Beethoven: Christus am Ölberge Philippe Herreweghe, Collegium Vocale Gent and Orchestre des Champs-Elysées

• Ludwig van Beethoven (1770 - 1827): Christus am Ölberge, Op. 85:
• 1 Beethoven: Christus am Ölberge, Op. 85: I. Introduzione 05:19
• 2 Beethoven: Christus am Ölberge, Op. 85: II. Recitative. Jehova, du mein Vater! 03:35
• 3 Beethoven: Christus am Ölberge, Op. 85: III. Aria. Meine Seele ist erschüttert 04:23
• 4 Beethoven: Christus am Ölberge, Op. 85: IV. Recitative. Erzittre, Erde, Jehova’s Sohn liegt hier! 01:34
• 5 Beethoven: Christus am Ölberge, Op. 85: V. Aria. Preist des Erlösers Güte 00:51
• 6 Beethoven: Christus am Ölberge, Op. 85: VI. Chorus. O Heil euch, ihr Erlösten 06:33
• 7 Beethoven: Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen 01:08
• 8 Beethoven: Christus am Ölberge, Op. 85: VIII. Duet. So ruhe denn mit ganzer Schwere 04:19
• 9 Beethoven: Christus am Ölberge, Op. 85: IX. Recitative. Willkommen, Tod 01:04
• 10 Beethoven: Christus am Ölberge, Op. 85: X. Chorus. Wir haben ihn gesehen 02:09
• 11 Beethoven: Christus am Ölberge, Op. 85: XI. Recitative. Die mich zu fangen ausgezogen sind 01:22
• 12 Beethoven: Christus am Ölberge, Op. 85: XII. Chorus. Hier ist er, der Verbannte 02:23
• 13 Beethoven: Christus am Ölberge, Op. 85: XIII. Recitative. Nicht ungestraft soll der Verweg’nen Schar 01:23
• 14 Beethoven: Christus am Ölberge, Op. 85: XIV. Trio. In meinen Adern wühlen gerechter Zorn und Wut 04:23
• 15 Beethoven: Christus am Ölberge, Op. 85: XV. Chorus. Auf! Auf! ergreifet den Verräter 02:46
• 16 Beethoven: Christus am Ölberge, Op. 85: XVI. Chorus. Welten singen Dank und Ehre 01:07
• 17 Beethoven: Christus am Ölberge, Op. 85: XVII. Chorus. Preiset ihn, ihr Engelchöre 03:07
• Total Runtime 47:26

Info for Beethoven: Christus am Ölberge

Beethoven composed the oratorio Christus am Ölberge (Christ on the Mount of Olives ) in just ‘a fortnight, amid all sorts of tumult and other unpleasant and alarming events in my life’. It marked the first time since the two ‘imperial cantatas’ of 1790, the Cantata on the Death of the Emperor Joseph II WoO 87 and the Cantata on the Accession of Leopold II WoO 88, that he had embarked on a multi-movement vocal work. Christus am Ölberge was also Beethoven’s first composition on a religious subject and was destined to remain his only oratorio.

Sebastian Kohlhepp, tenor
Eleanor Lyons, soprano
Thomas Bauer, bass
Collegium Vocale Gent
Orchestre des Champs-Elysees
Philippe Herreweghe, conductor

Philippe Herreweghe
was born in Ghent and studied at both the university and music conservatory there, studying piano with Marcel Gazelle. He also started to conduct during this period, and founded Collegium Vocale Gent in 1970. He was invited by Nikolaus Harnoncourt and Gustav Leonhardt, who had noticed his innovative work, to participate in their recordings of the complete cantatas of J.S. Bach.

Herreweghe’s energetic, authentic and rhetorical approach to baroque music was soon drawing praise. In 1977 he founded the ensemble La Chapelle Royale in Paris, with whom he performed music of the French Golden Age. From 1982 to 2002 he was artistic director of the Académies Musicales de Saintes. During this period, he founded several new ensembles with whom he made historically appropriate and well-thought-out interpretations of repertoire stretching from the Renaissance to contemporary music. They include the Ensemble Vocal Européen, specialised in Renaissance polyphony, and the Orchestre des Champs Élysées, founded in 1991 with the aim of playing Romantic and pre-Romantic repertoire on original instruments. Since 2009, Philippe Herreweghe and Collegium Vocale Gent have been actively working on the development of a large European-level symphonic choir, at the invitation of the prestigious Accademia Chigiana in Siena.

Philippe Herreweghe continually seeks out new musical challenges, and for some time has been very active performing the great symphonic works, from Beethoven to Gustav Mahler. Since 1997 he has been the musical director of the Royal Flemish Philharmonic (deFilharmonie). He was appointed permanent guest conductor of the Netherlands’ Radio Chamber Philharmonic since 2008. He is also in great demand as a guest conductor with orchestras such as Amsterdam’s Concertgebouw Orchestra, the Gewandhaus Orchestra in Leipzig and the Berlin-based Mahler Chamber Orchestra.

Over the years, Philippe Herreweghe has built up an extensive discography of more than 100 recordings with all these different ensembles, on such labels as Harmonia Mundi France, Virgin Classics and Pentatone. Highlights include the Lagrime di San Pietro of Lassus, Bach’s St. Matthew Passion, the complete symphonies of Beethoven and Schumann, Mahler’s song cycle Des Knaben Wunderhorn, Bruckner’s Symphony No. 5, Pierrot Lunaire by Schönberg and the Symphony of Psalms by Stravinsky. In 2010 he founded his own label (PHI), in order to give himself full artistic freedom to build up a rich and varied catalogue. The first recording, of Gustav Mahler’s Symphony No.4 (PHI-001) has been released, and the second CD, of J.S.Bach motets (PHI-002), is anticipated in 2011, followed by a new recording of Bach’s Mass in B minor and a recording of works by Johannes Brahms.

Philippe Herreweghe has received numerous European awards for his consistent artistic imagination and commitment. In 1990 the European music press named him “Musical Personality of the Year”. Herreweghe and Collegium Vocale Gent were appointed “Cultural Ambassadors of Flanders” in 1993. A year later he was awarded the Belgian order of Officier des Arts et Lettres, and in 1997 he was awarded an honorary doctorate from the Catholic University of Leuven. In 2003 he received the French title Chevalier de la Légion d’Honneur. Lastly, in 2010 the city of Leipzig awarded him its Bach-Medaille for his great service as a performer of Bach.

Booklet for Beethoven: Christus am Ölberge