Fragments Iva Bittová

• 1 Fragment I 02:58
• 2 Fragment II 02:10
• 3 Fragment III 03:35
• 4 Fragment IV 02:10
• 5 Fragment V 02:59
• 6 Fragment VI 03:46
• 7 Fragment VII 07:19
• 8 Fragment VIII 01:53
• 9 Fragment IX 03:06
• 10 Fragment X 04:55
• 11 Fragment XI 03:48
• 12 Fragment XII 03:04
• Total Runtime 41:43

Info for Fragments

Czech singer/player/composer Iva Bittová has said: “The violin is a mirror reflecting my dreams and imagination. I believe there are fundamentals to my performance, such as the music’s vibration and resonance between violin and my voice.” That relationship is beautifully explored on this album – recorded at Auditorio Radiotelevisione svizzera, Lugano, and produced by Manfred Eicher– which expresses the essence of Bittova’s unique and extraordinary solo work. The pieces here, modestly-titled ‘Fragments I-XII’ resist definition. An idiosyncratic ‘folk’ music, contemporary composition, improvisation, any and all of these may apply from moment to moment. Bittová’s music is a living, changing thing: “Deciding on a name for my style of music is far from over yet”. Iva Bittová was previously showcased in 2007 on the widely-acclaimed ECM album “Mater” by composer Vladimír Godár. This eponymously-titled disc now marks her solo debut for the label.

Iva Bittová has long been one of contemporary music’s great originals – and her work has always resisted neat idiomatic definition: as she says herself, “deciding on a name for my style of music is far from over yet”. “Describing what she does is difficult” wrote Sharon Mesmer in the Brooklyn Rail, “like describing music to someone who’s never heard it. She shifts between speaking, incantation, and singing, and the sounds are given intuitive colorations that move perceived meanings up and down a trajectory of joy and sadness”.

Bittová has contributed to projects in many genres, from jazz to opera, worked with musicians in experimental rock and classical music, and was last heard on ECM flanked by the chamber orchestra Solamente Naturali and the Bratislava Conservatory Choir, singing Vladimir Godar’s cantata “Mater” (ECM New Series 1985), a work in fact inspired by Bittová’s vocal art, by its energy, discipline, and intuitive and emotional power.

All those qualities are in evidence on the present disc, her first for ECM under her own name. Recorded in Lugano last February, with Manfred Eicher producing, its modestly-titled “Fragments I-XII” explore the relationship and the resonance between the voice and violin which are central to Iva’s solo work.

“The violin accompanies me all the time. It is a mirror reflecting my dreams and imagination.” The exchanges and the counterpoint between voice and instrument are often uncanny. In the flow of things, in Bittová´s personal folklore, meticulously-realized pieces and spontaneous stream-of-consciousness improvisations may blur into each other, and the serious and the playful go hand in hand. The album is bookended by pieces for voice and kalimba. The gentle modulation of the thumb-piano, one of mankind’s oldest instruments and accompaniment of choice for the wandering griot, establishes an emotional and atmospheric climate that invites us to enter Bittová’s world of reveries, memories and revelations. Bittová draws on the sounds of her native Moravia and her lineage in the rich traditions of Slovakia and the Roma people.

Her vocal palette merges these age-old practices with a sensibility attuned also to the demands of art music and the extended techniques of the avant-garde. Yet the transitions in her work never appear forced: a text by Getrude Stein, sung by Bittová (see “Fragment III”) can seem as natural as folk song. Her violin-playing is as versatile as her voice can be, by turns, austere, earthy, romantic, a tool for sonic exploration and emotional expression.

All music by Iva Bittová
except VI by Joaquín Rodrigo, adapted by Iva Bittová Lyrics by Gertrude Stein (III) and Chris Cutler (VII)

Recorded February 2012
Auditorio Radiotelevisione svizzera, Lugano
Engineer: Stefano Amerio
Produced by Manfred Eicher

Iva Bittová
was born in 1958 in Bruntál in northern Moravia in what was then Czechoslovakia – and nowadays the Czech Republic. Both of her parents were musicians. Her mother Ludmila was a pre-school teacher who spent most of her life with her family; her father Koloman Bitto – Bittová is the surname’s female form – was a musician strongly influenced by the land of his birth – southern Slovakia. His main instruments were string bass, cimbalom, guitar, and trumpet. This exceptional ability to play almost any instrument he laid his hands on, whether performing in classical or folk music styles, proved a major influence on his three daughters as they grew up. Both of Iva’s sisters – her older sister Ida and her younger sister Regina – are professional drama and music performers.

Iva attended drama pre-school, specializing in violin and ballet. In due course she gained admittance to the Music Conservatory in Brno, often called the Czech Republic’s second city. She graduated in drama and music. During her studies, Iva took part-time engagements as an actress and musician in Brno’s Divadlo Husa na provázku (Goose On A String Theater). She cites these engagements as some of the most formative and influential of her life.

Around this time she also featured as an actress in radio, TV and movie productions. Later on, while working full time in theater, she re-kindled her interest in playing violin, an instrument she had set aside in her younger years. After her father’s early death, she decided to follow in his professional footsteps as an instrumentalist and by composing her own music.

In 1982, Iva started studying with Professor Rudolf Šťastný, the primarius (first violin) of the Moravian String Quartet. In the intervening years the violin has become her life’s passion and the most inspiring musical instrument in her professional life. Iva firmly believes that, as playing the violin places extreme demands on musicians, the composer’s work depends utterly on commitment and diligence.

After living in the countryside near Brno for 17 years, Iva decided to relocate her personal and professional life to the United States. In the Summer of 2007, she settled amid the splendors of nature in upstate New York. Iva shares her Hudson Valley home with her younger son Antonín (born 1991) – also a dedicated musician and another chip off the Bitto block.

Booklet for Fragments