Say It to the Still World Sean Shibe & The Choir of King's College London

• Lliam Paterson: Say It to the Still World:
• 1 Paterson: Say It to the Still World: Part One 19:36
• 2 Paterson: Say It to the Still World: Part Two 21:05
• 3 Paterson: Say It to the Still World: Part Three 15:57
• Lliam Paterson:
• 4 Paterson: Elegy for Esmeralda 06:39
• Poppies Spread:
• 5 Paterson: Poppies Spread: I. Poppies 03:44
• 6 Paterson: Poppies Spread: II. Shadows Intrude 02:52
• 7 Paterson: Poppies Spread: III. Chorale Bloom 03:12
• Total Runtime 01:13:05

Info for Say It to the Still World

Multi-award-winning Sean Shibe, widely recognised as the leading guitarist of his generation, joins Delphian regulars The Choir of King’s College London in these beguilingly conceived works by Shibe’s friend and compatriot Lliam Patterson, for the rare combination of choir with electric guitar.

"Say it to the still world" casts Shibe as Orpheus with his lyre, in a work which draws fragments of text from poetry by Rilke to meditate on language, loss and the transcendent power of song. Elegy for Esmeralda is a rawer, angrier response to grief, while poppies spread – composed especially, like the other two works, for the performers who bring it to life here – is a further testament to art’s ability to reflect and transform the outer world.

Sean Shibe, electric guitar
Choir of King's College London
Joseph Fort, direction

Sean Shibe
One of the foremost guitarists of his generation, Sean Shibe brings a fresh and innovative approach to the traditional classical guitar by experimenting with instruments and repertoire.

The first guitarist to be selected for the BBC Radio 3 New Generation Artists scheme, and to be awarded a Borletti-Buitoni Trust Fellowship, he was selected for representation by the Young Classical Artists Trust artist between 2015-2017. In 2018, Sean Shibe became the first guitarist to receive the Royal Philharmonic Society Award for Young Artists; in 2019, he won a Gramophone Award in the newly- created ‘Concept Album’ category for his critically acclaimed recording softLOUD. Further awards include the Royal Over-Seas League First Prize and Gold Medal (2011); Ivor Mairants Guitar Award (2009); and a Dewar Arts and D’Addarrio endorsement.

Sean Shibe’s commitment to expanding the repertoire for his instrument sees him conceive imaginative programmes, heavily featuring new music, as well as newly commissioned works; recent and future performances include new music by James MacMillan, Daniel Kidane, Brian Bolger, David Fennessy, Sofia Gubaidulina, and the premiere of a reworked version of Georges Lentz’s Ingwe, in collaboration with the composer himself. New commissions include Lliam Paterson, David Fennessy, Freya Waley-Cohen, and young Welsh composer Sylvia Villa.

Highlights in the 2019/20 season include performances at the Southbank Centre in London, MiTo Settembre Musica Festival, Liszt Academy in Budapest, RNCM in Manchester, and Serefiye Cistern Concerts series in Istanbul. After a five-star recital of electric and acoustic works at Wigmore Hall in March 2020, Sean was one of the first artists to return to the Hall for their new socially-distanced concert series in June, giving a recital of Scottish Lute Manuscripts, Bach and Steve Reich Electric Counterpoint, receiving five stars from The Guardian for his ‘irresistible style and authority…a nonchalant virtuoso and boundary breaker’. Sean’s new, chart-topping recording of Bach lute suites arranged for guitar was also released in May 2020 on Delphian Records. The disc received considerable attention: Sean was the cover star of Gramophone Magazine’s June 2020 issue, in which the disc was named Editor’s Choice; The Times and The Scotsman both awarded the disc five stars; Presto Classical and Europadisc both named the recording ‘Disc of the Week’; and it spent 3 weeks at number 1 as well as 2 months in the top 5, in the UK Specialist Classical Charts.

Sean’s debut album Dreams and Fancies was released in 2017 on Delphian; a recording that explores the fruits of Julian Bream’s history of commissioning in the 20th Century alongside music by Dowland, it was named Editor’s Choice in Gramophone and BBC Music Magazine Instrumental Choice. It was also nominated in the BBC Music Magazine ‘Instrumental Award’ category. In 2018, Sean Shibe released his second album, softLOUD, on Delphian. A revelatory and experimental programme, softLOUD includes a combination of acoustic and electric guitar, bringing together ancient and modern traditions in a collection of music ranging from Scottish lute manuscripts to electric guitar arrangements of Steve Reich’s Electric Counterpoint, .Julia Wolfe’s LAD, (originally written for 9 bagpipes) and David Lang’s Killer. The live programme resulted in Shibe being shortlisted in both ‘Instrumentalist’ and ‘Young Artist’ categories at the Royal Philharmonic Society Awards, and was hailed as ‘spectacular’ (Gramophone) and ‘gripping’ (The Guardian). Further recordings include solo works by Maxwell Davies on Linn with the Scottish Chamber Orchestra, and John Adams Naive and Sentimental Music with the Royal Scottish National Orchestra on Chandos.

He has performed at internationally renowned venues and festivals including Alte Oper Frankfurt, Heidelberger-Frühling, Festspiele Mecklenburg- Vorpommern, Mosel Musik Festival, Musashino Hall in Tokyo, and the Bath, Lammermuir, East Neuk and Aldeburgh Festivals. He returned to the Marlboro Summer Music Festival on the invitation of Mitsuko Uchida, and has toured China extensively.

He has appeared with the BBC Scottish Symphony, BBC National Orchestra of Wales, BBC Symphony, Royal Liverpool Philharmonic, Royal Northern Sinfonia, Pacific Symphony, and Trondheim Symphony Orchestras performing amongst others, Rodrigo’s Concierto de Aranjuez and Fantasía para un Gentilhombre, the Malcolm Arnold and Villa-Lobos Concertos.

Recent collaborators include the BBC Singers, Danish String Quartet, flautist Adam Walker, cellist Isang Enders, harpsichordist Mahan Esfahani and singers Allan Clayton, Ben Johnson, Robert Murray and Robert Tritschler; and performance artist and art filmmaker Marina Abramović.

Born in Edinburgh in 1992 of English and Japanese heritage, Sean Shibe studied at the Royal Conservatoire of Scotland and with Paolo Pegoraro in Italy. He is a D’Addario Endorsee, and performs on these strings exclusively.

Booklet for Say It to the Still World