La Bataille D'Amour - Tabulatures & Chansons in the French Renaissance Maria Ferre

• 1 Fantasie des grues 02:50
• 2 A mes peines et ennuis 03:05
• 3 Buffons 02:36
• 4 Margot, labourez les vignes 02:41
• 5 Fantasie II 04:42
• 6 J'ay bien mal choisi 03:15
• 7 L'ennuy qui me tourmente 04:43
• 8 Bransles de Poictou 02:20
• 9 J'ay le rebours - Pavane. J'ay du mal tant tant 04:29
• 10 Gaillarde. J'ay du mal tant tant 00:58
• 11 Bataille de Janequin 07:53
• 12 Burato 01:02
• 13 Allegez moy 01:55
• 14 Pimontoyse 02:22
• 15 Puisque vivre en servitude 03:09
• 16 Chi passa 01:28
• 17 Plus oultre 01:54
• 18 Canti di voi le ladi 01:18
• 19 Une m'avoit promis 03:10
• 20 Pavane de la guerre 03:08
• 21 Gaillarde de la guerre 02:53
• 22 Fantasia 01:15
• 23 Amour pense que je dorme 02:59
• Total Runtime 01:06:05

Info for La Bataille D'Amour - Tabulatures & Chansons in the French Renaissance

The desire of Maria Ferré was to combine two of the most important instruments for her, which have accompanied her during her musical career – the Renaissance lute and Baroque guitar – led her on her path towards the Renaissance guitar. The “master instrument” lute thereby profited from the sincere energy of the guitar. Unfortunately, there is not such a wide repertoire available for the Renaissance guitar as for other related plucked instruments. Ferré’s aim to exploit the potential of this instrument to its full range and her interest in unknown music played a significant role in the selection of the pieces for this recording and she decided to arrange works specifically for the Renaissance guitar.

Alice Borciani, soprano
Dominique Vellard, tenor
Maria Ferre, luth, guitar, direction
Vincent Flückiger, luth
Murat Coskun, percussion

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