Happiness Is Being With The Spinners Spinners

Album info

Album-Release:
1976

HRA-Release:
07.06.2013

Label: Warner Music Group

Genre: R&B

Subgenre: Soul

Artist: Spinners

Album including Album cover

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  • 1 Now That We're Together 03:35
  • 2 You'll All I Need in Life 04:29
  • 3 If You Can't Be in Love 03:32
  • 4 Rubberband Man 07:23
  • 5 Toni My Love 03:44
  • 6 Four Hands in the Fire 04:04
  • 7 Clown 05:08
  • 8 Wake Up Susan 03:27
  • Total Runtime 35:22

Info for Happiness Is Being With The Spinners

As 1975's classic Pick of the Litter seemed to garner its strength from melancholy and faultless arrangements, this 1976 studio follow-up often wallows in style over substance and platitudes. The pretty but vacuous "Now That We're Together" is all over the road and has inane lyrics like, "You're such a great crowd/Why don't you sing loud." Other tracks "You're All I Need in Life" and "If You Can't Be in Love" all put into practice arrangements and themes that were better executed on New and Improved. Although things get a little mushy here, producer Thom Bell and the Spinners do have their moments here.

The highly danceable and infectious "Rubberband Man" breaks out of this effort's stodgy surroundings and gave lead singer Philippe Wynne plenty of room for his skilled scatting and effortless riffing. The best non-hit on this effort is "Toni My Love." The song is jazzy rumination on a mature relationship and it's the only track that's skilled enough to stand tall on Pick of the Litter. Despite the few high points, Happiness Is Being With the Spinners winds down before any of its predecessors did. The best of the last tracks, "The Clown" is a little overwrought and Philippe Wynne sounds like his hands are tied.

Happiness Is Being With the Spinners is one of the first Bell efforts to be partially recorded at Kaye Smith Studios in Seattle, WA, and was mastered at A&M Studios rather than Philadelphia's Sigma Sound. That fact arguably changed the winning formula and for the most part this falls short of the work that came before it. (Jason Elias, All Music)

Philippé Wynne, vocals
Billy Henderson, vocals
Bobbie Smith, vocals
Henry Fambrough, vocals
Pervis Jackson, vocals
Bobby Eli, guitar
Tony Bell, guitar
Bob Babbit, bass
Andrew Smith, drums
Larry Washington, percussion
Mother Father Sister Brother Orchestra
Barbara Ingram, backing vocals
Carla Benson, backing vocals
Evette Benton, backing vocals

Recorded at Sigma Sound Studios, Philadelphia, Pa. & Kaye-Smith Studios, Seattle, Washington
Mixed at Sound Labs, Los Angeles, California & Kaye-Smith Studios, Seattle, Washington
Mastered at A&M Studios, Hollywood, Calif.
Mastered by Bernie Grundman
Engineered by Don Murray
Produced and arranged by Thom Bell

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