26
• 6 La noce feras-tu ? (À Jean-François Zygel) 03:15
• 7 La buée (À Christian Vander) 02:51
• Béla Bartók (1881 - 1945):
• 8 Abel Torbak 1 / Brâul (À Claude Walter) 01:33
• 9 Abel Torbak 2 / Pe Loc (À Matthieu Delpy) 01:41
• 10 Abel torbak 3 / Buciumeana (À Yoann Moulin) 02:10
• Joël Grare:
• 11 Cloches Vespérales (À Emmanuel Guibert) 02:49
• 12 Le cou des vaches (À mon frère Alain) 03:25
• 13 Les Grandes Jorasses Face Nord (À Yvan Cassar) 03:39
• 14 La cascade des perles de rosée (À Dieter Hermann) 04:25
• 15 Debussy ou la tour des cloches (À Maël Guezel) 05:14
• 16 Sonnerie de plein champ pour faire venir la neige (À Alban Sautour) 03:11
• 17 Les flocons invitent la montagne à danser (À Axel Lecourt) 03:22
• 18 Sous la neige (À Anne Rousseau) 04:03
• Total Runtime 58:36

Info for Des pas sous la neige

Joël Grare, percussionist and tireless seeker after offbeat sounds and instruments, here presents his third album for Alpha: ‘Footprints beneath the snow: first sounds of innocence, cowbells and jingle-bells, sounds swallowed up by the mountain’... Through his compositions and inspirational influences (Debussy, Bartók) he follows a dizzying emotional Alpine path, along with his amazing instruments: drums, balafon, melodica, sanza, cowbells of all sizes, Japanese drums, trompiki, rainstick, thunder sheet – and his famous ‘clavicloche’: One early afternoon in January 1986 I visited the Devouassoud workshop in Chamonix, manufacturer of the jingle bells and tongued cowbells that adorn the animals’ necks, filling the mountainside with their chimes... I added these new treasures to my percussion set, not realizing that these newbies arranged among my cymbals would eventually become an instrument in their own right... Totally unlike church bells, whose pitches are pre-calculated when casting them, the pitch of cowbells is only approximate. The low-pitched bells are called “dull”, and the high-pitched ones “bright” – you need only a few cowbell notes to identify a particular herd. When trying to assemble a full tuned set, you might test several hundred cowbells and pick out just a few... To collect a chromatic set of three-and-a-half octaves took me a good twenty years!’

Joël Grare, percussion
Matthieu Desbordes, drums
Yula Slipovitch, vocals
Anne Isambert, vocals
Simon Buffaud, double bass
Alice Julien-Laferriere, violin

No biography found.

This album contains no booklet.