Cannabich: Symphonies London Mozart Players & Matthias Bamert

• Johann Christian Cannabich (1731 - 1798): Symphony in G Major:
• 1 Cannabich: Symphony in G Major: I. Allegro 06:17
• 2 Cannabich: Symphony in G Major: II. Andantino 04:24
• 3 Cannabich: Symphony in G Major: III. Minuet and Trio 04:26
• 4 Cannabich: Symphony in G Major: IV. Presto assai 04:45
• Symphony in A Major:
• 5 Cannabich: Symphony in A Major: I. Allegro 03:17
• 6 Cannabich: Symphony in A Major: II. Andante 03:45
• 7 Cannabich: Symphony in A Major: III. Allegro ma non troppo 04:55
• Symphony in E-Flat Major, No. 57:
• 8 Cannabich: Symphony in E-Flat Major, No. 57: I. Allegro 05:02
• 9 Cannabich: Symphony in E-Flat Major, No. 57: II. Andante 04:29
• 10 Cannabich: Symphony in E-Flat Major, No. 57: III. Allegro 04:24
• Symphony in C Major, No. 22:
• 11 Cannabich: Symphony in C Major, No. 22: I. Allegro moderato 03:33
• 12 Cannabich: Symphony in C Major, No. 22: II. Andante con brio 02:35
• 13 Cannabich: Symphony in C Major, No. 22: III. Un poco presto 03:53
• Symphony in D Major:
• 14 Cannabich: Symphony in D Major: I. Allegro con spirito 03:27
• 15 Cannabich: Symphony in D Major: II. Andante grazioso 04:23
• 16 Cannabich: Symphony in D Major: III. Presto assai 03:31
• Total Runtime 01:07:06

Info for Cannabich: Symphonies

Cannabich: Sinfonias: Volume 19 in our popular series, The Contemporaries of Mozart, Matthias Bamert and the London Mozart players turn to the German composer Johann Christian Cannabich in 5 of his Sinfonias composed in the Mannheim style. Cannabich was trained under Johann Stamitz, another composer recorded in this series.

"Matthias Bamert directs shapely and balanced performances which possess an appealing palette of colours, a sense of rhetorical claritiy and plenty of spontaneous charm." (Gramophone)

"It’s refreshing these days to hear music of this kind played by a modern instrument orchestra, Matthias Bamert and the London Mozart Players do it proud. Chandos’ recording is exemplary." (BBC Music Magazine)

"The melodies are always well thought our and developed, and the orchestration is adroit and occasionally inventive… This isn’t Mozart, nor is it Haydn, but it is music that immediately appeals to the ear and manages to hold the attention quite well, even upon extended or repeated hearings." (Fanfare)

London Mozart Players
Matthias Bamert, conductor

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