Extasis Lucile Boulanger, Anna Lachegyi, Giovanna Pessi, Myriam Rignol, Philippe Pierlot

• Francisco Correa de Arauxo (1584 - 1654): Facultad organica:
• 1 Arauxo: Facultad organica: No. 15. Tiento de quarto tono, FO 15 (Version for Consort of 4 Viols) 05:15
• Sebastián Aguilera de Heredia (1561 - 1627): Salve primer tono por de la sol re (Version for Consort of 4 Viols):
• 2 Heredia: Salve primer tono por de la sol re (Version for Consort of 4 Viols) 02:56
• Antonio de Cabezón (1510 - 1566): Obras de musica para tecla, arpa y vihuela:
• 3 Cabezón: Obras de musica para tecla, arpa y vihuela: No. 79. Diferencias sobre "El Canto del Caballero" (Version for Consort of 4 Viols and Harp) 02:58
• 4 Cabezón: Obras de musica para tecla, arpa y vihuela: No. 78. Diferencias sobre "La Gallarda Milanesa" (Version for Consort of 4 Viols and Harp) 02:30
• Francisco Correa de Arauxo: Facultad organica:
• 5 Arauxo: Facultad organica: No. 23. Tiento sobre la primera parte de la "Batalla de Morales", FO 23 (Version for Consort of 4 Viols) 06:53
• 6 Arauxo: Facultad organica: No. 46. Tiento de medio registro de tiple de el mismo(séptimo) tono, FO 46 (Version for Solo Harp) 05:15
• Juan Bautista Cabanilles (1644 - 1712): Pasacalles de primer tono, WSC 48 (Version for Consort of 4 Viols and Harp):
• 7 Cabanilles: Pasacalles de primer tono, WSC 48 (Version for Consort of 4 Viols and Harp) 02:26
• Francisco Correa de Arauxo: Facultad organica:
• 8 Arauxo: Facultad organica: No. 13. Tiento de primero tono, FO 13 (Version for Consort of 4 Viols) 05:52
• 9 Arauxo: Facultad organica: No. 16. Segundo tiento de quarto tono [por elami] a modo de canción, FO 16 (Version for Consort of 4 Viols) 04:48
• 10 Arauxo: Facultad organica: No. 36. Tiento de medio registro de tiple de décimo tono, FO 36 (Version for Consort of 4 Viols) 05:25
• Juan Bautista Cabanilles: Folias primer tono, WSC 152 (Version for Consort of 4 Viols and Harp):
• 11 Cabanilles: Folias primer tono, WSC 152 (Version for Consort of 4 Viols and Harp) 05:45
• Tiento de falsas cuarto tono, WSC 11 (Version for Solo Harp):
• 12 Cabanilles: Tiento de falsas cuarto tono, WSC 11 (Version for Solo Harp) 03:34
• Pasacalles de cuarto tono, WSC 102 (Version for Consort of 4 Viols and Harp):
• 13 Cabanilles: Pasacalles de cuarto tono, WSC 102 (Version for Consort of 4 Viols and Harp) 02:16
• Francisco Correa de Arauxo: Facultad organica:
• 14 Arauxo: Facultad organica: No. 18. Quarto tiento de quarto tono, FO 18 (Version for Consort of 4 Viols) 05:29
• 15 Arauxo: Facultad organica: No. 69. Tres glosas sobre el canto llano de la Immaculada Concepción, FO 69 (Version for Consort of 4 Viols) 03:55
• 16 Arauxo: Facultad organica: No. 5. Tiento de quinto tono, FO 5 (Version for Consort of 4 Viols) 04:45
• Total Runtime 01:10:02

Info for Extasis

Lucile Boulanger
began learning the viola da gamba with Christine Plubeau at the age of 5 years, with whom she continued to study until her admission to the Conservatory of Paris in the class of Ariane Maurette. She received her diploma in 2004 and joined the class of Jerome Hantai at the CNR in Cergy where she received first prizes with highest honours both as a soloist and in chamber music. She then joined the class of Christophe Coin at the CNSMD Paris where she obtained her Diploma in 2009. She has participated in master classes with Wieland Kuijken, Anne-Marie Lasla and Philippe Pierlot.

As a chamber musician she works with many ensembles of her generation, but she is also invited by established ensemble such as the Folies Françoises (Patrick Cohën-Akenine), Le Poème Harmonique (Vincent Dumestre), The Cyclops (Thierry Maeder / BibianeLapointe), Chapel Rhine (Benoît Haller), Ensemble Pierre Robert (Frederick Desenclos), Capriccio Stravagante (Skip Sempe), Il Gardellino (Jan De Winne / Marcel Ponseele) and Collegium marianum (Jana Semeradova). She performs regularly as a recitalist, where she enjoys particularly interpreting the sonatas of JS Bach.

In June 2009 she won the first prize in the International viola da gamba competition Bach-Abel (chaired by Wieland Kuijken), also receiving prizes for the best interpretations of Bach and Abel. In the same year she won the European contest organized by the Società Umanitaria in Milan which each year rewards three young musicians from all disciplines.

Booklet for Extasis