A Rise in the Road Yellowjackets

• 1 When the Lady Dances 05:07
• 2 Civil War 05:47
• 3 Can't We Elope 05:27
• 4 An Informed Decision 06:29
• 5 Longing 07:17
• 6 Thank You 05:47
• 7 Madrugada 05:09
• 8 An Amber Shade of Blue 06:57
• 9 (You'll Know) When It's Time 04:53
• 10 I Knew His Father 04:53
• Total Runtime 57:46

Info for A Rise in the Road

A Rise In The Road, the Yellowjackets’ second Mack Avenue Records offering, is indeed an appropriate title for a time-honored jazz ensemble that has never been fearful of facing newer musical horizons, not to mention the myriad challenges of life itself. Throughout their storied 32-year history, the Yellowjackets have undergone numerous lineup changes, never failing to rise to the inevitable challenges of adjustment. Keyboardist Russell Ferrante and bassist Jimmy Haslip, the dual cornerstones of the group’s 21 previous recordings, were responsible for a sizable chunk of the Yellowjackets’ catalogue. Yet despite those shifts, Ferrante and Haslip, along with saxophonist Bob Mintzer (23-year member) and drummer William Kennedy (14-year member, spread out between two different time periods), soldiered on with a professionalism that has resulted in 17 Grammy® nominations—with two wins—countless sold-out tours, and worldwide critical acclaim.

Last year Jimmy Haslip announced he was taking a hiatus to focus on other projects and spend more time with his family. Alas, all things must come to an end, as he has decided to make his hiatus permanent. Although his leaving is seismic within the scope of the Yellowjackets’ history—“A Rise In The Road,” if you please—change is no stranger to this consistently innovative and adaptable collective. A Rise In The Road introduces a new member—bassist Felix Pastorius—to replace Haslip. Pastorius, whose last name is widely familiar to jazz aficionados, steps in to contribute his talents to the group’s continuing sonic ventures (more on Felix Pastorius in a moment).

In 2010, the Yellowjackets signed to Mack Avenue Records and in 2011 released Timeline, which reached #5 on Billboard’s jazz chart; the title cut received substantial national jazz radio airplay, making the song a staple on Billboard’s “Smooth Jazz Songs” chart. Now the Yellowjackets unveil A Rise In The Road, a 10-track study that burnishes the group’s sterling reputation for high quality tonal explorations and ensemble execution.

Produced by Ferrante, Mintzer and Kennedy, A Rise In The Road stands shoulder-to-shoulder with their 21 previous efforts. “It’s about the challenges that people face in their lives and whatever path they are on: It’s not always smooth sailing, it’s not always a level road,” explains Ferrante, with regards to the project’s meaning. “Certainly, over the 32 years that we’ve been a band, we’ve had things come up, challenges such as musicians that have left the band, business people, relationships that you have built over the years. Things come to an end, and you have to meet the challenge and keep going forward.”

"The title of this Yellowjackets effort is an apt one. The departure of co-founding bassist Jimmy Haslip in 2012 left a huge hole in the lineup. Haslip wasn't only the group's bassist, but one of its most productive composers. Founding pianist/keyboardist Russell Ferrante, with longtime members saxophonist Bob Mintzer and drummer Will Kennedy, eventually chose Felix Pastorius, son of the mighty Jaco, and a seasoned performer in his own right. (On a number of tracks here, he plays his father's bass, loaned to him by its owner, Metallica's Robert Trujillo.) The younger man doesn't play with the same "lead bass" flash of his dad -- at least in the studio -- his style here reflects the role Haslip played, but his tone and nimbleness are his own. (Check his fleet-fingered work as it meets Ferrante's arpeggios in "Thank You.") The band still carries within it the meld of contemporary and straight-ahead jazz -- with Mintzer there is always going to be a nod to post-bop in there -- but the feel is far more immediate and organic. They departed from their usual recording procedure and cut the album live in the studio, adding relatively few overdubs later. Mintzer's opener, "When the Lady Dances," is a straight-ahead post-bop number that pops and swings with a fine understated solo by Ferrante. The pianist offers "Can't We Elope," a rewrite of Herbie Hancock's "Canteloupe." It's one of three tracks here that features the trumpet of Ambrose Akinmusire. The meaty piano groove and the twin horns offer a stylish, fresh take on soulful hard bop. Another of the pianist's compositions "An Amber Shade of Blue," features a knotty head with some fiery call and response between Akinmusire and Mintzer -- the track fades in what seems like mid-jam. Mintzer's "I Knew His Father" is both a welcome to the younger Pastorius and a nod to Jaco--the saxophonist played in the Word of Mouth Band and was present at Felix's birth-- drawing a large circle to a close. Its meld of Latin groove, punchy swing, and boppish blues, offers the younger bassist a fine opportunity to comp, fill, and run the board as the band gets deep inside the melody. A Rise in the Road provides longtime Yellowjackets' fans plenty; but more importantly, it delivers a a bracing new approach and a renewed sense of swinging adventure." (Thom Jurek, AMG)

Russell Ferrante, piano, keyboards
Bob Mintzer, tenor saxophone
William Kennedy, drums, keyboards
Felix Pastorius, bass
Guest:
Ambrose Akinmusire, trumpet (tracks 3, 4, 8)

Produced by Yellowjackets

Yellowjackets
In music, time flies, styles unstoppably evolve, and bands come and go. But there are also rare stable, forward moving forces on the scene—one prime example in jazz being the Yellowjackets. As of 2011, this beloved eclectic, electro-acoustic jazz band that keyboardist Russell Ferrante and bassist Jimmy Haslip built celebrates the ripe, young but deep age of 30—a milestone commemorated with another powerful and heartfelt album, fittingly named Timeline.

In fact, Timeline is a special occasion on more than just the 30th anniversary front, as it is the first step in a new relationship with the respected jazz label Mack Avenue Records and the first new album with an important alumnus back in the ranks—the dynamic and flexible drummer Will Kennedy. Kennedy, who worked with the group for ten years and appeared on half its discography to date, returns to the ranks after a dozen years away. He fits seamlessly into the band, alongside Ferrante, Haslip and the multitalented saxophonist-composer Bob Mintzer, whose critical role in helping define the group’s current sound goes back to 1991.

For longtime Yellowjackets fans, the new album arrives as a confirmation and extension of the high expectations for this band. For new listeners, it’s an ideal introduction. Timeline is the band’s 21st official recording not including special side projects and guest spots. The band’s background gleams with various honors, including 17 Grammy® nominations and two Grammy® awards to show for their efforts—so far.

As Haslip explains, “We get extremely engaged with every project and we try to elevate and open things up. That’s always the goal with every project. I’m not saying we always succeed. But the focus is to always try to do something that is hopefully engaging. And being that Russell, myself and the guys in the band have a certain chemistry,” he adds with a laugh, “it’s not easy to accomplish this after thirty years.”

For this 11-track song set most of the material was penned by the prolific and inspired Mintzer and Ferrante, kicking off with Mintzer’s bold, boppish but propulsive and grooving “Why is It,” and the snaky, syncopated and aptly-named “Tenacity,” which could also be an operative descriptor for the group’s MO. Ferrante’s title track is a lovely and lyrical, anthem-like piece; its melody—a sweet but also artfully thickening plot—is stated first on Haslip’s fretless bass and expands into saxophone and arrangement twists. It’s as if the song’s emotional grounding and searching qualities tell the tale of this band, to date.

Musically, the terrain on Timeline is characteristically diverse but also cohesive, melodically accessible and also gently experimental, in keeping with the Jackets’ concept for three decades. Beautiful balladry, such as Ferrante’s “Indivisible” and Mintzer’s “My Soliloquy,” intertwine with modern-day variations on traditional swing themes such as on Mintzer’s “Like Elvin” (also one of the songs featuring a new sound for the band, guest trumpeter John Diversa) and Ferrante’s “Numerology.” Kennedy’s one composition, “Rosemary,” explores an inventive rhythmic-melodic feel, with its lyrical balladic melody lying atop an exotic drum groove.

And roughly in the middle of it all comes the slinky-funky Ferrante/Haslip tune “Magnolia,” originally written during the time of the 2008 album Lifecycle, but coming fully to light here. And as it happens, that song becomes a great vehicle for another strong historical linkage in the band’s history, as guitarist Robben Ford makes a rare cameo on record with a spicy wah-wah-fied guitar solo. This is Ford’s first appearance on a Yellowjackets album since 1994’s Run For Your Life, engaging in easy dialogue with the band he half-accidentally launched.

Yellowjackets, as a unit, was actually assembled for Ford’s popular 1978 album Inside Story. Recalling the Inside Story project, Haslip laughs, “I wasn’t even 30 years old when we did that; I think I was 26 or 27. About a year later, in 1980 we got a deal with Warner, through Tommy Lipuma, to do an instrumental record! That was a really exciting moment, to actually realize that we had been signed by a major record label to do an instrumental project. Our first recording, Yellowjackets, was released in 1981.”

And from those humble, auspicious and unforced beginnings grew the long and ongoing saga of one of jazz’ longest lasting bands. Another early blast of affirmation came after they received a Grammy® nomination for that 1981 debut album. “We never thought that could happen,” Haslip recalls. “We didn’t win, but just having a nomination was certainly a boost, a shot in the arm.”

Multiple chapters and subplots have wended through the band’s history including the presence of more R&B-geared alto saxophonist Marc Russo for most of the ‘80s, before Mintzer’s jazzier voice shifted the stylistic balance. Drummers have included Peter Erskine (for a brief and unfortunately unrecorded incarnation), a happy decade-long stretch with Marcus Baylor, and Kennedy—then, now and into the future.

All along, the band has mastered the art of being both accessible and adventurous, with strong grooves and melodies blended in with surprising twists. Calling them a “fusion” band doesn’t do the project justice. Haslip comments, “I think it’s just how we’re wired. We are very passionate about the music, obviously, and we love to listen to everything. It motivates us in many ways. And with that motivation, we are also creatively inspired to continue our progression.”

All in all, Timeline is another significant link in the strong historical chain of this band’s story. Haslip notes, “We have a legacy that follows us around going on thirty years now, which is self-propelled at this point, and fuels our motivation and honorable intent to create music. But at the same time, it takes patience, hard work and nurturing.

This album contains no booklet.