Bach: Leipzig Organ Works (1723-1750) Maude Gratton

• 1 Praludium 08:48
• 2 Fuge 06:27
• 3 O Lamm Gottes 08:09
• 4 I. Adagio, vivace 02:39
• 5 II. Andante 04:19
• 6 III. Un poco allegro 02:26
• 7 Variation 1 (In canone all ottava a 2 clav. e pedal) 01:21
• 8 Variation 2 (Alio modo in canone alla quinta a 2 clav. e pedal) 01:26
• 9 Variation 3 (In canone alla settima, cantabile) 02:46
• 10 Variation 4 (A 2 clav. e pedal. per augmentationem in canone all ottava) 02:47
• 11 Variation 5 (Laltra sorte del canone all rovercio. Alla sesta - Alla terza - Alla seconda - Alla nona) 02:47
• 12 Duetto No. 1 02:27
• 13 Jesus Christus, unser Heiland, BWV 665 04:56
• 14 Nun komm, der Heiden Heiland, BWV 659 04:10
• 15 Vor deinen Thron tret ich hiermit, BWV 668 04:57
• 16 Praludium 06:05
• 17 Fuge 07:21
• Total Runtime 01:13:51

Info for Bach: Leipzig Organ Works (1723-1750)

The talented organist and harpsichordist Maude Gratton is an artist constantly seeking perfection. A graduate of the Paris Conservatoire, she trained with such great masters as Pierre Hantaï (harpsichord) and Louis Robilliard (organ), as well as with Olivier Baumont, Blandine Rannou, Kenneth Weiss, Michel Bouvard, Olivier Latry, and Olivier Trachier.

It was quite natural that Philippe Herreweghe, concerned with promoting the talent of promising young musicians, should invite her to record an album in the ‘Amis de Phi’ (Friends of Phi) collection. On this disc, the young organist has chosen an ideal programme for demonstrating her art, proposing an intelligent panorama of organ works by Johann Sebastian Bach: between the Preludes and Fugues in E minor and E flat major, BWV 548 and 552, Jesus Christus, unser Heiland, BWV 665, the Canonic Variations on ‘Vom Himmel hoch’, BWV 769, and the Organ Sonata no. 4, BWV 528, come and discover well-known and less well-known pieces by the Kantor of Leipzig.

Maude Gratton, harpsichord

Maude Gratton
Born in Niort in 1983, Maude Gratton pursues a solo career in France and abroad on the organ, the harpsichord and the fortepiano. She also performs regularly with such musicians as Philippe Pierlot, Damien Guillon, Bruno Cocset and Jérôme Hantaï. For some years now she has been a member of Collegium Vocale Gent (director Philippe Herreweghe) and Le Concert Français (director Pierre Hantaï).

Since 2011 she has been artistic director of two projects she founded in the Poitou-Charentes region, the Académie de Musique de Saint-Loup and the Musiques en Gâtine festival. She also teaches the organ and the harpsichord at the Royal Conservatory in Ghent and is a faculty member of the Vannes Early Music Institute, directed by Bruno Cocset.

Her first recording (works by Wilhelm Friedemann Bach on Mirare) won a Diapason d’Or of the year for 2009 and was named Critics’ Choice in Gramophone. She then took part as organ soloist in the first recording of works by J. S. Bach by Le Banquet Céleste under the direction of Damien Guillon. Subsequent recordings (all on Mirare) have included a Weckmann programme with the Ricercar Consort under Philippe Pierlot (Choc de l’Année in Classica), the sonatas for cello and pianoforte of Georges Onslow (with Emmanuel Jacques) and Bach’s Musical Offering (with the Ricercar Consort).

Maude Gratton graduated from the Conservatoire National Supérieur de Musique de Paris in harpsichord, continuo, organ and Renaissance counterpoint. In 2003 she won second prize at the Bruges International Organ Competition, and she was named ‘Young Soloist 2006’ by the Association of French-Speaking Public Radio Stations.

Il Convito
The chamber ensemble Il Convito was founded in 2005 by the harpsichordist and organist Maude Gratton. Its repertory consists of music ranging from the Renaissance to the nineteenth century, focusing on harpsichord, grand organ or fortepiano, and played on period instruments. In 2007 the ensemble won a place on the Déclic programme supported by Cultures France and Radio France. It has already appeared at numerous festivals, including La Roque d’Anthéron, Saintes, Sablé, Arques-la-Bataille, La Folle Journée de Nantes, the Bach Academy in Bruges, Midi-Minimes in Brussels, and Musiques en Gâtine. Foreign tours have taken it to Washington, Ottawa, Sweden, and South and Central America.

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