Satie: Piano Music, Vol. 3 Noriko Ogawa

• Erik Satie (1866 - 1925): Vexations:
• 1 Vexations: No. 1 01:06
• 2 Vexations: Nos. 2-6 02:45
• 3 Vexations: Nos. 7-11 02:45
• 4 Vexations: Nos. 12-16 02:42
• 5 Vexations: Nos. 17-21 02:45
• 6 Vexations: Nos. 22-26 02:45
• 7 Vexations: Nos. 27-31 02:42
• 8 Vexations: Nos. 32-36 02:38
• 9 Vexations: Nos. 37-41 02:44
• 10 Vexations: Nos. 42-46 02:48
• 11 Vexations: Nos. 47-51 02:46
• 12 Vexations: Nos. 52-56 02:55
• 13 Vexations: Nos. 57-61 02:58
• 14 Vexations: Nos. 62-66 02:54
• 15 Vexations: Nos. 67-71 02:47
• 16 Vexations: Nos. 72-76 02:52
• 17 Vexations: Nos. 77-81 02:53
• 18 Vexations: Nos. 82-86 02:56
• 19 Vexations: Nos. 87-91 02:44
• 20 Vexations: Nos. 92-96 02:42
• 21 Vexations: Nos. 97-101 02:43
• 22 Vexations: Nos. 102-106 02:46
• 23 Vexations: Nos. 107-111 02:43
• 24 Vexations: Nos. 112-116 01:47
• 25 Vexations: Nos. 117-121 03:37
• 26 Vexations: Nos. 122-126 02:40
• 27 Vexations: Nos. 127-131 02:33
• 28 Vexations: Nos. 132-136 02:40
• 29 Vexations: Nos. 137-141 02:44
• 30 Vexations: No. 142 01:24
• Total Runtime 01:19:44

Info for Satie: Piano Music, Vol. 3

Of all the enigmas that surround Erik Satie and his music, Vexations is probably the most enigmatic. A ‘theme’ in the bass, with two different harmonizations, to be played – according to an ambiguous note on the composer's autograph – 840 times. That is at least how it has been interpreted since the first public performance, which lasted more than 18 hours and was organized by the composer John Cage in 1963. When Satie wrote Vexations is uncertain, and although it is usually assumed to be intended for a keyboard instrument that is also impossible to confirm. There are no known performances of it in the composer’s lifetime, and the single-page manuscript was only discovered after Satie’s death. The many question marks surrounding the piece have made it a cult classic, and live performances – by a single pianist or several performers taking turns – are events that still attract attention, even if only a few in the audience sit out a complete performance. As part of her acclaimed Satie cycle, Noriko Ogawa now offers a bite-sized taste (142 repeats, 80 minutes long) of the ‘Vexation experience’, with a twist – as she explains in the liner notes she has chosen to perform Vexations in a manner that may seem controversial to purists: ‘Satie’s work is itself a challenge to conventional performing tradition, so why not challenge him?’

Noriko Ogawa, piano

Noriko Ogawa
has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records (“If you like your Debussy to sound like the musical equivalent of a chilled white wine, Noriko Ogawa is the pianist for you” Roger Vignoles, BBC Radio 3, CD Review), confirms her as a fine Debussy specialist, and her Images Book I and II were chosen as the top recommendation ‘exquisite delicacy’ by Stephen Walsh, BBC Radio 3’s CD Review, January 2014. Noriko’s next recording for BIS records is of solo piano music by Eric Satie.

Noriko appears with all the major European, Japanese and US orchestras including recent and forthcoming performances with the Polish National Radio Symphony Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, BBC Philharmonic Orchestra, Czech National Symphony Orchestra and the Nagoya Philharmonic Orchestra, as well as the BBC Symphony Orchestra for the world premiere of Richard Dubugnon’s Piano Concerto. Noriko made her BBC Proms debut in August 2013 with the BBC Concert Orchestra (conducted by Barry Wordsworth) and appeared again in 2014 with the Endymion Ensemble. She has been appointed Vice President of the St Cecilia Orchestra in Ripon, Honorary Patron of the Ipswich Orchestral Society and, from January to June 2012, was the Artistic Director for the Reflections on Debussy Festival, hosted by BBC Philharmonic and Bridgewater Hall. In 2015 she continued her relationship with the Bridgewater Hall as Associate Artist for Ravel and Rachmaninov Festival alongside Peter Donohoe.

Noriko is also renowned as a recitalist and chamber musician. Notable chamber projects include a tour of Japan with the Berlin Philharmonic Wind Ensemble and the leader of the Vienna Philharmonic, Rainer Honeck. With her piano duet partner Kathryn Stott, Noriko has performed Malcolm Arnold’s Concerto for Two Pianos (Three Hands) at the 2013 BBC Proms, has toured in Japan and given premieres of Graham Fitkin’s double piano concerto Circuit. Noriko has also collaborated with Steven Isserlis, Isabelle van Keulen, Martin Roscoe, Michael Collins and Peter Donohoe.

As an advocate of commissioning, Noriko has been involved in numerous premieres including works by Richard Dubugnon, Takemitsu, Graham Fitkin and Dai Fujikura, as well as ‘Le Tombeau de Rachmaninov’, specially written for Noriko by eight composers and premiered at Manchester’s Bridgewater Hall. In addition to recording and performing, Noriko is a sought-after presenter, both on the radio and on television, recently appearing as a piano expert on the BBC3 coverage of the Leeds Piano Competition, and on BBC Worldwide in ‘Visionaries’ as an advocate for Takemitsu and in programmes for NHK and Nippon Television. As an adjudicator, she regularly judges the BBC Young Musician of the Year Competition, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition. Noriko has been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.

In Japan, Noriko acts as artistic advisor to the MUZA Kawasaki Symphony Hall in her hometown. In 1999, the Japanese Ministry of Education awarded her their Art Prize in recognition of her outstanding contribution to the cultural profile of Japan throughout the world and she has also been awarded the Okura Prize for her outstanding contribution to music in Japan. As a writer, Noriko has completed her first book (published in Japan) and her Japanese translation of Susan Tomes’s book Out of Silence – a pianist’s yearbook has been reprinted due to popular demand, with the Japanese music magazine Ongaku no tomo saying “Ogawa translates Tomes’ elegant composition into very beautiful Japanese with deep empathy and affection” (August 2012).

Noriko is passionate about charity work, particularly after the earthquake and tsunami which devastated Japan in early 2011. Since the earthquake she has raised over £40,000 for the British Red Cross Japan Tsunami Fund and is keen to keep fundraising. Noriko also founded Jamie’s Concerts a series for autistic children and parents and is a Cultural Ambassador for the National Autistic Society.

Noriko lives with her partner Philip and their cat Sox. When not practising she enjoys writing and cooking for friends.

Booklet for Satie: Piano Music, Vol. 3