TUNGEMÅL II Mark Solborg

• 1 Ears #5 03:03
• 2 Ears #7 01:39
• 3 Conversation #1 03:30
• 4 Conversation #2 03:38
• 5 Nattesang 04:22
• 6 Gentle #1 02:24
• 7 Ears #2 03:24
• 8 Filmprimadonna 04:02
• 9 Conversation #4 03:52
• 10 Gentle #2 01:45
• 11 Leaps 04:08
• 12 PitchFork 01:36
• 13 Prepared #1 02:42
• 14 Prepared #2 06:52
• 15 Redondo 03:42
• 16 Tokyo 03:10
• 17 Slides 03:13
• 18 Resonans #2 04:10
• 19 Minor Garden 03:08
• Total Runtime 01:04:20

Info for TUNGEMÅL II

T U N G E M Å L is concerned with the electrified guitar as a voice in contemporary chamber- musical contexts. With this comprehensive project Solborg wishes to elaborate the intimate listening experience, and develop methods and tools for the creative work at hand. An extensive artistic study and qualifying awareness of the modern guitar in interplay with acoustic instruments, and the musical spaces they inhabit.

How do you talk - alone and with others - when you are the only one that is being translated through a loudspeaker ? ..is it possible to play both acoustically and electrified - simultaneously ? ..and can you get closer to the intimate speaking voice of the creating musician.

The two volumes illustrates and documents the research, discoveries, attacks on the tongue of the guitar - and musical conversation in acoustic spaces. Vol I, focusing on solo works and Vol II that contains works for duo and trio

- both recorded in the studio and site-specific. The debut, on record, of Solborgs work with pianist par excellence Simon Toldam, mr. integrity reedman Lars Greve and a new duo-side of the ongoing collaboration with melodian Bigoni.

The two corresponding books contain a multitude of related process-material. From written reflections and notes to scores, footage, spatial diagrams and grafic illustrations. All created and compiled by Solborg himself with the ambition of mapping the topography and formulating the poetics of the work that along with the music contributes to the full understanding of T U N G E M Å L . Solborg views the entire release as a collection or dictionary that seeks to be experienced by specialist, student and layman alike.

Mark Solborg, guitar
Lars Greve, saxophone
Simon Toldam, piano
Francesco Bigoni, saxophone

Mark Solborg
I strive to create contemporary music that require presence, and in different ways – with respect – challenges tradition, listener and musician. Music where the sum of the collective efforts is greater than the individual performance. A personal and unpolished approach is a key ambition.

I have since 2000 as composer, leader or co-leader released 19 albums with original works. Besides that a substantial amount of music for plays and film. Awards, prizes and nominations include Danish Arts Agency, The Spanish Cultural Ministry, Danish Music Awards Jazz, CPH Dox, a.o. See reviews and info elsewhere on these pages.

From 2000 and onwards I have written and developed music for the groups and projects Mark Solborg 4, ON DOG (ITA/DK/LUX), Solborg/Skjødt – Omdrejninger feat. Axel Dörner and Ingar Zach (DK/DE/NO), Herb Robertson/Mark Solborg duo (DK/US), Maniscalco/Bigoni/Solborg (DK/ITA), Solborg 4+4+1 feat. Chris Speed and Hank Roberts (DK/N/US), Mark Solborg & Simon Toldam Duo , Solborg/Dörner/Toldam/Yoshigaki (DK/DE/JP), Polyfonias (DK/E), moLd (DK/D), Mark Solborg Trio feat. Evan Parker & Herb Robertson (DK/UK/N/US), Solborg/Banke Duo, Short Story Compositions (Banke/Solborg duo with various poets. Jan Sonnergaard, Kristina Stolze, Pia Juul, a.o), Hopscotch (ITA/DK/CAN), Anderskov/Solborg Duo, poetry by Peter Wessel og Adda Djørup, Revolver (DK/N/L), Ventilator, a.o.. The music has been performed at venues and festivals in Denmark, Sweden, Norway, Finland, Faroe Islands, Lithuania, Latvia, Estonia, Wales, Ireland, France, Germany, UK, Luxembourg, Netherlands, Malta, Spain, Italy, Poland, Syria, USA, China, Brazil, Japan, a.o. by musicians from 15 different nations.

This album contains no booklet.