Telemann: Concertos & Ouverture Vincent Lauzer, Mathieu Lussier & Arion Orchestre Baroque

• Georg Philipp Telemann (1681 - 1767): Concerto pour flûte à bec, cordes et continuo en do majeur, TWV 51:
• 1 Telemann: Concerto pour flûte à bec, cordes et continuo en do majeur, TWV 51:C1: I. Allegretto 03:13
• 2 Telemann: Concerto pour flûte à bec, cordes et continuo en do majeur, TWV 51:C1: II. Allegro 03:23
• 3 Telemann: Concerto pour flûte à bec, cordes et continuo en do majeur, TWV 51:C1: III. Andante 04:27
• 4 Telemann: Concerto pour flûte à bec, cordes et continuo en do majeur, TWV 51:C1: IV. Tempo di minuet 04:47
• Concerto pour flûte à bec et basson en fa majeur, TWV 52:
• 5 Telemann: Concerto pour flûte à bec et basson en fa majeur, TWV 52:F1: I. Largo 03:58
• 6 Telemann: Concerto pour flûte à bec et basson en fa majeur, TWV 52:F1: II. Vivace 05:24
• 7 Telemann: Concerto pour flûte à bec et basson en fa majeur, TWV 52:F1: III. Grave 04:37
• 8 Telemann: Concerto pour flûte à bec et basson en fa majeur, TWV 52:F1: IV. Allegro 03:34
• Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55:
• 9 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55: G5: I. Ouverture 06:19
• 10 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: II. Les Augures 02:56
• 11 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: III. Rondeau 02:09
• 12 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: IV. Entrée 02:32
• 13 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: V. La Joye 00:56
• 14 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: VI. Sarabande 01:55
• 15 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: VII. Gigue 01:28
• 16 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: VIII. Gavotte en Rondeau 01:13
• 17 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: IX. Plainte 03:06
• 18 Telemann: Ouverture en sol majeur pour 2 hautbois, basson, cordes et basse continue TWV55 :G5: X. Menuets 1, 2 & 3 03:44
• Total Runtime 59:41

Info for Telemann: Concertos & Ouverture

The latest recording by the Arion Baroque Orchestra bears witness to the fact that Georg Philipp Telemann's extensive catalogue of works is not yet fully known to listeners. This album marks the world premiere recording, under the direction of Alexander Weimann, of Telemann's Overture in G major, TWV 55: G5. The accompanying suite of evocatively titled dances is utterly French in character, with a pastoral trio of wind instruments two oboes and a bassoon. The two concertos on this recording are directed by Mathieu Lussier. They adopt the four-movement form (slow-fast-slow-fast), a vestige of the sonata da chiesa, one of Telemann's favourite forms. The Concerto for Recorder and Bassoon in F major, played by Vincent Lauzer and Lussier performing double duty on bassoon, is an example of the composer's fondness for unusual sonic combinations.

strong>Vincent Lauzer, recorder
strong>Mathieu Lussier, bassoon
strong>Arion Baroque Orchestra
strong>Alexander Weimann, conductor

Vincent Lauzer
Révélation Radio-Canada 2013-2014 and Breakthrough Artist of the Year (2012 Opus Awards), recorder player Vincent Lauzer graduated from McGill University where he studied with Matthias Maute. He is the artistic director of the Lamèque International Baroque Music Festival in New-Brunswick. In October 2018, his most recent recording of Vivaldi's concertos with Arion Baroque Orchestra was awarded a Diapason d'Or by the famous French magazine Diapason.

Winner of several prizes in national and international competitions, he has been awarded the Fernand Lindsay Career Award, a scholarship given to a young promising Canadian musician for the development of an international career. Vincent received the Béatrice-Kennedy-Bourbeau Award at the Prix d’Europe 2015. In 2012, he won the First Prize at the Stepping Stone of the Canadian Music Competition and the Career Development Award from the Women’s Musical Club of Toronto. In 2009, he was awarded the First Prize and the Audience Appreciation Prize in the Montreal International Recorder Competition.

Vincent is a member of Flûte Alors! and Les Songes, two ensembles with whom he has toured Eastern Canada with Jeunesses Musicales Canada. Vincent regularly performs as a soloist with Arion Baroque Orchestra, La Bande Montréal Baroque, the Montreal Symphony Orchestra, the Pacific Baroque Orchestra, and Les Violons du Roy. He has played in various series and festivals in Canada and in the United States as well as in Mexico, France, Germany, Spain and Belgium.

Vincent teaches at the Université du Québec à Montréal, at CAMMAC music camp, for the Montreal Recorder Society, for the Toronto Early Music Players Organization and at Université de Montréal’s École des jeunes.

Mathieu Lussier
Appointed Artistic Director of Arion Baroque Orchestra in 2019, Mathieu Lussier previously served as Associate Conductor of the chamber orchestra Les Violons du Roy from 2012 to 2018, directing the ensemble’s performances throughout Canada and in Mexico, Brazil and the US, and collaborating with artists including Marc-André Hamelin, Alexandre Tharaud, Jeremy Denk, Jean-Guihen Queyras, Philippe Jarrousky, Julia Lezhevna, Anthony Marwood and Karina Gauvin. In 2014, he received the Canada Council for the Arts’ Jean-Marie Beaudet Award for orchestral conducting. As Artistic Director of the Lamèque International Baroque Music Festival from 2008 to 2014, Mathieu Lussier also led various Canadian ensembles including Arion Baroque Orchestra, the Orchestre symphonique de Montréal, Orchestre Métropolitain, Orchestre symphonique de Trois-Rivières, Edmonton Symphony Orchestra, Kitchener-Waterloo Symphony Orchestra, I Musici de Montréal, Symphony Nova Scotia (Halifax), Manitoba Chamber Orchestra, as well as the Drummondville and Sherbrooke symphony orchestras.

For the past 20 years, Mathieu has tirelessly and passionately introduced audiences throughout North America, South America and Europe to the modern and Baroque bassoons as both solo and orchestral instruments. He continues to pursue a career in chamber music with Pentaèdre in Montreal, and was appointed Professor at the Faculty of Music of Université de Montréal in the summer of 2014. A talented communicator known for his humour and eloquence, Mathieu Lussier also served as President of the Conseil québécois de la musique from 2012 to 2015 and as President of CAMMAC from 2015 to 2017. In August 2019, he was named Vice-Dean of Undergraduate Studies, Professorial Affairs and Faculty Life at the Faculty of Music of Université de Montréal.

Mathieu Lussier is also a composer whose catalogue comprises more than 50 works performed regularly in North America, Europe, Asia and Australia. In 2018, he composed part of the music for the film La chute de l’empire américain by Oscar-winning director Denys Arcand. His works are published by Trevcomusic (US), Accolade (Germany), June Emerson (UK) and Gérard Billaudot (France).

Booklet for Telemann: Concertos & Ouverture