Fate & Alcohol Japandroids

• 1 Eye Contact High 02:29
• 2 D&T 03:05
• 3 Alice 04:28
• 4 Chicago 03:58
• 5 Upon Sober Reflection 04:27
• 6 Fugitive Summer 03:56
• 7 A Gaslight Anthem 02:30
• 8 Positively 34th Street 05:03
• 9 One Without the Other 02:49
• 10 All Bets Are Off 03:32
• Total Runtime 36:17

Info for Fate & Alcohol

Recorded in Vancouver with longtime collaborator Jesse Gander, Fate & Alcohol finds them pursuing new ways to bottle that same rush - to write songs with the vitality and dynamic interaction of their early material, without sacrificing any of the nuance or ambition that marked Near to the Wild Heart of Life. Nowhere is that more deeply felt than lead single “Chicago,” a song whose sheer momentum feels inevitable—from the romance of its opening chords to the snare-led explosions that see it through. 

"On our last record we wanted to broaden the definition of a Japandroids song,” King says, “and purposely left our demos quite open and malleable so that we had more flexibility to experiment in the studio. At the time, this approach was new and exciting, and inspired us to be bolder, to take more chances. We were aiming for a more cinematic take on our signature sound. This time, we tried to split the difference, and made certain that every song ripped in our jam space before Jesse ever heard it. If you listen to our first demo of "Chicago," it's obviously much rougher than what you hear on record, but it's all there. Even on a blown-out iPhone recording, the energy was obvious and the feeling cut through loud and clear."

But it goes deeper than that. If Near to the Wild Heart of Life found the duo pushing themselves to write music that didn’t rely on (or simply recreate) the raw power and easy pleasures of Celebration Rock, Fate & Alcohol is meant to merge what they loved about both. “As a band, you always want to feel like you’re progressing while simultaneously preserving what's unique about you,” King says. “This record combines the energy and abandon of the first two with the storytelling of Near to the Wild Heart of Life—youthful exuberance but tempered with a point of view, of life lived.”

You can hear those ideas collide on “D&T,” a song whose natural effervescence is shot through with glimpses of the morning after. On “Fugitive Summer,” King and Prowse come together for a coda that’s all cause and effect, a few seconds of catharsis in the name of coming clean. The sound is familiar but the feeling’s different—heavier, wearier, light years away from the cyclonic naïveté of 2009’s “Wet Hair” or the preemptive nostalgia of 2012’s “Younger Us," early highlights that could only be written by someone surfing one moment to the next. “These songs are a little more self-aware,” King says. “It's no longer just the night, but the next day too, which is something you think more and more about as you get older. Hangovers hit differently, as do the consequences of your actions.”

Listen to “Positively 34th Street,” and you’ll hear that growth. It’s a story of yearning and regret, of second chances. It’s a feat in restraint, a perfect song—all honeyed guitars and understated rhythms, gang vocals and timeless melody. It is also bittersweet, a lasting highlight from two people who were clearly meant to make music together. “I think it’s a lot like love,” Prowse says of their chemistry. “Not everybody gets to fall in love and not everybody gets to have a musical connection with somebody that is as intuitive and as exciting as the one I got to have with Brian. How would I even be able to begin to explain all of this to 23-year-old Dave, who’s just started jamming with his friend at a shitty little jam space or getting ready to play some dive bar in Vancouver to four people. How would I begin to explain to him? Just wait, man. You have no fucking idea what's going to happen.”

When asked to reflect on their career and all they’ve accomplished, both Prowse and King are hesitant to think in terms of legacy. They consider Fate & Alcohol a parting gift to fans, because Japandroids have approached every recording as fans themselves, from influences and ethics to artwork and merch. “I don't think we're the most technically proficient band in the world,” Prowse says. “And we're not the most original-sounding or challenging band in the world. But we've always put a lot of passion into what we do, and I think that's resonated with a lot of people. And I'm really grateful that we could be that band for people, in the same way that so many bands were for us.” 

Look back on their body of work and you’ll find songs that feel like they were written for this moment, for an ending. Songs of celebration and adventure and tomorrows deferred, but also, at their heart, songs about the fleeting nature of everything. If Japandroids wrote and played like this—a dream from the start—might end at any second, it’s because they knew it could. All great things do.

JAPANDROIDS

Recorded and mixed by Jesse Gander at Rain City Recorders in Vancouver, BC
Mastered by Jason Livermore at The Blasting Room in Boulder, CO
Produced by Jesse Gander & JAPANDROIDS

Japandroids
Vancouver duo Japandroids are announcing their first-ever live album today, reverently titled Massey Fucking Hall after the historic Toronto venue where it was recorded. To be released digitally on June 26 and vinyl later this fall on October 2, the 12 tracks include live versions of songs from all three of the band’s critically acclaimed studio albums.

Massey Hall is a celebrated Toronto venue that originally opened in 1894. With a capacity of nearly 3,000, the theater has hosted historic performances from fellow Canadian artists Oscar Peterson and The Tragically Hip. Landmark live albums by Neil Young and Rush were also recorded on its stage.

“We never thought we’d have the opportunity to play at Massey Hall,” Prowse explained. “It’s the most legendary venue in Canada by far, but it didn’t seem like a natural spot for a band like us to play. It’s a 100+ year old seated theatre, which isn’t the usual type of spot you expect to see Japandroids. Honestly, when we got off the stage that night, I remember feeling a sense of relief and exhilaration, but the whole thing felt like a bit of a blur. It was a very emotional show for me. We were both pretty nervous getting up on that stage.”

A band known for their kinetic live shows and rigorous international touring schedule, Japandroids hope releasing their first-ever live album during this global pandemic can be a healing balm for their fans.

“I really, really miss live shows,” Prowse admits. “I miss playing them and I miss being in the crowd. When you love music, there are few things more uplifting and cathartic than being in a room full of people at a live show. To not have that opportunity to experience live music together with a group of people has been hard to adjust to. It’s disorienting and it makes me sad to think about it. I hope that maybe in some small way people who are feeling similarly can find some solace in this record. They can hear the crowd and listen to us having the time of our lives at a historic venue and maybe that makes life a little easier for a minute, and reminds them that those moments will happen again down the road.”

This album contains no booklet.