Give Me The Future + Dreams Of The Past Bastille

• 1 Distorted Light Beam 02:59
• 2 Thelma + Louise 02:17
• 3 No Bad Days 03:05
• 4 Brave New World (Interlude) 00:27
• 5 Back To The Future 02:59
• 6 Plug In… 02:40
• 7 Promises 01:25
• 8 Shut Off The Lights 03:07
• 9 Stay Awake? 03:07
• 10 Give Me The Future 03:39
• 11 Club 57 03:12
• 12 Total Dissociation (Interlude) 00:43
• 13 Future Holds 02:43
• 14 Back To The Innerverse (Interlude) 00:18
• 15 Real Life 02:18
• 16 Family Ties 02:46
• 17 Distorted Light Beam (Reprise) 03:23
• 18 Revolution 03:03
• 19 survivin' 02:53
• 20 No More Bad Days 03:58
• 21 Hope For The Future 03:32
• 22 Other People's Heartache (Interlude) 00:45
• 23 Run Into Trouble 03:00
• 24 Remind Me 03:02
• 25 Eight Hours 03:28
• 26 Dancing In The Dark (Apple Music Home Session) 03:10
• 27 Running Away 02:52
• Total Runtime 01:10:51

Info for Give Me The Future + Dreams Of The Past

Earlier this year Bastille released their hotly anticipated No.1 album, “Give Me The Future”, a record that explores a futuristic wonderland free from restrictions. The album embraces a new wave of technology, which enables us to get lost inside our imagination and travel back and forward in time to be anyone or do anything.

Now, the band are adding a further instalment to this critically acclaimed release, sharing a three-part extended edition of the album, dubbed "Give Me The Future + Dreams Of The Past” featuring another album’s worth of new songs, collaborations, covers and reprises. Watch here

“In releasing this version of the record, we wanted to give the complete picture of what we intended with this album and also explore the idea that you can choose your own adventure,” Dan says. “You can dive into the ideas of the future and an electronic world, or you can fall back into the past - away from technology and into ideas of memory and nostalgia – both thematically and musically. Or you can choose full-on dancefloor heartbreak escape.”

With the original album on part one, part two continues some of the themes and narrative from the original record, delving into songs that are shot through with notions of technological dependence, human connection and the limitless possibilities of life online. Part three, meanwhile, acts as a mini return to the band’s acclaimed “Other People’s Heartache” Mixtape series opening the four-piece up to collaborations, covers and concept-free creativity.

The new songs make ever clearer the link between the future and past, highlighting the ability to choose to go backwards as well as forwards like in more nostalgic cuts such as the Graceland-inspired “Family Ties”. Written about Smith’s memories of visiting his late aunt in South Africa, the warm, wistfulness of the track provides a counterpart to time travel’s usually futuristic sheen – as per new single, the rave-ready electronic club banger “Revolution”.

“Revolution” had always been one of the core songs for “Give Me The Future” and took inspiration from Quincy Jones’ production and The Weeknd’s “Can’t Feel My Face”. “The chorus is about the intimacy of human connection in the context of some science fiction, space-centred imagery. But it’s also about the idea of those amazingly thoughtful people who spend their lives trying to change the world in a positive way,” explains Dan. “I’m totally over-awed by people like that – if you’re one of them, like an inventor, activist or scientist, you have to have the ability to imagine a version of the future that’s better than what currently exists, and then have that energy to actually work to make it happen. Alongside all the other things life throws at you. So, I wanted to nod to those people and the idea that before anything big happens, most of them will have had these little revolutions in their minds, a change of perspective that leads to something bigger.”

On the “Other People’s Heartache” section of the album – Bastille bring that energy to life via collaborations; The glacial groove of “Run Into Trouble” with Alok, the garage stutter of “Eight Hours” with Tyde, a cover of the Bruce Springsteen classic “Dancing In The Dark” and boundary-less new songs including the irresistible, “Remind Me” and the melancholic power ballad “Running Away”.

The last song on the record is the beautifully ethereal, “Hope For The Future”, a song which hints at where the band could sonically go next. Written for the soundtrack of the Leonardo DiCaprio-produced documentary "From Devil’s Breath” – a short film about forest fires, climate change and tree planting. It centres around an acoustic guitar melody and Smith’s layered vocals. “I was thinking about Sufjan Stevens and Bon Iver and all the acoustic artists who manage to write music that is both orchestral and floaty, but also a grounded in some grit,” he says. “It was very much at odds with all of the synthesisers, drum machines and electronic instruments and the production that we were using for “Give Me The Future”, but I feel super proud of it.”

Their fourth album, the masterful “Give Me The Future”, was hailed by many critics as their best release to date, with The Fader describing it as “a grand collection of sci-fi inspired songs attempting to make sense of the world’s fast-moving venture into dystopia”. NME said: “The result is the most expansive, yet cohesive record Bastille have put their name to,” adding that the band may have “created a perfect soundtrack to life after lockdown”. The Independent, meanwhile, declared: “When confined within Bastille’s catchy hooks and imaginative, era-spanning production, what lies ahead suddenly isn’t so terrible. The future is bright – for 30 minutes’ worth of bops, at least.” become the norm in the not-too-distant future.

“Give Me The Future’ achieves everything a pop album should and stands out as Bastille’s best and most expansive work.” (Clash)

“The best and most surprising album of their career to date” (Rolling Stone UK)

“A shimmering pop record…within Bastille’s catchy hooks and imaginative, era spanning production, what lies ahead suddenly isn’t so terrible – the future is bright” (INDEPENDENT)

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