Venezia 1700 Thibault Noally and Les Accents

• Antonio Vivaldi (1678-1741): Sonate en Mi Mineur pour violon et basse, RV 40:
• 1 Adagio-Largo-Adagio-Allegro-Allegro 03:47
• 2 Largo-Allegro 03:29
• Francesco Antonio Bonporti (1672-1749): Invenzione No. 6 en Do Mineur pour violon et basse continue, Op. 10:
• 3 I. Lamentevole 01:55
• 4 II. Balletto. Allegro 02:04
• 5 III. Aria. Comodo assai 01:38
• 6 IV. Fantasia. Allegro non presto 02:25
• Antonio Caldara (1670-1736):
• 7 Ciaccona No. 12 en Si Bémol Majeur pour deux violons et continuo, Op. 2 04:22
• Evaristo Felice dall'Abaco (1675-1742): Sonate No. 12 en Sol Mineur pour violon et basse continue, Op. 4:
• 8 I. Largo 01:46
• 9 II. Presto e spiccato 00:58
• 10 III. Passagaglio. Un poco vivace 03:43
• 11 IV. Giga. Allegro assai 02:05
• Antonio Vivaldi (1678-1741): Sonate en Si Bémol Majeur pour violon et basse continue, RV 759:
• 12 I. Preludio. Largo 03:04
• 13 II. Allemanda. Allegro 03:21
• 14 III. Sarabande. Largo 03:18
• 15 IV. Corrente. Allegro 03:31
• Antonio Caldara (1670-1736): Sonate No. 7 en Do Mineur pour deux violons et basse continue, Op. 2:
• 16 I. Preludio. Largo 01:20
• 17 II. Allemanda. Allegro 02:10
• 18 III. Corrente. Allegro 01:37
• 19 IV. Tempo di Sarabanda. Non tanto allegro 01:28
• Tomaso Albinoni (1671-1751): Sonate No. 5 en Sol Mineur pour violon et basse continue, Op. 4:
• 20 I. Adagio 02:50
• 21 II. Allegro 03:00
• 22 III. Adagio 02:18
• 23 IV. Presto 02:37
• Antonio Vivaldi (1678-1741):
• 24 Sonate No. 12 en Ré Mineur pour deux violons et basse continue, Op. 1 "La Follia" 09:40
• Total Runtime 01:08:26

Info for Venezia 1700

Thibault Noally and Les Accents present a celebration of the Venetian Sonata. The term sonata was first coined at the end of the 16th century by Giovanni Croce and Andrea Gabrieli but it was Tartini, born and active in the Venetian Republic, who created some 200 sonatas for violin, the largest body of work in the form, followed by Vivaldi with 80. If Vivaldi borrowed from all an sundry [Caldara, Corelli, Matteis, Bonporti, Albinoni] then others were quick to borrow from him too and the Venetian sonata spread through competing musicians to Germany, via Pisendel and the Dresden court; France with Leclair and Guignone; and Russia with the Venetians Madonis and Dall'Oglio. Thibault Noally is a recognised name on the international baroque stage. He best-known as the solo violin of Les Musiciens du Louvre-Grenoble with Marc Minkowski, with the Concerto Köln, Pulcinella or the Ensemble Matheus.

Thibault Noally, violon
Les Accents

No biography found.

Booklet for Venezia 1700