Beethoven, Brahms: Violin Concertos Gil Shaham, Eric Jacobsen & The Knights

• Ludwig van Beethoven (1770 - 1827): Violin Concerto in D major, Op. 61:
• 1 Violin Concerto in D major, Op. 61: I. Allegro ma non troppo 21:19
• 2 Violin Concerto in D major, Op. 61: II. Larghetto 08:36
• 3 Violin Concerto in D major, Op. 61: III. Rondo. Allegro 09:52
• Johannes Brahms (1833 - 1897): Violin Concerto in D Major, Op. 77:
• 4 Violin Concerto in D Major, Op. 77: I. Allegro non troppo 19:25
• 5 Violin Concerto in D Major, Op. 77: II. Adagio 08:05
• 6 Violin Concerto in D Major, Op. 77: III. Allegro giocoso ma non troppo vivace — Poco più presto 07:38
• Total Runtime 01:14:55

Info for Beethoven, Brahms: Violin Concertos

Violinist Gil Shaham partners with The Knights, a Brooklyn-based ensemble conducted by Eric Jacobsen, for his first recording of the Beethoven violin concerto. Shaham was captivated growing up listening to David Oistrakh's recording of the Beethoven over and over again, and it continues to inspire awe in him. Despite the 1000's of times he played the Beethoven live in concert, the whole emotional journey is as fresh here on this recording as if he was playing it for the first time. In his own words "If there is ever music which changes and effects the soul, this is it." This is arguably the most anticipated addition to his recorded oeuvre. The Brahms concerto was one of the last recordings Shaham made as a DG artist, a much lauded live performance with Abbado and the Berlin Philharmonic Orchestra.

Gil Shaham, violin
The Knights
Eric Jacobsen, conductor

Gil Shaham
is one of the foremost violinists of our time; his flawless technique combined with his inimitable warmth and generosity of spirit has solidified his renown as an American master. The Grammy Award-winner, also named Musical America’s “Instrumentalist of the Year,” is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and appears with ensembles on the world’s great concert stages and at the most prestigious festivals.

Highlights of recent years include the acclaimed recording and performances of J.S. Bach’s complete sonatas and partitas for solo violin. In the coming seasons in addition to championing these solo works he will join his long time duo partner pianist, Akira Eguchi in recitals throughout North America, Europe, and Asia.

Appearances with orchestra regularly include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Israel Philharmonic, Los Angeles Philharmonic, New York Philharmonic, Orchestre de Paris, and San Francisco Symphony as well as multi-year residencies with the Orchestras of Montreal, Stuttgart and Singapore. With orchestra, Mr. Shaham continues his exploration of “Violin Concertos of the 1930s,” including the works of Barber, Bartok, Berg, Korngold, Prokofiev, among many others.

Mr. Shaham has more than two dozen concerto and solo CDs to his name, earning multiple Grammys, a Grand Prix du Disque, Diapason d’Or, and Gramophone Editor’s Choice. Many of these recordings appear on Canary Classics, the label he founded in 2004. His CDs include 1930s Violin Concertos, Virtuoso Violin Works, Elgar’s Violin Concerto, Hebrew Melodies, The Butterfly Lovers and many more. His most recent recording in the series 1930s Violin Concertos Vol. 2, including Prokofiev’s Violin Concerto and Bartok’s Violin Concerto No. 2, was nominated for a Grammy Award.

Mr. Shaham was born in Champaign-Urbana, Illinois, in 1971. He moved with his parents to Israel, where he began violin studies with Samuel Bernstein of the Rubin Academy of Music at the age of 7, receiving annual scholarships from the America-Israel Cultural Foundation. In 1981, he made debuts with the Jerusalem Symphony and the Israel Philharmonic, and the following year, took the first prize in Israel’s Claremont Competition. He then became a scholarship student at Juilliard, and also studied at Columbia University.

Gil Shaham was awarded an Avery Fisher Career Grant in 1990, and in 2008 he received the coveted Avery Fisher Prize. In 2012, he was named “Instrumentalist of the Year” by Musical America. He plays the 1699 “Countess Polignac” Stradivarius, and lives in New York City with his wife, violinist Adele Anthony, and their three children.

The Knights
are a collective of adventurous musicians dedicated to transforming the orchestral experience and eliminating barriers between audiences and music. Driven by an open-minded spirit of camaraderie and exploration, they inspire listeners with vibrant programs that encompass their roots in the classical tradition and passion for artistic discovery. The orchestra has toured and recorded with renowned soloists including Yo-Yo Ma, Dawn Upshaw, Béla Fleck, and Gil Shaham, and has performed at Carnegie Hall, Tanglewood, and the Vienna Musikverein.

The Knights evolved from late-night chamber music reading parties with friends at the home of violinist Colin Jacobsen and cellist Eric Jacobsen. The Jacobsen brothers, who are also founding members of the string quartet Brooklyn Rider, serve as artistic directors of The Knights, with Eric Jacobsen as conductor. The Knights are committed to creating unusual and adventurous partnerships across disciplines; they perform in traditional concert halls as well as parks, plazas, and bars, all in an effort to reach listeners of all backgrounds and invite them into their music-making. Since incorporating in 2007, the orchestra has toured consistently across the United States and Europe.

Counted among the highlights from recent seasons are: a performance with Yo-Yo Ma at Caramoor; the recording of Prokofiev’s Second Violin Concerto on master violinist Gil Shaham’s Grammy-nominated 2016 release, 1930s Violin Concertos, Vol. 2, as well as a North American tour with Shaham; residencies at Dartmouth, Penn State and Washington DC’s Dumbarton Oaks; and a performance in the NY PHIL BIENNIAL along with the San Francisco Girls Chorus (led by composer Lisa Bielawa) and the Brooklyn Youth Chorus, which featured world premieres by Rome Prize-winner Bielawa, Pulitzer Prize-winner Aaron Jay Kernis, and Knights violinist and co-founder Colin Jacobsen. The ensemble made its Carnegie Hall debut in the New York premiere of the Steven Stucky/Jeremy Denk opera The Classical Style, and has toured the U.S. with banjo virtuoso Béla Fleck and Europe with soprano Dawn Upshaw. In recent years The Knights have also collaborated with Itzhak Perlman, the Mark Morris Dance Group, Joshua Redman, Silk Road virtuoso Siamak Aghaei, and pipa virtuoso Wu Man. Recordings include 2015’s “instinctive and appealing” (The Times, UK) the ground beneath our feet on Warner Classics, featuring the ensemble’s first original group composition; an all-Beethoven disc on Sony Classical (their third project with the label); and 2012’s “smartly programmed” (NPR) A Second of Silence for Ancalagon.

The Knights are proud to be known as “one of Brooklyn’s sterling cultural products…known far beyond the borough for their relaxed virtuosity and expansive repertory” (The New Yorker). Their roster boasts musicians of remarkably diverse talents, including composers, arrangers, singer-songwriters, and improvisers, who bring a range of cultural influences to the group, from jazz and klezmer to pop and indie rock music. The unique camaraderie within the group retains the intimacy and spontaneity of chamber music in performance. Through the palatable joy and friendship in their music-making, each musician strives to include new and familiar audiences to experience this important art form.

Eric Jacobsen
Hailed by the New York Times as “an interpretive dynamo,” conductor and cellist Eric Jacobsen has built a reputation for engaging audiences with innovative and collaborative programming.

Jacobsen is Co-Artistic Director and conductor of The Knights, and also serves as the Music Director for the Orlando Philharmonic Orchestra and the Greater Bridgeport Symphony. Jacobsen founded the adventurous orchestra The Knights with his brother, violinist Colin Jacobsen, to foster the intimacy and camaraderie of chamber music on the orchestral stage. As conductor, Jacobsen has led the “consistently inventive, infectiously engaged indie ensemble” (New York Times) at Central Park’s Naumburg Orchestral Concerts, Celebrate Brooklyn! Festival, (Le) Poisson Rouge, the 92nd Street Y, Carnegie Hall, and Lincoln Center, at major summer festivals such as Tanglewood, Ravinia, and Ojai, and on tour nationally and internationally, including at the Cologne Philharmonie, Düsseldorf Tonhalle, Hamburg Elbphilharmonie, Salzburg Großes Festspielhaus, Vienna Musikverein, National Gallery of Dublin, and the Dresden Musikfestspiele. Recent collaborators include violinists Itzhak Perlman and Gil Shaham, singers Dawn Upshaw, Susan Graham, and Nicholas Phan, and pianists Emanuel Ax and Jean-Yves Thibaudet. Also in demand as a guest conductor, Jacobsen has led the symphony orchestras of Baltimore, Detroit, Virginia, Alabama, the New World, Naples, St. Paul Chamber Orchestra, the ProMusica Chamber Orchestra, and the Deutsche Philharmonie Merck.

The Knight’s 2019-20 season featured appearances at Tanglewood and at the Ravinia Festival, including a fully-staged centennial production of Bernstein’s Candide directed by Alison Moritz, as well as a Florida tour with Gil Shaham, with whom Jacobsen and The Knights are recording the Beethoven and Brahms violin concertos. Jacobsen and The Knights also performed in Madison, WI; Montreal; and in their annual concerts at Washington’s Dumbarton Oaks. With the Bridgeport Symphony, Jacobsen performed and recorded with the renowned kamancheh player Kayhan Kalhor. Jacobsen also guest conducted the Juilliard Pre-College Orchestra, of which he is an alumnus, and was scheduled to conduct the Arkansas Symphony. He has been re-engaged to conduct the Virginia Symphony and the Detroit Symphony, where Jacobsen will perform Gabriel Kahane’s emergency shelter intake form, which he will also conduct in Orlando with Kahane as composer-in-residence there. The 2019-20 season in Orlando also included two new initiatives: Inside the Score, in which Jacobsen led the audience on a guided exploration of Hector Berlioz’s Symphonie fantastique, and Resonate, which featured a unique blend of old and new orchestral and chamber works, performed in standard and more intimate concert formats.

During the 2018-19 season, Jacobsen undertook a 15-concert European tour with The Knights and mandolin virtuoso Avi Avital, including performances at Hamburg’s Elbphilharmonie and Vienna’s Musikverein. In New York, Jacobsen and The Knights performed at Carnegie Hall’s Zankel Hall; with groundbreaking countertenor Anthony Roth Costanzo at National Sawdust in music of Handel and Philip Glass; and at the Park Avenue Armory, where they helped create the music for William Kentridge’s The Head and the Load. With the Bridgeport Symphony, Jacobsen performed with Gil Shaham, with star pianist Yuja Wang, and with his brother Colin, with whom he recorded a video of Vaughan Williams’ The Lark Ascending that was featured on London’s Classic FM and The Violin Channel. Guest conducting engagements included the New World Symphony, the Knoxville Symphony, Santa Fe Pro Musica, the Deutsche Philharmonie Merck and the Tonkunstler Orchestra, with whom Jacobsen appeared at Vienna’s legendary Musikverein.

At the close of a successful fifth season with the Orlando Philharmonic Orchestra, Jacobsen has continued to pioneer the orchestra’s programming and community engagement in new and exciting directions. The 2018-19 season featured Puerto Rican-born composer and multi-instrumentalist Angélica Negrón as composer-in-residence, and included appearances by Grammy-winning singer-songwriter Rhiannon Giddens and internationally acclaimed cello virtuoso Jan Vogler.

Under Jacobsen’s baton, The Knights have developed an extensive recording collection, which includes the critically acclaimed albums Azul, with longtime collaborator Yo-Yo Ma, as well as the Prokofiev Concerto in the Grammy-nominated Gil Shaham album 1930s Violin Concertos. The Knights issued three albums for Sony Classical including Jan Vogler and The Knights Experience: Live from New York; New Worlds, and an all-Beethoven album, as well as the “smartly programmed” (National Public Radio) A Second in Silence on the Ancalagon label. Jacobsen’s first release on Warner Classics was the ground beneath our feet. We Are The Knights, a documentary film produced by Thirteen/WNET, premiered in September 2011.

A dedicated chamber musician, Jacobsen is a member of the Silk Road Ensemble, founded by Yo-Yo Ma, participating in residencies and performances at the Hollywood Bowl, Carnegie Hall, and across the U.S., Central Asia, Middle East, Far East, and Europe. In addition, as a founding member of the string quartet Brooklyn Rider – dubbed “one of the wonders of contemporary music” (Los Angeles Times) – he has taken part in a wealth of world premieres and toured extensively in North America, Europe, and Asia, and is credited with helping to ensure “the future of classical music in America” (Los Angeles Times).

In December 2012, Jacobsen and his brother Colin were selected from among the nation’s top visual, performing, media, and literary artists to receive a prestigious United States Artists Fellowship. Eric splits his time between New York and Orlando with his wife, singer-songwriter Aoife O’Donovan, and their daughter.

Booklet for Beethoven, Brahms: Violin Concertos