Venite, exultemus: Campra & Bernier Concerto Soave

• André Campra (1660 - 1744): Venite, exultemus:
• 1 Campra: Venite, exultemus: I. Venite, exultemus Domino 02:05
• 2 Campra: Venite, exultemus: II. Quoniam Deus magnus Domino 01:41
• 3 Campra: Venite, exultemus: III. Venite, adoremus 04:37
• 4 Campra: Venite, exultemus: IV. Hodie si vocem ejus audieritis 01:38
• 5 Campra: Venite, exultemus: V. Quadraginta annis offensus fui generationi ill 02:35
• Pierre DuMage (1674 - 1751): Plein jeu:
• 6 DuMage: Plein jeu 02:03
• André Campra: Laudate Dominum:
• 7 Campra: Laudate Dominum: I. Laudate Dominum in excelsis 02:09
• 8 Campra: Laudate Dominum: II. Quia ipse dixit & facta sunt 01:23
• 9 Campra: Laudate Dominum: III. Laudate Dominum de terra 01:09
• 10 Campra: Laudate Dominum: IV. Montes & omnes colles 03:10
• 11 Campra: Laudate Dominum: V. Confessio ejus super caelum & terram 01:38
• Louis Marchand (1669 - 1732): Fond d'orgue:
• 12 Marchand: Fond d'orgue 01:37
• Nicolas Bernier (1664 - 1734): Judica me Deus:
• 13 Bernier: Judica me Deus: I. Judica me Deus 07:04
• 14 Bernier: Judica me Deus: II. Emitte lucem tuam 02:57
• 15 Bernier: Judica me Deus: III. Confitebor tibi in cythara 02:21
• 16 Bernier: Judica me Deus: IV. Quare tristis es anima mea 02:20
• 17 Bernier: Judica me Deus: V. Spera in Deo 03:18
• Nicolas Lebègue (1630 - 1702): Prélude du 5e ton:
• 18 Lebègue: Prélude du 5e ton 01:11
• Nicolas Bernier: Alma redemptoris Mater:
• 19 Bernier: Alma redemptoris Mater 07:09
• Nicolas Lebègue: Prélude du 6e ton:
• 20 Lebègue: Prélude du 6e ton 01:20
• Nicolas Bernier: Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus:
• 21 Bernier: Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: I. Exultemus Domino 03:00
• 22 Bernier: Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: II. Quoniam Deus magnus 01:36
• 23 Bernier: Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: III. Quoniam ipsius est mare 01:03
• 24 Bernier: Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: IV. Adoremus 04:29
• 25 Bernier: Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: V. Si vocem ejus audieritis 01:13
• 26 Bernier: Motets à une, deux et trois voix, Op. 1: No. 15, Venite, exultemus: VI. Quadraginta annis offensus fui generationi huic 03:01
• Total Runtime 01:07:47

Info for Venite, exultemus: Campra & Bernier

The motet for solo voice and two dessus, usually two violins, and the cantata with instrumental accompaniment originated in Italy at the dawn of the 17th century. The genre was introduced to France by Marc-Antoine Charpentier and by travelling Italian musicians and rapidly became one of the key showpieces of Italian taste and style. The genre was deployed superbly in the early 18th century by two magnificent composers who were practically contemporaries: André Campra and Nicolas Bernier.

Campra's natural attraction to Italian music is easily explained, as he was the son of an Italian doctor living in Aix-en-Provence and was also a pupil of the great Poitevin in the same city. Bernier, if we are to believe certain sources, was a pupil in Rome of the Venetian Antonio Caldara, one of the most important composers of his time.

Concerto Soave

Concerto Soave
is a Baroque music ensemble founded by María Cristina Kiehr and Jean-Marc Aymes. It celebrated its 30th anniversary in 2022 and is currently conducted by Jean-Marc Aymes and baritone Romain Bockler.

This website will make you discover our musical adventures, outreach programs, and we hope it will reflect our commitment for early music and creation in all its forms.

Besides its activities as an ensemble, Concerto Soave carries and develops other projects. We lead innovative cultural and educational projects, we organize and produce the festival Mars en Baroque in Marseille.

Booklet for Venite, exultemus: Campra & Bernier