Stravinsky: The Rite of Spring & The Firebird Suite Park Avenue Chamber Symphony & David Bernard

• Igor Stravinsky (1882 - 1971): The Rite of Spring, Pt. 1 "Adoration of the Earth":
• 1 I. Introduction 03:34
• 2 II. The Augurs of Spring - Dances of the Young Girls 03:11
• 3 III. Ritual of Abduction 01:22
• 4 IV. Spring Rounds 03:55
• 5 V. Ritual of the River Tribes 01:56
• 6 VI. Procession of Sage 00:42
• 7 VII. The Sage 00:21
• 8 VIII. Dance of the Earth 01:21
• The Rite of Spring, Pt. 2 "The Sacrifice":
• 9 IX. Introduction 04:00
• 10 X. Mystic Circles of the Young Girls 03:10
• 11 XI. Glorification of the Chosen One 01:35
• 12 XII. Evocation of the Ancestors 00:38
• 13 XIII. Ritual Action of the Ancestors 03:40
• 14 XIV. Sacrificial Dance 04:49
• The Firebird Suite (1919 Version):
• 15 The Firebird Suite (1919 Version) 21:42
• Total Runtime 55:56

Info for Stravinsky: The Rite of Spring & The Firebird Suite

David Bernard leads the Park Avenue Chamber Symphony in this pair of world premiere recordings, showcasing new editions of two extraordinarily popular works by Igor Stravinsky- his monumental ballet “The Rite of Spring” and his 1919 suite from “The Firebird.” Bernard has worked closely with Clinton F. Nieweg, former librarian of the Philadelphia Orchestra, on developing newly edited and corrected editions that resolve thousands of errors and omissions in the orchestral materials. The auspicious beginnings of The Rite of Spring, a scandal erupting from the combination of outrageous costumes and choreography with Stravinsky’s glorious innovations, paved the way for the work’s identity as a keystone in the history of Western music, with ongoing influence on composers through this very day. Stravinsky’s Firebird, the composer’s breakout hit in 1910 Paris, never ceases to capture the imagination of audiences with its alluring melodies, transparent textures and magical narratives. Hear both of these captivating scores in the premiere recording of their new editions performed by the Park Avenue Chamber Symphony directed by David Bernard.

Park Avenue Chamber Symphony
David Bernard, conductor

Park Avenue Chamber Symphony
Since its founding in 1999, the Park Avenue Chamber Symphony has built a loyal following, both in New York City and worldwide through its extensive catalog of recordings on iTunes, Naxos/ClassicsOnline, Amazon and Spotify. In 2011 the orchestra toured the People's Republic of China performing in 9 cities including Beijing, Qingdao, Dalian, Chaoyang, Jinzhou, Shenzhen, Shenyang and Xi'an.

Three time--FIRST PRIZE Winner of The American Prize Competition in Orchestral Performance (2011, 2012, 2013), the Park Avenue Chamber Symphony's performances were described by the judges as "extremely impressive, well-shaped. This ensemble is good enough to surpass many professional orchestras, performing incredibly difficult repertoire on a professional level." New York Critics have acclaimed Park Avenue Chamber Symphony performances as “Triumphant...polished…exquisite…with a strong sense of style and commitment…with the depth and fervor of the old school European orchestras.”

David Bernard
serves as Music Director of the Park Avenue Chamber Symphony, Massapequa Philharmonic and the Eglevsky Ballet. He is an active guest conductor, appearing with the Brooklyn Symphony, the Dubuque (IA) Symphony, the Greenwich (CT) Symphony, Greater Newburgh Symphony Orchestra, the Island Symphony, the Litha Symphony, the South Shore Symphony and ensembles from the Manhattan School of Music. Called “the Johnny Appleseed of Classical Music” by Long Island Weekly, Maestro Bernard has helped the Arts thrive in the New York Metropolitan Area through his innovative approaches to audience and orchestra building as music director and guest conductor.

As a conductor of ballet, David Bernard has worked with dancers from the Eglevsky Ballet, New York City Ballet, Boston Ballet and the Miami City Ballet companies, including Jared Angle, Tyler Angle, Santiago Castañeda, Ji Young Chae, Jeffrey Cirio, Sarah Gavilla, Miriam Miller and Unity Phelan.

David Bernard’s performances and recordings are critically acclaimed worldwide, including Mahler’s Ninth Symphony (“Bernard’s leadership from the podium was characterized by meticulous attention to detail. His ability to interpret Mahler’s complex score with precision and emotional clarity exemplified a rare blend of technical mastery and artistic insight. With his fluid yet purposeful gestures, he guided the orchestra through the symphony’s emotional peaks and valleys, ensuring that each transition was seamless and every climax resonated with full impact.”—Edward Kliszus, The Front Row Center), Tchaikovsky’s Late Symphonies (“As a distinguishing feature of this recording, I noticed David Bernard’s obvious effort to bring out all that’s written down in the score thus exposing internal voices I’ve not heard before.”—The WholeNote/Canada), HEROIC: Beethoven’s Eroica and Mahler’s Fifth ("Quite impressive by our European standards. This interpretation is flawless both musically and artistically. The success of this album must be acknowledged, showcasing the high quality of the Park Avenue Chamber Symphony under David Bernard’s precise and inspired direction."—Crescendo Magazine/Brussels), Stravinsky’s "The Rite of Spring" at Lincoln Center (“transcendent...vivid...expertly choreographed” -LucidCulture), Beethoven’s Complete Symphonies praised for its “intensity, spontaneity, propulsive rhythm, textural clarity, dynamic control, and well-judged phrasing” by Fanfare magazine, Tchaikovsky’s Pathétique Symphony (“parts emerge like newly scrubbed details in a restored painting. Bernard and his musicians frequently shed new and valuable light on a thrice-familiar standard” -Gramophone) and an album of Dvořák’s Late Symphonies (“David Bernard treats each of the symphonies with alert and respectful acuity. He trusts Dvořák’s metronome markings, often to surprising and exciting effect, and makes sure the narratives unfold with seamless assurance. Bernard shapes the score with fine control, savouring its tender and invigorating material minus mannerism or bluster.” -Gramophone).

David Bernard is the founder and Director of InsideOut Concerts, Inc., a pioneer and innovator in the design, development and production of immersive classical music events, and is inventor of US Patent No. 11,673,070 entitled “Methods and Systems for Arranging Seats for Audience Members and Musicians.” Bernard’s work using these methods in concerts and events resulted in not only increased tickets sales, but also increased organic new audience acquisition.

Bernard is the First Prize winner of The American Prize Orchestral Conducting Competition (professional division) 2019. In presenting this award, the panel of judges commented:

“Conducting from memory, David Bernard exhibits remarkable skill and considerable elan in a vibrant reading of Stravinsky "Rite of Spring." Not content with a cool, furrowed-brow approach to this music, his interpretation is alive to the nuances of color and, indeed, the dramatic arc, of this legendary masterwork. His is a considerable achievement by any standard.” —The American Prize Competition PanelDevoted to the music of our own time, he has presented world premières of scores by Bruce Adolphe, Chris Caswell, John Mackey, Ted Rosenthal and Jake Runestad, and distinguished concert collaborators have included Anna Lee, Jeffrey Biegel, Carter Brey, David Chan, Catherine Cho, Adrian Daurov, Pedro Díaz, Edith Dowd, Stanley Drucker, Bart Feller, Zlatomir Fung, Ryu Goto, Whoopi Goldberg, Sirena Huang, Judith Ingolfsson, Yevgeny Kutik, Anna Lee, Jessica Lee, Kristin Lee, Maxim Lando, Daniela Liebman, Jon Manasse, Christopher Martin, Anthony McGill, Spencer Myer, Todd Phillips and Inbal Segev.

David Bernard is an acclaimed orchestra builder and is sought after for his artistic leadership and innovation in community engagement.

Booklet for Stravinsky: The Rite of Spring & The Firebird Suite