It Takes Two to Tango Jukka Perko & Iiro Rantala

• 1 My Sweetheart Is Beautiful 02:02
• 2 Jealousy 04:39
• 3 Just Say I Love Her 05:02
• 4 For Mama 04:16
• 5 Therefore I Am Sad 04:23
• 6 Romance 03:20
• 7 A Blessing 03:26
• 8 I Will 04:25
• 9 Stella By Starlight 04:56
• 10 Love Is so Beautiful 03:03
• 11 Good Intentions 03:17
• 12 Finlandia (Piano Solo Version) 01:37
• 13 Finlandia (Duo Version) 03:45
• Total Runtime 48:11

Info for It Takes Two to Tango

With only five and a half million inhabitants in an area as big as Germany, Finland is one of the most sparsely populated countries in Europe. At the same time, the Finns are at the forefront of many fields - be it education, design or technology - and a good number of their European neighbours regard the North with some envy. The signs are pointing to a bright future for Finnish jazz as well: alongside pianist Iiro Rantala, Jukka Perko is considered to be one of the most important ambassadors of Finnish jazz. Born in 1968, he was hired to the “Dizzy Gillespie 70th anniversary big band” at the tender age of 20, with which he toured intensively through Europe and the USA before collaborating with legends of Bebop and Hardbop such as Red Rodney and McCoy Tyner and Scandinavian icons like Niels-Henning Ørsted Pedersen.

Like Rantala, Perko also has roots in occidental artistic music as well as in jazz, and he plays regularly with classical orchestras. These two aspects - the American jazz roots and the European classic and folklore – are reflected to this day in his music and compositions. "It Takes Two To Tango" focusses a central musical point of reference in Perko and Rantala’s musical language: the tango. It may come as a surprise to some, but Finland is second only to Argentina on the list of countries where the tango plays a big part in popular culture. Indeed, the tango may be even more important to Finland because it is not considered a musical performance there like in South America, but a dance music for everyday use.

The tango, alongside the Humppa and Jenkka, has been ubiquitous in public Finnish life since the first wave of European immigrants entered the country just before World War I. This was then intensified by the nation's state of mind in the fight for independence from Russia and the Soviet Union, and can now be heard played in restaurants, on ferries, at village summer festivals or as wedding music. Of course, they do embellish it in that uniquely idiosyncratic Finnish manner, adding German marching music and Slavic romanticism into the mix, which sees its played in a minor key, unlike most Tango Argentino pieces.

With that age old saying “it takes two to tango” in mind, the two commence their dance with power and tempo on the heavily syncopated "So Beautiful Is My Darling", before finding their way to the classical tango rhythm on "Jealousy" and remaining closely entwined and "entangoed" in the lyrical-poetic dialogue that follows – the Charles Aznavour chanson "For Mama", the Victor Young version of the standard "Stella By Starlight", their own compositions and even a composition by their compatriot Sibelius, "Finlandia".

Rantala is always surprising, exciting and lively and yet here also highly supportive to Jukka Perko, with his unmistakable lyricism, elegant to the very highest note, in which the strength of bebop is just as evident as Nordic melancholia and of course the passion of the tango. Once again Finland is the first on the floor and leaving footsteps.

“It Takes Two To Tango” is the first joint recording of the two, in a lyrically dense discourse on the topic of love in all its facets. It is an homage to their musical homeland and the uniting power of jazz.

Jukka Perko, alto & soprano saxophones
Iiro Rantala, piano

Recorded at the ACT Art Collection Berlin, November 6 & 7, 2014 Recorded, mixed and mastered by Klaus Scheuermann

Jukka Perko
Finnish violinist Pekka Kuusisto is one of the most versatile and distinctive musicians working today. Always demonstrating his extraordinary individuality and imagination, Pekka is unusually free and fluid in his approach and has been acclaimed for the spontaneity and freshness in his playing. As Pekka puts it: “I don't play to be different or the same as anyone else, I just play it the way I think it and feel it.” In 1995, Pekka became the first Finn to win the Sibelius Violin Competition. He says of his country: “I’m extremely proud that such a small country produced such a lot of really great music. Wherever I am, playing the Sibelius Concerto, I can see the landscapes of my homeland. It’s a bit like carrying around a small box of soil from your garden.” Pekka became Artist in Residence at the Tapiola Sinfonietta in September 2006, a post he took up along with pianist Olli Mustonen and conductor Stefan Asbury. This season he is also involved in SIB, a new concert series in Hämeenlinna, Finland, choosing both programmes and artists. Despite the first concert only taking place recently, the exciting and diverse programming has already created waves of excitement in the Finnish press.

As Artistic Director of Finland’s Our Festival each summer, Pekka creates his own programme of events. In 2008, the festival welcomed mezzo-soprano Anne-Sofie von Otter and pianist Bengt Forsberg, and also saw the premiere of the ‘Tanabata’ project and the ‘Reddress’ installation by Korean artist Aamu Song. The 2009 festival encouraged listeners to link music from completely different genres and eras, such as Robert Schumann and Joy Division, where Pekka explored the common themes of the tragic figures. Pekka has also recently set up Our Orchestra to strengthen and continue collaborations with musicians who have taken part in his Festival and concert series. Setting Pekka apart from most other violinists of his generation is his desire and ability to improvise; and his love of playing many different styles of music, channelling the same intensity into each genre. He has worked in the past with Finnish electronic jazz group Rinneradio and Norwegian noise duo Fe-Mail, consisting of French horn and vocals, performing electronic music based on improvisation with live sampling. In May 2009 Kraft - Pekka’s Finnish violin and accordion duo with Johanna Juhola - released Max Höjd, their first CD (Texicalli Records). Other unusual projects include a collaboration with the young Austrian multi- percussionist Martin Grubinger where they performed in key venues throughout Germany and Austria, and a recital at New York’s Lincoln Center where Pekka combined Bach’s D minor Partita with electronic improvisation on chorale melodies.

Pekka is increasingly seen directing ensembles from the violin, including the London, Scottish, Irish and Zurich Chamber Orchestras. Last season, he returned to the Australian Chamber Orchestra and was a great hit with critics and audience alike. This season, he directs the Britten Sinfonia in a major tour of the Netherlands and UK, as well as the Ensemble Orchestral de Paris, Munich Chamber Orchestra and Camerata Nordica. As a concert soloist, Pekka continues to work with some of the world’s greatest orchestras and conductors, offering some fascinating contemporary repertoire as well as fresh insights into the core works. Last season saw him perform the Peteris Vasks and Magnus Lindberg Violin Concertos with the Saint Paul Chamber Orchestra and at the Casa da Musica in Porto respectively. Highlights of this season include a performance of the Thomas Adès Violin Concerto under the baton of the composer himself, and his role of Resident Artist at the Toronto Symphony Orchestra’s “Sibelius Festival” in April 2010.

Pekka’s most recent CD release is a selection of works for violin and guitar by Niccolo Paganini on the Ondine label with guitarist Ismo Eskelinen. Other releases include two highly-acclaimed discs of works for violin and piano by Sibelius with Heini Kärkkäinen and a recording of works for violin and orchestra, with the Tapiola Sinfonietta. Pekka also features in 4, a DVD documentary about Vivaldi’s Four Seasons, presenting Winter in the snowscapes of Lapland.

Pekka was recently selected as one of eight individuals in the Konzerthaus Dortmund’s “Junge Wilde” series, which celebrates a new generation of highly gifted, musically-diverse young performers. Pekka gives his first “Junge Wilde” recital of electronic solo improvisations at the Konzerthaus early in 2010.

Pekka Kuusisto plays a Giovanni Baptista Guadagnini violin of 1752 kindly loaned by the Finnish Cultural Foundation.

Iiro Rantala
After touring the world for 18 years with Trio Töykeät, Finnish jazz piano virtuoso Iiro Rantala is refreshingly still at the forefront of international pianism. The energetic keyboard lion crosses musical genres and styles with ease and excitement, playing at his exhilarating and adventurous best. Definitely entertaining, zany,unconventional and occasionally wicked, yet always uncompromising.

Iiro Rantala is among the most internationally visible Finnish jazz musicians, and is second to none when it comes to unsurpassable keyboard technique and flaring showmanship. The pianist first became infected by music in the children's choir Cantores Minores at the age of seven and soon afterwards was already taking piano lessons... And the rest, as the cliché goes, is history.

Iiro began his piano studies at the Käpylä Music Institute, took private lessons from Seppo Kantonen, and went on to study at the Oulunkylä Pop/Jazz Institute and the Jazz Department of the Sibelius Academy. His musical education also included studying classical piano at the Manhattan School of Music in New York for two years beginning in 1991. Iiro Rantala is best known as the founder and pianist of Trio Töykeät, Finland's most famous jazz group, which became one of the biggest success stories in Finnish jazz. Töykeät gave over 2,500 performances in 60 countries between 1988 and 2006, and released 8 albums - a formidable achievement. The development of Iiro Rantala as a creative pianistic improvisor has been one of the most astonishing phenomena in the Finnish music world, and he has been the winner of all major jazz awards in Finland during his 22 year career.

Exploring the boundaries between musical genres is characteristic of Iiro Rantala's artistic personality. He has appeared in Finland with symphony orchestras, performing the Cartoon Concerto by Riku Niemi, Gershwin’s Rhapsody in Blue, Mozart’s No.23 piano concerto, and Iiro’s Concerto in G#majAs, was premiered in Finland in 2003 with the Tapiola Sinfonietta, and released on the Finnish Ondine label. Iiro’s creative diversity has seen him also intensively engaged with music for children’s theatre, as well as performing with cross-over classical musicians, including the popular a cappella Finnish vocal group Rajaton. Iiro recently formed a tango duo with world renowned virtuoso violinist Pekka Kuusisto. Since 2010 Iiro has focused also on the development of his solo piano career. Iiro’s ‘talk-and-meet’ series on Finnish national television started in 2006, and continues today

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