Homeward Bound Bryn Terfel

• George David Weiss (1921-2010), Bob Thiele (1922-1996)
• 1 What A Wonderful World 04:11
• Marta Keen Thompson
• 2 Homeward Bound 06:07
• Samuel Stennett (1727-1795)
• 3 Bound For The Promised Land 02:45
• Paul Mealor
• 4 Faith's Call 03:31
• Robert Lowry (1826-1899)
• 5 Shall We Gather At The River 04:40
• Traditional
• 6 How Great Thou Art 05:16
• John Hughes (1873-1932)
• 7 Guide Us, O Thou Great Jehovah 03:56
• Traditional
• 8 Blow The Wind Southerly 03:51
• 9 Shenandoah 04:58
• Karl Jenkins (1944- )
• 10 Ave verum Corpus 03:44
• Traditional
• 11 The Dying Soldier 03:56
• 12 Battle Hymn Of The Republic 05:20
• 13 Deep River 04:58
• Edward Boatner (1898-1981)
• 14 When The Saints Go Marching In 03:54
• Daniel E. Kelley (1845-1905)
• 15 Home On The Range 04:07
• Gabriel Fauré (1845-1924): Requiem, Op.48
• 16 6. Libera me 04:49
• George Frideric Handel (1685-1759): Rinaldo, HWV 7a
• 17 Laschia ch'io pianga 03:26
• Benny Andersson (1946- )
• 18 Give Me My Song 04:41
• Total Runtime 01:18:10

Info for Homeward Bound

Since Bryn Terfel’s home has always been in North Wales, it may seem strange that he travelled to the Rocky Mountains in the American West to make an album called Homeward Bound. But Terfel has found a true sense of belonging in Salt Lake City, Utah, where the Mormon Tabernacle Choir is based. The 360-voice ensemble provides the rich and evocative backdrops for Terfel’s ringing bass-baritone on this new set of recordings, which spans material ranging from British and American folk and popular songs to hymns, spirituals and classical pieces. Enhancing their combined musical artistry is the fact that choir and star soloist are united by a surprising amount of shared history.

Some of this history is quite recent. Terfel previously sang with the Choir in 2003, when he appeared in one of its annual Christmas concerts, and again in 2007, in concerts marking the reopening of the renovated Salt Lake Tabernacle. He has also collaborated several times with the Choir’s music director, Mack Wilberg, who wrote arrangements for Terfel’s albums Simple Gifts and Carols & Christmas Songs. But there’s a deeper, cultural connection between these musicians, too, stretching back to the Choir’s foundation in the mid-19th century.

Although the Mormon Tabernacle Choir traces its roots to the first Mormon pioneers who settled in the Salt Lake valley in 1847, it found its firm footing with the addition of a large number of Welsh immigrants who crossed the Atlantic to join other Mormons migrating westwards across America. When they reached the settlement that would grow into Salt Lake City, they were asked by Mormon leader Brigham Young to become the nucleus of a great choir. That was in 1849, and in the intervening 164 years the ensemble has grown into an iconic American institution that tours internationally, has performed at the inaugurations of six United States presidents, and has released over 200 recordings. It has been the recipient of five Gold and two Platinum Records and a Grammy® Award in 1959. Since 1929, it has been broadcasting a weekly radio programme, Music and The Spoken Word, which now airs internationally on over 2,000 radio, TV, cable and satellite stations and is carried on the Choir’s own YouTube channel. It is accompanied by the Orchestra at Temple Square, which like the Choir, is comprised entirely of volunteer musicians.

Terfel built his towering international reputation by singing key roles by Mozart, Verdi and Puccini, and in recent years has distinguished himself as one of the great Wagnerian singers of the age. He’s also that rare phenomenon: a thoroughbred classical singer who can comfortably tackle songs by Rodgers and Hammerstein or music-theatre roles such as the lead in Stephen Sondheim’s Sweeney Todd. Nevertheless, he felt that his trip to the Rocky Mountains to make Homeward Bound was another new departure.

It gave him, he has said, “an incredible feeling of adventure, because this is something new,” as well as the sense of “an acceptance by a group of people who are incredibly loving, accepting and supporting”. The spiritual bond of shared Welsh heritage has much to do with it, and it’s a remarkable fact that no fewer than 213 members of the Choir have Welsh ancestors. Terfel approached the recordings with the aim of celebrating home, history and heritage, and the finished product does all of this and more. The music also radiates faith (both religious and otherwise) and a spirit of timelessness.

It was inevitable that there should be an American slant to Homeward Bound, and some of America’s most definitive pieces have found a home here. The traditional song “Shenandoah” has a long association with American seafarers, going back to the 19th century, and its historical echoes won it inclusion in the Hollywood movies How the West Was Won and Shenandoah, starring James Stewart.

Elements of big-band swing and Dixieland light up “When the Saints Go Marchin’ In”, which is sung and played with an irresistible New Orleans-style swagger by Terfel, the Choir and the accompanying Orchestra at Temple Square. On the other hand, “What a Wonderful World” dates back to the mid-1960s, when Louis Armstrong’s famous recording of it made it a symbol of healing and hope. Terfel doesn’t sing it like Satchmo, but his treatment of the song is a heartfelt affirmation of the elemental values that make life worth living. Then there’s “Home on the Range”, that ode to the Old West that Terfel considered an obligatory choice because, as he says, “you do have buffaloes roaming near the Salt Lake”.

The album’s sacred dimension is a vital part of its musical architecture, whether it’s expressed through the African American spiritual “Deep River” or the 19th-century hymn “How Great Thou Art”. Bryn teams up with mezzo-soprano Tamara Mumford, with whom he has previously sung Wagner at the Metropolitan Opera in New York, for contemporary Welsh composer Karl Jenkins’s touching “Ave verum corpus,” offering a modern classical counterpart to the imploring “Libera me” from Gabriel Fauré’s famous Requiem. Elsewhere on the album, Bryn joins with ethereal Norwegian soprano Sissel on the American folk song, “Shall We Gather at the River”, and also on fellow Scandinavian Benny Andersson’s “Give Me My Song”.

One song that absolutely demanded inclusion was “Cwm Rhondda”, the rousing hymn — known to many non-Welsh-speakers as “Bread of Heaven” — that has become a kind of unofficial Welsh theme tune. Sung here under the title more familiar to Americans, “Guide Us, O Thou Great Jehovah”, with a mixture of Welsh and English lyrics, its narrative of a “pilgrim through this barren land” guided by the “Great Redeemer” suggests something of the historic journey from Wales to the Rocky Mountains.

That epic trek is the specific subject of “Faith’s Call”, perhaps the most striking inclusion on the disc because it was specially commissioned for the project from young Welsh composer Paul Mealor. He was rocketed into the international spotlight in 2011, when his piece “Ubi caritas” was performed at the wedding of Prince William and Kate Middleton. This new composition wrings a powerful surge of emotion from the voices of choir and soloist counterpointed against a haunting trumpet theme, and that instrument winds the piece to a close with an echo of the Welsh national anthem, “Land of My Fathers”. The lyrics speak of a divine voice calling the singer from afar, urging him to leave “my homeland far away” and build God’s house on distant “Zion’s shore” — as the Welsh settlers did when they came to Utah. It’s an eloquent and moving key to what Terfel and the Choir were seeking to achieve with Homeward Bound. (Adam Sweeting)

Bryn Terfel, bass-baritone
The Mormon Tabernacle Choir
Tamara Mumford, soprano
Sissel Kyrkjebø, soprano
Orchestra at Temple Square
Mack Wilberg, Choir Music Director

Bryn Terfel
Born in North Wales in 1965, Bryn Terfel entered London’s Guildhall School of Music in 1984, studying first with Arthur Reckless and later with Rudolf Piernay. In 1988 he won the Kathleen Ferrier Memorial Scholarship and the following year graduated from the Guildhall, receiving the school’s Gold Medal. Shortly after that he represented Wales in the “Singer of the World” Competition in Cardiff and launched his career by winning the lieder prize.

Booklet for Homeward Bound