Night After Night (Music from the Movies of M. Night Shyamalan) James Newton Howard, Jean-Yves Thibaudet, Hilary Hahn, Maya Beiser

• James Newton Howard (b. 1951):
• 1 Howard: Signs: The Cornfield 02:58
• 2 Howard: Signs: After You Were Born 02:28
• 3 Howard: Signs: Hand of Fate 04:52
• 4 Howard: The Village: Morning 04:36
• 5 Howard: The Village: Noah Visits 03:52
• 6 Howard: The Village: Ivy Saves Lucius 03:09
• 7 Howard: The Sixth Sense: Lonely Boy 01:55
• 8 Howard: The Sixth Sense: Ghost in the House 03:50
• 9 Howard: The Sixth Sense: Acceptance 02:51
• 10 Howard: Lady in the Water: Prologue 02:59
• 11 Howard: Lady in the Water: Charades 03:19
• 12 Howard: Lady in the Water: Story 02:21
• 13 Howard: Lady in the Water: Return to the Blue World 02:36
• 14 Howard: Unbreakable: Survivor 03:24
• 15 Howard: Unbreakable: Destiny 05:01
• 16 Howard: The Last Airbender 04:07
• 17 Howard: The Happening: An Event 02:52
• 18 Howard: The Happening: Harbinger 01:51
• 19 Howard: The Happening: Aftermath 03:36
• 20 Howard: After Earth 05:23
• 21 Howard: Flow Like Water 03:15
• Total Runtime 01:11:15

Info for Night After Night (Music from the Movies of M. Night Shyamalan)

For his album "Night After Night", star composer James Newton Howard has written eight new concert suites based on the best-known melodies from his poetic soundtracks from his films with star director M. Night Shyamalan. An all-star ensemble of classical soloists recorded the Grammy-winning composer's resulting new pieces at London's famed Air Studios: Pianist Jean-Yves Thibaudet, violinist Hilary Hahn, cellist Maya Beiser as well as a session orchestra and the choir "The New Voice" conducted by Gavin Greenaway.

To create his new suites, James Newton Howard has incorporated central motifs and themes from his film music for "The Sixth Sense" (1999), "Unbreakable" (2000), "Signs" (2002), "The Village" (2004), "Lady in the Water" (2006), "The Happening" (2008), "The Last Airbender" (2010) and "After Earth" (2013). The piano is always at the centre. Pianist Jean-Yves Thibaudet can be heard on all the pieces. Hilary Hahn plays the solo violin, as she did on the original 2004 soundtrack, in the suite for "The Village". Maya Beiser, too, has already played the cello in the soundtrack to "The Happening" and now also does so in the suite of the same name.

"Night After Night celebrates the unique collaboration between famed film director M. Night Shyamalan and Emmy- and Grammy-winning and nine-time Oscar-nominated composer James Newton Howard. A creative partnership that began a quarter of a century ago during the production of "The Sixth Sense". M. Night Shyamalan recalls how he sensed the great "potential and enthusiasm" that grew out of their collaboration from their very first meeting. In James Newton Howard, the exceptional director found a trustworthy partner to develop the appropriate musical language for his supernatural thrillers. "There was no set plan," recalls M. Night Shyamalan, "looking back, his ability to combine different genres is the most important thing. That's what interests me. There is the thrill and fright aspect to my films, but equally important is the emotionality. A composer has to be musically very versatile to be able to express all these facets, and one of the few composers who can do that is James."

"Night is an incredibly positive person," explains James Newton Howard," he has always supported me when I was unsure or doubted my work. That means a lot to me."

"It's not a façade," replies M. Night Shyamalan," it really comes from my belief in you."

Jean-Yves Thibaudet, piano
Hilary Hahn, violin
Maya Beiser, cello
London Voices
Studio Orchestra
Gavin Greenaway, conductor

Jean-Yves Thibaudet
Over the course of three decades, Jean-Yves Thibaudet has performed world-wide, recorded more than 50 albums, and built a reputation as one of today's finest pianists. From the start of his career, he delighted in music beyond the standard repertoire, from jazz to opera, which he transcribed himself to play on the piano. His profound professional friendships crisscross the globe and have led to spontaneous and fruitful collaborations in film, fashion, and visual art.

Thibaudet has a lifelong passion for education and fostering young musical talent. He is the first-ever Artist-in-Residence at the Colburn School in Los Angeles, where he makes his home. In 2017, the school announced the Jean-Yves Thibaudet Scholarships, funded by members of Colburn’s donor community, to provide aid for Music Academy students, whom Thibaudet selects for the merit-based awards, regardless of their instrument choice.

Thibaudet's recording catalogue has received two Grammy nominations, the Preis der Deutschen Schallplattenkritik, the Diapason d'Or, the Choc du Monde de la Musique, the Edison Prize, and Gramophone awards. His most recent solo album, 2021’s Carte Blanche, features a collection of deeply personal solo piano pieces never before recorded by the pianist. He is the soloist on Wes Anderson’s 2021 film The French Dispatch; his playing can also be heard in Pride and Prejudice, Extremely Loud & Incredibly Close, Wakefield, and the Oscar-winning and critically acclaimed film Atonement. His concert wardrobe is designed by Dame Vivienne Westwood.

In 2010 the Hollywood Bowl honored Thibaudet for his musical achievements by inducting him into its Hall of Fame. Previously a Chevalier of the Ordre des Arts et des Lettres, Thibaudet was awarded the title Officier by the French Ministry of Culture in 2012. In 2020, he was named Special Representative for the promotion of French Creative and Cultural Industries in Romania. He is co-Artistic Advisor, with Gautier Capuçon, of the Festival Musique & Vin au Clos Vougeot.

Hilary Hahn
Three-time Grammy Award-winning violinist Hilary Hahn melds expressive musicality and technical expertise with a diverse repertoire guided by artistic curiosity. Her barrier-breaking attitude towards classical music and her commitment to sharing her experiences with a global community have made her a fan favorite. Hahn is a prolific recording artist and commissioner of new works, and her 22 feature recordings have received every critical prize in the international press.

A strong advocate for new music, Hahn has championed and commissioned works by a diverse array of contemporary composers. In recent seasons, Hahn has premiered a variety of pieces ranging from an AI-assisted piece for solo violin, composed by David Lang for Hahn’s Deepmusic.ai project, to Lera Auerbach’s Sonata No. 4: Fractured Dreams, and Einojuhani Rautavaara’s Two Serenades. Hahn’s world premiere performance of Two Serenades was captured for her 2021 album Paris, where it appears alongside Ernest Chausson’s Poème and Sergei Prokofiev’s Violin Concerto No. 1, a long-time signature piece of Hahn’s. Other recent projects have included a recording of her most recent solo commission, 6 Partitas by Antón García Abril, released in 2019. Lang, Auerbach, Rautavaara, and García Abril had been contributing composers for In 27 Pieces: the Hilary Hahn Encores, Hahn’s Grammy Award-winning multi-year commissioning project to revitalize the duo encore genre.

Hahn has related to her fans naturally from the very beginning of her career. She has committed to signings after nearly every concert and maintains and shares a collection of the fan-art she has received over the course of 20 years. An avid and early blogger, Hahn hosts on her website a variety of original writing dating back to 2002. Her “Postcards from the Road” feature, a series of personal updates from her travels around the world, evolved from an initial year-long postcard project that she began with a classroom of third-graders. Her Bring Your Own Baby concerts, developed over recent residencies in Vienna, Seattle, Lyon, Philadelphia, and Chicago, create opportunities for parents of infants to share their enjoyment of live classical music with their children in a nurturing, welcoming environment. Always free and offered on an infant-friendly schedule, they build on Hahn’s history of performances in unconventional venues such as community dance workshops, yoga studios, and knitting circles.

Hahn’s commitment to her fans extends to a long history of educational initiatives. A former Suzuki student, she released new recordings of the first three books of the Suzuki Violin School in 2020, in partnership with the International Suzuki Association and Alfred Music. The recordings also appear on the teaching platform SmartMusic. In 2019, she released a book of sheet music for her encores project, In 27 Pieces: the Hilary Hahn Encores. The book includes her own fingerings and bowings, as well as performance notes for each of the commissioned works. That same year, she created a mini-video-masterclass series around 6 Partitas, and donated her $25,000 Glashütte Originals Festspielpreis to Project 440, a Philadelphia

music-education nonprofit program that helps young people build essential life skills. Her Instagram-based practice initiative, #100daysofpractice, has helped to demystify the typically grueling and isolating practice process, transforming it into a community-oriented, social celebration of artistic development. Since creating the hashtag in 2017, Hahn has completed the project four times under her handle, @violincase; fellow performers and students have contributed nearly 900,000 posts under the hashtag.

Hahn is a prolific and celebrated recording artist whose twenty-two feature albums on Decca, Deutsche Grammophon, and Sony have all opened in the top ten of the Billboard charts. In addition, she can be found on three DVDs, an award-winning recording for children, and various compilations. Three of Hahn’s albums—her 2003 Brahms and Stravinsky concerto disc, a 2008 pairing of the Schoenberg and Sibelius concerti, and her 2013 recording of In 27 Pieces: the Hilary Hahn Encores—have been awarded Grammys. Jennifer Higdon’s Violin Concerto, which was written for Hahn and which she recorded along with the Tchaikovsky concerto, went on to win the Pulitzer Prize. In 2017, she released a fan-oriented retrospective collection that featured new live material recorded with classic direct-to-disc technology and showcased art from her fans. Hahn is the subject of two documentaries by filmmaker Benedict Mirow: Hilary Hahn – A Portrait, released in 2006, and Hilary Hahn – Evolution of an Artist, which chronicles the past 16 years of her career. Hahn has also participated in a number of non-classical productions. She was featured in the Oscar-nominated soundtrack to The Village and has collaborated on two records by the alt-rock band …And You Will Know Us By The Trail of Dead, on the album Grand Forks by Tom Brosseau, and on tour with folk-rock singer-songwriter Josh Ritter. In 2012, Hahn launched Silfra, a free-improv project with experimental prepared-pianist Hauschka, following an intensive period of development.

Hahn is the recipient of numerous awards and recognitions. In 2001, she was named “America’s Best Young Classical Musician” by Time magazine, and in 2010, she appeared on The Tonight Show with Conan O’Brien. She also holds honorary doctorates from Middlebury College—where she spent four summers in the total-immersion German, French, and Japanese language programs—and Ball State University, where there are three scholarships in her name.

Maya Beiser
Describing cellist, producer, and multifaceted artist Maya Beiser, The New York Times writes, “The adventurous Ms. Beiser has been called the 'cello goddess,' which is not hyperbole: She summons from her instrument an emotional power so stirring that even the most stoic audience members risk turning into sobbing sacks of flesh.” Passionately forging her artistic path through uncharted territories, Maya Beiser has been captivating audiences worldwide, bringing a bold and unorthodox presence to contemporary classical music, reimagining solo cello performance in the mainstream arena, and defying conventional norms with her boundary-crossing performances. Hailed as “the reigning queen of avant-garde cello” by The Washington Post, she has been called a “cello rock star,” by Rolling Stone and praised as “a force of nature,” by The Boston Globe.

Raised on a commune in Israel’s Galilee Mountains, by her Argentinean father and French mother, Maya spent her early life surrounded by the music and rituals of Jews, Muslims, and Christians, while studying classical cello repertoire. Throughout her extensive career she has been a featured performer on the world’s greatest stages among them Lincoln Center, Carnegie Hall, Brooklyn Academy of Music, the Kennedy Center for the Performing Arts, London’s Southbank Centre, Royal Albert Hall and the Barbican, the Sydney Opera House, Barcelona’s L’Auditori, Paris’ Cité de la Musique, Stockholm’s Concert Hall, and major venues across five continents. Among the wide range of artists with whom she has collaborated are Louis Andriessen, Philip Glass, Tan Dun, Steve Reich, Brian Eno, Mark Anthony-Turnage, Shirin Neshat, Erin Cressida-Wilson, Bill Morrison, Robert Woodruff, Missy Mazzoli, David Lang, Michael Gordon, Julia Wolfe, Evan Ziporyn, Pontus Lidberg, Wendy Whelan, Lucinda Childs, and Joe Hisaishi.

Maya’s vast discography includes fourteen solo albums, many of them topping the classical music charts. She is the featured soloist on numerous film soundtracks, including an extensive collaboration with composer James Newton Howard for M. Night Shyamalan’s The Happening and After Earth, Denzel Washington’s The Great Debaters, Edward Zwick’s Blood Diamond, and Rupert Sanders’ Snow White and the Huntsman. Her performance of David Lang’s “world to come” has been featured on the soundtrack for Paolo Sorrentino’s Oscar winning film, La Grande Bellezza.

Maya Beiser is a United States Artists (USA) Distinguished Fellow in Music and was a Mellon Distinguished Visiting Artist at MIT Center for Art, Science & Technology; Invited to present at the prestigious TED main stage in Long Beach, CA, Maya’s TED Talk has been watched by millions of people. She has been featured on NPR’s Tiny Desk Concerts and All Things Considered, PBS News Hour, and the BBC World News. Maya is a graduate of Yale University.

Gavin Greenaway
as been collaborating with Hans Zimmer for the past 25 years, from the beginning of the composer‘s career through to his biggest blockbusters. The musical director has conducted a number of Zimmer‘s film scores, including “The Prince of Egypt”, “Gladiator”, “Pearl Harbor”, “The Ring”, “Inception” and “Interstellar”. Greenaway has been involved in the composing, songwriting, production and orchestration of approximately 90 movies – including for James Newton Howard, John Powell and others. He is also the composer of nocturnal lighting spectacle “Reflections of Earth”, which has been presented at Disney‘s EPCOT theme park since 1999.

This album contains no booklet.