Closeup in Swing (Remastered) Erroll Garner

• 1 You Do Something to Me 03:18
• 2 My Silent Love 04:08
• 3 All of Me 02:24
• 4 No More Shadows 04:07
• 5 St. Louis Blues 06:31
• 6 Some of These Days 03:14
• 7 I'm in the Mood for Love 04:29
• 8 El Papa Grande 04:14
• 9 The Best Things in Life Are Free 03:31
• 10 Back in Your Own Backyard 03:51
• 11 Octave 103 04:22
• Total Runtime 44:09

Info for Closeup in Swing (Remastered)

The second product of Garner’s Octave Records, this album features Erroll and his classic trio like they’ve never been heard before, restored and remastered from the original master tapes. Marking the beginning of one of the most prolific periods in his life, this new presentation includes the propulsive, never-before-heard Garner composition, “Octave 103.”

Erroll Garner was somewhat unique among pianists; a self-taught musician, who was unable to read music and therefore remained an 'ear-player' throughout his career, yet he developed into one of the most distinctive jazz musicians of all time.

Erroll Garner, piano
Eddie Calhoun, double bass
Kelly Martin, drums


Digitally remastered

Erroll Garner
is one of the most distinctive pianists of the jazz genre. Other than Thelonious Monk, no one is more identifiable or harder to imitate. A self-taught virtuoso, Garner devised a solo style that eliminated rhythm accompaniment. His hands worked totally independent of each other. With block chords he set the rhythmic tempo in his left hand, and with his right, he embellished on the tune, taking liberties with melody and time, often lagging behind the beat. Some jazz purists dismissed him because he maintained his style throughout his career and enjoyed popularity unknown to most jazz artists. But Garner’s interpretive abilities and technical superiority cannot be denied.

He made frequent TV appearances, toured five continents, fronted major symphony orchestras, and composed film scores. His compositions were for jazz piano, but in 1962, when Johnny Burke added lyrics to “Misty,” Garner’s 1954 tune soared in popularity and entered the jazz standard repertoire.

Garner began his professional career at seven, playing with the Candy Kids, and at 16 he joined the Leroy Brown band. In 1944-45 he played in a trio with bassist Slam Stewart and guitarist Tiny Grimes before setting off on his solo career.

During the ‘60s Garner established his own record label. These LP’s have been reissued on CD by Telarc and reveal Garner’s sense of humor. The title cut of That’s My Kick is a new composition based on the changes of “I Get a Kick Out of You”; the lounge set song, “More,” is remade into a burner; and Garner makes “Tea for Two” fresh, playing with the time against bongo accompaniment, and alternating between piano and harpsichord. Still, Concert By The Sea (1955) is the epitome of his artistry.

His older brother Linton, who died in 2003, was also an accomplished pianist, based in Vancouver, B.C. (Sandra Burlingame)

This album contains no booklet.