Mahler: Symphony No. 7 in E Minor (Live) Bayerisches Staatsorchester & Kirill Petrenko

• Gustav Mahler (1860 - 1911): Mahler: Symphony No. 7 in E Minor:
• 1 Mahler: Symphony No. 7 in E Minor: I. Langsam - Allegro risoluto, ma non troppo (Live) 20:47
• 2 Mahler: Symphony No. 7 in E Minor: II. Nachtmusik. Allegro moderato (Live) 14:19
• 3 Mahler: Symphony No. 7 in E Minor: III. Scherzo. Schattenhaft (Live) 09:22
• 4 Mahler: Symphony No. 7 in E Minor: IV. Nachtmusik. Andante amoroso (Live) 11:45
• 5 Mahler: Symphony No. 7 in E Minor: V. Rondo finale (Live) 16:18
• Total Runtime 01:12:31

Info for Mahler: Symphony No. 7 in E Minor (Live)

"If one sought a musical manifestation of all the painful experiences and tragic failures of European history in the early 20th century, it would be impossible to overlook the symphonies of Gustav Mahler. Here, there is no harmony where discord is more fitting. Here, life cries out, with all the conflict and joy it prof-fers humanity. In their performances, Kirill Petrenko and the Bayerisches Staats-orchester have enabled these experiences to resonate in remarkable fashion. What better way to launch the Bayerische Staatsoper's new label than with this outstanding live concert recording." (Nikolaus Bachler, General Manager, Bayerische Staatsoper) Kirill Petrenko, general music director of the Bayerische Staatsoper from 2013 until 2020, conducts Gustav Mahler's Symphony No. 7 - a pinnacle of the symphonic repertoire in a dramatic interpretation. This is the first audio-recording with Kirill Petrenko as chief conductor of the Bayerisches Staatsorchester.

"...this Mahler Seventh was absolutely superlative on every level...“ (David Nice, The Arts Desk)

„...the awesome Bavarian players delivered a truly dazzling Mahler Seventh...“ (Martin Kettle, The Guardian)

„...vom Bayerischen Staatsorchester mit einer atemberaubenden Perfektion in Szene gesetzt...“ (Robert Braunmüller, Abendzeitung)

Bayerisches Staatsorchester
Kirill Petrenko, conductor

Kirill Petrenko
was born in Omsk in 1972 where he studied piano at the College of Music. At the age of eleven he gave his first public performance as a pianist with the Omsk Symphony Orchestra. In 1990 his family (his father a violinist and his mother a musicologist) relocated to Vorarlberg where his father worked as an orchestra musician and music teacher. Petrenko first continued his studies in Feldkirch before moving to Vienna to study conducting at the Academy of Music and Performing Arts.

His first job after graduation took him directly to the Vienna Volksoper where he was hired by Nikolaus Bachler as Kapellmeister. From 1999 until 2002 Kirill Petrenko was General Music Director at the Meininger Theater. It was in 2001 in his role as conductor of Wagner's Der Ring des Nibelungen, in the production by Christine Mielitz and with scenery by Alfred Hrdlicka, that he first achieved international acclaim. In 2002 Kirill Petrenko became General Music Director of the Komische Oper Berlin where, until 2007, he was credited with a series of highly significant productions.

During his time in Meiningen and Berlin his international career also began to flourish. In 2000 Kirill Petrenko made his debut at the Maggio Musicale Fiorentino, in 2001 at the Vienna Staatsoper and the Dresden Semperoper, in 2003 at the Gran Teatre del Liceu in Barcelona, the Opéra National de Paris, the Royal Opera House Covent Garden in London, the Bayerische Staatsoper, the New York Metropolitan Opera and in 2005 at the Oper Frankfurt. In Lyon, in collaboration with Peter Stein, he conducted all three Pushkin-inspired operas by Tchaikovsky (Mazeppa, Eugene Onegin and Pique Dame) from 2006 until 2008, which were also performed as a cycle in early 2010.

After moving on from the Komische Oper Berlin Kirill Petrenko worked as a freelance conductor. During this period his projects included conducting a new production of Leoš Janáček's Jenůfa (Production: Barbara Frey) at the Bayerische Staatsoper in 2009. In Frankfurt he conducted Pfitzner's Palestrina (Production: Harry Kupfer) and Puccini's Tosca (Production: Andreas Kriegenburg). In 2011 he worked on two new productions of Tristan and Isolde at the Opéra National de Lyon and at the Ruhrtriennale.

To date, the most important orchestras Kirill Petrenko has been invited to conduct include the Berlin Philharmonic, the Dresden Staatskapelle, the BR Symphony Orchestra, the Bayerische Staatsorchester, the WDR Cologne Symphony Orchestra, the Hamburg Philharmonic and the NDR Hamburg Symphony Orchestra, the Frankfurt Opern- und Museumsorchester, the Amsterdam Concertgebouworkest, the Vienna Radio Symphony Orchestra, the Vienna Symphony, the Cleveland Orchestra, the Chicago Symphony Orchestra, the London Philharmonic Orchestra, the Oslo Philharmonic Orchestra, the Santa Cecilia Orchestra in Rome, the RAI National Symphony Orchestra in Turin and the Israel Philharmonic Orchestra. Kirill Petrenko has also conducted concerts at the Bregenz and Salzburg Festivals. From 2013 to 2015 he swung his baton for the new production of Richard Wagner's Der Ring des Nibelungen during the Bayreuth Festival.

Since September 2013 Kirill Petrenko has been General Music Director at the Bayerische Staatsoper. He has held this position until the end of the 2019/20 season. Since 2013, he has taken to the rostrum for premieres of Die Frau ohne Schatten, La clemenza di Tito, Die Soldaten, Lucia di Lammermoor, Lulu, Die Meistersinger von Nürnberg, Lady Macbeth of the Mtsenk District and Tannhäuser as well as the world premiere of Miroslav Srnka’s South Pole and a revival of Wagner's Der Ring des Nibelungen among other works. In June 2015, Kirill Petrenko was named future Chief Conductor of the Berlin Philharmonic, starting this position in autumn 2019.

In the current season at the Bayerische Staatsoper Kirill Petrenko led an new production of Verdi's Otello and Strauss' Salome. Furthermore, Kirill Petrenko conducts revivals of Die Meistersinger von Nürnberg, Fidelio, and Parsifal as well as two Academy Concerts with the Bayerische Staatsorchester.

Booklet for Mahler: Symphony No. 7 in E Minor (Live)