Un'alma innamorata Francesca Aspromonte, Boris Begelman, Arsenale Sonoro

• George Frideric Handel (1685 - 1759): Mi palpita il cor, HWV 132c:
• 1 Handel: Mi palpita il cor, HWV 132c: Aria. Mi palpita il cor - Recitativo. Tormento e gelosia 02:01
• 2 Handel: Mi palpita il cor, HWV 132c: Aria. Ho tanti affani in petto 07:07
• 3 Handel: Mi palpita il cor, HWV 132c: Recitativo. Clori, di te mi lagno 00:50
• 4 Handel: Mi palpita il cor, HWV 132c: Aria. Se un dì m'adora 03:23
• Violin Sonata in G Minor, HWV 364a:
• 5 Handel: Violin Sonata in G Minor, HWV 364a: I. Larghetto 02:41
• 6 Handel: Violin Sonata in G Minor, HWV 364a: II. Allegro 01:39
• 7 Handel: Violin Sonata in G Minor, HWV 364a: III. Adagio 00:50
• 8 Handel: Violin Sonata in G Minor, HWV 364a: IV. Allegro 01:18
• Un'alma innamorata, HWV 173:
• 9 Handel: Un'alma innamorata, HWV 173: Recitativo. Un'alma innamorata 00:34
• 10 Handel: Un'alma innamorata, HWV 173: Aria. Quel povero core 07:28
• 11 Handel: Un'alma innamorata, HWV 173: Recitativo. E pur benché egli veda 00:32
• 12 Handel: Un'alma innamorata, HWV 173: Aria. Io godo, rido e spero 04:51
• 13 Handel: Un'alma innamorata, HWV 173: Recitativo. In quanto a me, ritrovo 00:18
• 14 Handel: Un'alma innamorata, HWV 173: Aria. Ben impari come s'ama 01:18
• Sonata a tre in G Minor, Op. 2 No. 6, HWV 391:
• 15 Handel: Sonata a tre in G Minor, Op. 2 No. 6, HWV 391: I. Andante 02:06
• 16 Handel: Sonata a tre in G Minor, Op. 2 No. 6, HWV 391: II. Allegro 02:01
• 17 Handel: Sonata a tre in G Minor, Op. 2 No. 6, HWV 391: III. Arioso 03:12
• 18 Handel: Sonata a tre in G Minor, Op. 2 No. 6, HWV 391: IV. Allegro 01:51
• Tu fedel, tu costante, HWV 171:
• 19 Handel: Tu fedel, tu costante, HWV 171: Sonata 02:14
• 20 Handel: Tu fedel, tu costante, HWV 171: Recitativo. Tu fedel, tu costante 01:34
• 21 Handel: Tu fedel, tu costante, HWV 171: Aria. Cento belle ami, Fileno 05:07
• 22 Handel: Tu fedel, tu costante, HWV 171: Recitativo. L'occhio nero vivace 00:58
• 23 Handel: Tu fedel, tu costante, HWV 171: Aria. Se Licori, Filli ed io 01:56
• 24 Handel: Tu fedel, tu costante, HWV 171: Recitativo. Ma, se non hai più d'un sol cuore 00:45
• 25 Handel: Tu fedel, tu costante, HWV 171: Aria. Se non ti piace amarmi 03:07
• 26 Handel: Tu fedel, tu costante, HWV 171: Recitativo. Ma il tuo genio incostante 00:48
• 27 Handel: Tu fedel, tu costante, HWV 171: Aria. Sì, crudel, ti lascierò 01:02
• S'un dì m'appaga la mia crudele, HWV 223:
• 28 Handel: S'un dì m'appaga la mia crudele, HWV 223 05:20
• Total Runtime 01:06:51

Info for Un'alma innamorata

Soprano Francesca Aspromonte and violinist Boris Begelman present an all-Handel programme exploring the vicissitudes of love, together with Arsenale Sonoro. On Un’alma innamorata, Aspromonte urges us to take ownership of our amorous infatuations, rather than blaming it on Cupid’s arrows. The programme consists of several worldly cantatas with violino concertante – including the famous Mi palpita il cor and a world premiere recording of S’un dì m’appaga la mia crudele – interspersed with instrumental sonatas. The overall chamber-musical approach of Un’alma innamorata increases the emotional impact of the tragic heroines depicted by Aspromonte.

Francesca Aspromonte presents her third Pentatone album, after having released Prologue (2018) and Maria & Maddalena(2021). Boris Begelman featured on the latter album, whereas Arsenale Sonoro makes its Pentatone debut.

Francesca Aspromonte, soprano
Boris Begelmann, violin & direction
Arsenale Sonoro

Francesca Aspromonte
Renowned as one of the best interpreters of the baroque and classical repertoire, Francesca Aspromonte graduated with honors from the Mozarteum in Salzburg and studied with Renata Scotto at Accademia Nazionale di Santa Cecilia.

Francesca has performed in such venues as Teatro alla Scala, Carnegie Hall, Theatre de Champs-Elysees, Grand Hall of the Moscow Conservatory, Zaryadye Hall, Opéra Royal de Versailles, Royal Albert Hall, Barbican Centre, Wigmore Hall, Wiener Musikverein, Theatre an- der-Wien, Wiener Konzerthaus, Fundaçao Gulbenkian in Lisbon, Teatro Real de Madrid, Teatro la Fenice, Grand Theatre de Provence, Philharmonie Essen.

She sang with renowned conductors such as Zubin Metha, John Eliot Gardiner, Ivor Bolton, Christophe Rousset, Gustavo Gimeno, Manfred Honeck, Diego Fasolis, Ottavio Dantone, Giovanni Antonini, Maxim Emelyanichev, Enrico Onofri, Leonardo García Alarcón, Raphaël Pichon, Stefano Montanari.

Among her past engagements, it’s worth mentioning: the title role in Cavalli’s Erismena at the Festival d’Aix en Provence; the title role in Hasse’s Semele at the Innsbrucker Festwochen; Almirena in Handel's Rinaldo with Accademia Bizantina; Euridice in Luigi Rossi’s L’Orfeo with Pygmalion; the title role in Caldara’s Dafne in Teatro la Fenice; Deidamia in Corselli’s Achille in Sciro at Teatro Real de Madrid with Ivor Bolton; Angelica in Vivaldi’s Orlando furioso at Teatro La Fenice; La Musica and Messaggiera in Monteverdi’s Orfeo at the 2015 BBC Proms; the title role in Caldara’s La Maddalena ai piedi di Cristo in Prague with Collegium 1704; the title role in Monteverdi's L'incoronazione di Poppea at Beaune International Baroque Opera Festival; the title role in Haendel's Acis&Galatea in Moscow, Marzelline in Beethoven's Fidelio with Zubin Metha at Teatro del Maggio Musicale Fiorentino, Carlo Celmino in Vinci's Li zite 'ngalera at Teatro alla Scala plus numerous recitals dedicated to sacred, operatic or chamber music repertoire.

Francesca recorded for Deutsche Grammophon, Sony DHM, Alpha Classics, Christophorus, Harmonia Mundi, Ricercare, HDB Sonus. She signed an exclusive recording engagement with Pentatone Music and her debut album “Prologue” (a selection of 17th-century operatic prologues, from Monteverdi to Scarlatti) with Il Pomo d’oro ensemble and Enrico Onofri, has been worldwide critically acclaimed. ​

Her second album for Pentatone "Maria&Maddalena" (among the best recordings of 2022 according to Gramophone) portrays the Two Maries through early 18th-century oratorios by Bononcini, Scarlatti, Haendel, Lulier, and others, together with violinist Boris Begelman and I Barocchisti under the baton of Diego Fasolis.

Future plans include a Liederabend dedicated to Robert Schumann with pianist Domenico Codispoti in La Coruña, her debut at Palau de les Arts Reina Sofia in Valencia as Eurice in Gluck's Orfeo ed Euridice, the release of her third recital album "Un'alma innamorata" for Pentatone with Arsenale Sonoro conducted by Boris Begelman. ​

Since 2019 Francesca teaches interpretation of the Italian baroque repertoire at the Royal Conservatoire of The Hague.

Arsenale Sonoro
Founded by Boris Begelman in 2014, the Arsenale Sonoro ensemble quickly gained critical acclaim with their debut album for Sony DHM, dedicated to Telemann's sonatas for violin and basso continuo.

“...This young group shows with tremendous technical éclat and interpretative flair what an inventive composer Telemann was...” (The Sunday Times)

In 2022, they released an album dedicated to Domenico Scarlatti on Obsidian Records. It presents an interesting interpretation of some sonatas that are usually performed on harpsichord, but whose virtuosic writing, full of leaps and arpeggios, suggests they were intended for violin and basso continuo.

Specializing in the 18th-century repertoire, Arsenale Sonoro has performed in various chamber and orchestral formations at such festivals as the Valletta Baroque Festival, Timisoara Early Music Festival, Musik&Kirche Brixen, Mittelfest, Pur ti miro Festival, Urbino Early Music Festival, Amici della Musica di Firenze, and the Concerti del Quirinale.

Arsenale Sonoro Ensemble, situated in the vibrant city of Bologna, is dedicated to a captivating mission over the upcoming years. With a resolute focus on revitalizing the forgotten musical gems of the Bolognese repertoire spanning the late 17th to early 18th centuries, the ensemble aims to unearth and resurrect these buried treasures. Through meticulous research and passionate dedication, they are committed to breathing life back into the music of this era, presenting it in a range of immersive settings – from intimate chamber performances to grand orchestral spectacles. Their endeavors encompass a diverse spectrum, embracing solo Motets to the grandeur of Oratorios, providing audiences with a profound journey through a rich musical heritage that has long remained in the shadows.

Their upcoming engagements include concerts for the Monteverdi Tuscany Festival, and Roma Festival Barocco, as well as the release of soprano Francesca Aspromonte's new recital album for Pentatone.

Booklet for Un'alma innamorata