Swing's The Thing (2025 Mono Remaster) Illinois Jacquet

• 1 Las Vegas Blues 06:11
• 2 Harlem Nocturne 04:30
• 3 Can't We Be Friends? 06:35
• 4 Achtung 05:00
• 5 Have You Met Miss Jones? 05:48
• 6 Lullaby Of The Leaves 05:38
• Total Runtime 33:42

Info for Swing's The Thing (2025 Mono Remaster)

Originally recorded for the Clef label in 1956, Swing’s The Thing features the tenor great in a sextet with Roy Eldridge (trumpet), Jimmy Jones (piano), Herb Ellis (guitar), Ray Brown (bass) and Jo Jones (drums).

While Jacquet’s sessions as a leader were infrequent during this time, this particular recording hits a high mark. The six-song set is highlighted by tracks such as “Las Vegas Blues,” “Harlem Nocturne,” and “Achtung.”

The album was a critical hit, receiving a four-star review from AllMusic. Writer Thom Jurek wrote: “…the magic is in the performances, so to speak with Jacquet, Roy Eldridge, Jo Jones, Herb Ellis, Jimmy Jones and Ray Brown in the party.”

Swing’s The Thing was recorded on October 16, 1956 at Studio Radio Recorders in Hollywood, CA. Norman Granz served as the project’s producer. Granz, of course, was the founder of both Clef (the original label on which the album was released) and Verve.

Illinois Jacquet, tenor saxophone
Roy Eldridge, trumpet
Jimmy Jones, piano
Herb Ellis, guitar
Ray Brown, bass
Jo Jones, drums

Recorded October 16, 1956 atRadio Recorders, Hollywood, CA
Produced by Norman Granz

Digitally remastered

Illinois Jacquet
is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, 1922, in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely new style and sound for the tenor saxophone. His classic solo on “Flying Home” recorded with the Lionel Hampton Band at Decca Records in New York City, on May 26, 1942, catapulted Jacquet to international fame and the solo became more famous than the song itself. All saxophonists learned to play Jacquet’s solo, every band recorded it, and people all over the world were humming this most famous solo in jazz history.

Two years later, on July 2, 1944, while improvising with Nat King Cole on piano and Les Paul on guitar for a benefit concert at the Philharmonic Auditorium in Los Angeles, California, Jacquet began to play a range of notes not regularly heard on the tenor saxophone. With an innovational use of harmonics in a creative impulse, Jacquet expanded the upper register of the tenor saxophone by two and a half octaves. By contrasting these stratospheric notes with sudden punctuations of sound from the lowest notes on the horn, Jacquet created the formula for what evolved into Rhythm and Blues and Rock and Roll. In the less than three minute solo, later to be entitled “Philharmonic Blues, Part II”, Jacquet anticipated far into the future and encompassed the blue-print for several generations of saxophonists. This sensational explosive solo created the spark that helped to launch Music out of night clubs and into concert halls around the world. In addition to knowing how to please the crowd with fiery excitement, Jacquet’s broad spectrum of musicianship Allowed him to also carry listeners into the depths of their being with his soulfully sensitive mastery of the ballad. He continued to be a star attraction with JATP until the final concert in 1957.

Illinois Jacquet grew up on stage, singing and dancing as a small child in front of his father’s territory band in Houston, Texas, the family having moved there from Louisiana before Jacquet was a year old. Formal musical training began in high school on drums and alto saxophone which he played with Milt Larkin’s legendary territory band. Graduation took him to the universities of the Lionel Hampton, Cab Calloway and Count Basie bands. After “Flying Home” with Hampton. he appeared in the film “Stormy Weather” with Calloway. For Basie, he recorded the hits “The King” and “Mutton Leg”; and with his own record-breaking small band he had hits on every major label. For both Aladdin and Apollo, who started in the recording business with Jacquet, he produced a string of hits that quickly elevated them to major record label status. For more information visit: www.illinoisjacquetfoundation.org

This album contains no booklet.