Jalbert, Bach, Pärt & Vasks: Music for Violin & Orchestra Margaret Batjer, Los Angeles Chamber Orchestra & Jeffrey Kahane

Cover Jalbert, Bach, Pärt & Vasks: Music for Violin & Orchestra

Album info

Album-Release:
2019

HRA-Release:
02.08.2019

Label: BIS

Genre: Classical

Subgenre: Concertos

Artist: Margaret Batjer, Los Angeles Chamber Orchestra & Jeffrey Kahane

Composer: Arvo Pärt, Johann Sebastian Bach (1685–1750), Pierre Jalbert, Pēteris Vasks

Album including Album cover Booklet (PDF)

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  • Pierre Jalbert (b. 1967): Violin Concerto:
  • 1 Violin Concerto: I. Soulful, Mysterious - Scherzando 14:25
  • 2 Violin Concerto: II. With Great Energy 11:57
  • Johann Sebastian Bach (1685 - 1750): Violin Concerto in A Minor, BWV 1041:
  • 3 Violin Concerto in A Minor, BWV 1041: I. Allegro 03:38
  • 4 Violin Concerto in A Minor, BWV 1041: II. Andante 06:00
  • 5 Violin Concerto in A Minor, BWV 1041: III. Allegro assai 03:47
  • Arvo Pärt (b. 1935):
  • 6 Fratres (Version for Strings & Percussion) 10:29
  • Pēteris Vasks (b. 1946):
  • 7 Lonely Angel 13:23
  • Total Runtime 01:03:39

Info for Jalbert, Bach, Pärt & Vasks: Music for Violin & Orchestra



Making their first appearance on BIS, Margaret Batjer and the Los Angeles Chamber Orchestra (LACO) cross great distances in both time and space in this programme of concertante violin works. The disc opens with a Violin Concerto by the American composer Pierre Jalbert (b. 1967), whose music has been described as ‘rich in instrumental color and harmonically engaging’. Composed in 2017, the 26-minute concerto was a commission from the orchestra and here makes its first recorded appearance. The next work takes us to 18th-century Germany, where Johann Sebastian Bach had been busy studying the concertos of his Italian colleagues, and especially Vivaldi. His Concerto in A minor is thought to have been composed around 1730, at a time when Bach had freed himself from his models, producing works richer in both texture and sentiment.

For the second half of the programme we return to our own time, travelling northwards to the Baltic countries, as Bach is followed by one of his great admirers in modern music, the Estonian composer Arvo Part (b. 1935). Margaret Batjer and the orchestra offer us their performance of what is probably Part’s most famous piece, Fratres from 1977. Originally written for chamber ensemble ‘without fixed instrumentation’, it soon became a modern classic and exists in numerous versions. The one heard here, for violin, string orchestra and percussion, was made by the composer in 1992. The closing Lonely Angel is by Part’s slightly younger colleague Peteris Vasks (b. 1946) from Latvia. Reworked from a movement for string quartet, the piece was inspired by a particular image: ‘I saw an angel, flying over the world; the angel looks at the world’s condition with grieving eyes, but an almost imperceptible, loving touch of the angel’s wings brings comfort…’

Margaret Batjer, violin
Los Angeles Chamber Orchestra
Jeffrey Kahane, conductor



Margaret Batjer
made her first solo appearance at the age of 15 with the Chicago Symphony Orchestra. She has since appeared with a succession of leading American orchestras including The Philadelphia Orchestra, the St. Louis, Seattle and Dallas symphony orchestras. She has performed with such European ensembles as the Chamber Orchestra of Europe, Prague Chamber Orchestra, RTÉ National Symphony Orchestra (of Ireland), Berlin Symphony Orchestra and Hallé Orchestra.

An esteemed chamber musician, Margaret was a longtime participant at the Marlboro Music Festival and often performed on tour with Music From Marlboro. She has appeared at the Minnesota Orchestra and La Jolla summerfests; the Sarasota and Vancouver Chamber music festivals; and the Naples and Cremona festivals in Italy. As a member of the Quartetto Accardo from 1984–2000, Margaret performed with Maurizio Pollini at the Salzburg Festival, and at La Scala, Carnegie Hall and London’s Queen Elizabeth Hall.

Margaret Batjer is a graduate of the Curtis Institute of Music where she studied with Ivan Galamian and David Cerone. She joined the faculty of the USC Thornton School of Music in 2005 and also serves on the faculty at the Colburn Music Academy. She resides in Los Angeles with her husband, composer Joel McNeely, their two children, Joshua and Claire, and their dog, Bailey.

Los Angeles Chamber Orchestra
Beloved by audiences and praised by critics, Los Angeles Chamber Orchestra, known to Angelenos as LACO, is a preeminent interpreter of historical masterworks as well as a champion of contemporary composers. Headquartered in the heart of the country’s cultural capital, LACO has been proclaimed “America’s finest chamber orchestra” (Public Radio International), “LA’s most unintimidating chamber music experience” (Los Angeles Magazine), “resplendent” (Los Angeles Times), and “one of the world’s great chamber orchestras”(KUSC Classical FM).

Iona Brown and OrchestraLos Angeles Chamber Orchestra with music director Iona Brown. LACO was founded in 1968 as an artistic outlet for the recording industry’s most gifted musicians. Founder, cellist James Arkatov, envisioned an ensemble that would allow these conservatory-trained players to balance studio work and teaching with pure artistic collaboration at the highest level. The Orchestra presented its first performances with the financial backing of philanthropist Richard Colburn and managerial expertise from attorney Joseph Troy, who also became the Orchestra’s first president. Sir Neville Marriner, Gerard Schwarz, Iona Brown, Christof Perick and Jeffrey Kahane, LACO’s illustrious music directors, each built upon a tradition of joyous music-making performed by exceptional artists. Jaime Martín, praised as “a visionary conductor, discerning and meticulous” (Platea Magazine), is LACO’s Music Director Designate and takes the podium as Music Director in the 2019-20 season.

LACO has made 31 recordings, toured Europe, South America and Japan, performed across North America, and garnered eight ASCAP Awards for Adventurous Programming. The Orchestra’s offices are located in downtown Los Angeles.

Jeffrey Kahane
Equally at home at the keyboard or on the podium, conductor laureate Jeffrey Kahane has established an international reputation as a truly versatile artist, recognized by audiences around the world for his mastery of a diverse repertoire ranging from Bach, Mozart and Beethoven to Gershwin, Golijov and John Adams.

Jeffrey appears as soloist with major orchestras such as the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra and the Chicago and San Francisco symphonies among many others. He is also a popular artist at all of the major US summer festivals, including Aspen, Blossom, Caramoor, Mostly Mozart and Ravinia.

In May 2017,Jeffrey completed his 20th and final season as music director. During his highly successful tenure with Los Angeles Chamber Orchestra, he spearheaded the creation of many new initiatives, including Westside Connections, a chamber music series that brings together LACO musicians and guest artists with speakers from a wide range of disciplines; Baroque Conversations, which presents chamber and orchestral music of the 17th and 18th centuries with spoken program notes and audience Q and A; “Discover” concerts, evenings devoted to the exploration of a single work involving an hour long lecture with the orchestra on stage, followed by a complete performance; and Sound Investment, a commissioning club whereby for a modest investment, LACO patrons can participate in the commissioning of a major new work and interact with the composer from the very first stages of its conception to the performance. Between this program and the regular commissioning of new pieces, over 50 works have been given their premieres by LACO during his tenure.

Jeffrey Kahane has recorded for the SONY, EMI, Telarc, RCA, Nonesuch, Deutsche Grammophon, Virgin Records, Decca/Argo and Haenssler labels in collaboration with the New World, Cincinnati, Bournemouth and Oregon Bach Festival symphonies. He has also recorded works by Gershwin and Bernstein with Yo-Yo- Ma, the complete works for violin and piano by Schubert with Joseph Swensen, and Bach concertos with LACO and Hilary Hahn.

Jeffrey resides in Los Angeles with his wife, Martha, a clinical psychologist in private practice. They have two children – Gabriel, a composer, pianist and singer/songwriter and Annie, a dancer and poet.

Booklet for Jalbert, Bach, Pärt & Vasks: Music for Violin & Orchestra

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