Influx Peuker8

• 1 Love Song 07:27
• 2 The Skyward Escape 05:58
• 3 Grind Me Tender 06:19
• 4 Anthem 04:24
• 5 At Beinglas Farm 06:59
• 6 Metamorfosi 10:39
• 7 Fuge 08:08
• 8 Mnimi 03:54
• 9 Theme Music 05:25
• 10 Into the Wild White Yonder 04:26
• Total Runtime 01:03:39

Info for Influx

With an octet that includes a string trio, guitarist/composer Paul Peuker has created an incredible universe of sound that catapults the guitar back into contemporary jazz. A fascinating fusion of jazz and European contemporary classical music characterize Peuker’s exceptional compositions – critically praised and vibrant in a live setting.

The return of the guitar to contemporary jazz has been going on for some time. The guitar’s role in jazz has more importance than ever before. Now making his home in Berlin, Paul Peuker is one of those players. In order to establish a wider musical spectrum, in 2011 he formed his octet, Peuker8. Characterized by a fascinating fusion of jazz and European contemporary classical music, Peuker’s exceptional compositions have been highly praised and have proven to be viable in a live setting.

You might think, aha, Third Stream jazz, and ignore the whole business. But Peuker’s music has nothing to do with some sort of ambitious academic work; rather, it flows forth with a wonderful vitality. Coincidentally, the listeners’ pleasure is a forgone conclusion as they become conscious of the close, natural intertwining, of players and styles. Peuker’s seemingly effortless structures are filled with spontaneity. This music is not overly cerebral; it is agile, multi-faceted and self-consistent without being intrusively overpowering. And it's a music from the here and now primed with American jazz and colored by European experiences, with string trio integrated in such a way that it accomplishes far more than enhance the music’s ‘flavor’ or effect.

Luckily, Paul Peuker has kept his large group together as he continues the exploration of his ‘third way’. Having grown out of a multiplicity of joint musical experiences, his second album, "Influx", is the next step; with a heightened intensity, he decisively suffuses his concept with life. Dense and rugged while at the same time transparent and permeated with creative details, this spirited band navigates its way through the ten concisely structured compositions.

Peuker has written into them a balanced awareness of form and improvisational freedom, as if they could have never been any other way. The pieces allow this large group to play with the fluidity of an extremely flexible organism.

Peuker is a remarkable guitarist. He can breathe new life into a ballad, but he can also let loose, hands-on and rocking, without losing sight of his responsibility to the group. This goes for all of the players. Theirs is a collective sound – compact, playful – and it all makes sense. At times there is such a rhythmic intensity that it may well make you want to get up and dance. The solos are cleverly integrated into this musical cosmos, since each individual is a part of the common cause.

Ulrich Stock recently wrote in Germany’s prestigious der ZEIT newspaper, "Suddenly jazz is back – in the big cities, in improvised clubs – and at some of the concerts the listeners are as young as the musicians. How can that be?" Peuker8 offers one of the most plausible answers.

Paul Peuker, guitar
Clemens Christian Pötzsch, piano
Mark Weschenfelder, saxophone
Alina Gropper, violinquinton
Filip Sommer, violaquinton
Elisabeth Coudoux, cello
Eugen Rolnik, bass
Florian Lauer, drums
Sissi Rada, vocals on "Mnimi"

Paul Peuker
der Initiator der Gruppe, studierte 2007-2011 an der Musikhochschule Dresden Jazzgitarre bei Stephan Bormann und ab 2011 Komposition bei Thomas Zoller. Er, Florian Lauer und Eugen Rolnik bilden außerdem das Trio „Axiom“ -im Juni 2011 haben sie ihr erstes Album, zu dem Paul Peuker ebenfalls die Kompositionen beisteuerte, auf dem renommierten Jazzlabel Nabel Records veröffentlicht.

Die Musik dieser Band besteht vorrangig aus Elementen der modernen Klassik, der frei improvisierten Musik und des Jazz. Die New Yorker Avantgarde-Szene um John Zorn ist ebenso Vorbild wie das Werk Schostakowitschs. Aus diesen und anderen Einflüssen auf der einen, den eigenen Kompositionen von Paul Peuker und der individuellen musikalischen Sprache jedes einzelnen Musikers auf der anderen Seite setzt sich eine einzigartige Band zusammen, deren Programm ein mitreißendes Konzerterlebnis verspricht. Dieses Ensemble besticht durch ein breites Spektrum an Klangfarben: Es ist eingelungener Versuch sich die kammermusikalischen Möglichkeiten der Besetzung zu Nutze zu machen, um einen Sound zu schaffen zwischen Streichquartett und Jazzcombo, aber auch gewaltige Klangwände ähnlich einer Rock-band oder eines Sinfonieorchesters zu erzeugen.

This album contains no booklet.