CelloTango Ophélie Gaillard

• Osvaldo Pugliese (1905 - 1995): Negracha (Arr. for Cello & Ensemble):
• 1 Pugliese: Negracha (Arr. for Cello & Ensemble) 03:23
• Viaje de bodas (Arr. for Cello and Bandoneon):
• 2 Piazzolla: Viaje de bodas (Arr. for Cello and Bandoneon) 03:21
• María de Buenos Aires:
• 3 Piazzolla: María de Buenos Aires: Yo soy María (Arr. for Voice, Cello & Ensemble) 03:14
• Fuga y misterio (Arr. for Cello & Ensemble):
• 4 Piazzolla: Fuga y misterio (Arr. for Cello & Ensemble) 03:56
• Vayamos al diablo (Arr. for Cello & Ensemble):
• 5 Piazzolla: Vayamos al diablo (Arr. for Cello & Ensemble) 02:18
• Las Cuatro Estaciones Porteñas (Arr. for Cello & Ensemble):
• 6 Piazzolla: Las Cuatro Estaciones Porteñas (Arr. for Cello & Ensemble): II. Otoño porteño 06:18
• Milonga for Three (Arr. for Piano):
• 7 Piazzolla: Milonga for Three (Arr. for Piano): I. 02:20
• 8 Piazzolla: Milonga for Three (Arr. for Piano): II. 05:54
• Alberto Ginastera (1916 - 1983): Puneña No. 2, Op. 45:
• 9 Ginastera: Puneña No. 2, Op. 45: I. Harawi 05:34
• 10 Ginastera: Puneña No. 2, Op. 45: II. Wayno Karnavalito 03:12
• Pampeana No. 2, Op. 21:
• 11 Ginastera: Pampeana No. 2, Op. 21: I. Lento rubato 01:31
• 12 Ginastera: Pampeana No. 2, Op. 21: II. Allegro 02:29
• 13 Ginastera: Pampeana No. 2, Op. 21: III. Lento ed esaltato 03:23
• 14 Ginastera: Pampeana No. 2, Op. 21: IV. Allegro vivace 01:54
• Milonga sin palabras (Arr. for Cello & Ensemble):
• 15 Piazzolla: Milonga sin palabras (Arr. for Cello & Ensemble) 05:25
• Regreso al amor (Arr. for Cello & Ensemble):
• 16 Piazzolla: Regreso al amor (Arr. for Cello & Ensemble): I. 03:23
• 17 Piazzolla: Regreso al amor (Arr. for Cello & Ensemble): II. 03:23
• La muerte del angel (Arr. for Cello & Ensemble):
• 18 Piazzolla: La muerte del angel (Arr. for Cello & Ensemble) 03:27
• Oblivion (Arr. for Voice, Cello & Ensemble):
• 19 Piazzolla: Oblivion (Arr. for Voice, Cello & Ensemble) 04:29
• Alfredo Le Pera (1900 - 1935), Carlos Gardel (1890 - 1935): Volver (Arr. for Cello and Bandoneon):
• 20 Pera, Gardel: Volver (Arr. for Cello and Bandoneon) 05:57
• Rosita Melo (1897 - 1981): Desde el alma (vals) (Arr. for Cello, Double Bass and Bandoneon):
• 21 Melo: Desde el alma (vals) (Arr. for Cello, Double Bass and Bandoneon) 03:42
• Julian Plaza (1928 - 2003): Nocturna (Milonga) (Arr. for Cello, Double Bass and Bandoneon):
• 22 Plaza: Nocturna (Milonga) (Arr. for Cello, Double Bass and Bandoneon) 03:35
• Mercedes Sosa (1935 - 2009): La Zafrera (Arr. for Cello and Guitar):
• 23 Sosa: La Zafrera (Arr. for Cello and Guitar) 03:33
• Alberto Ginastera: Dos canciones, Op. 3 (Arr. for Voice, Cello & Guitar):
• 24 Ginastera: Dos canciones, Op. 3 (Arr. for Voice, Cello & Guitar): No. 1, Canción al árbol del olvido 02:48
• 25 Ginastera: Dos canciones, Op. 3 (Arr. for Voice, Cello & Guitar): No. 2, Canción a la luna lunanca 01:47
• Gerardo Matos Rodriguez (1897 - 1948): La cumparsita (Arr. for Cello and Guitar):
• 26 Rodriguez: La cumparsita (Arr. for Cello and Guitar) 06:51
• Total Runtime 01:37:07

Info for CelloTango

Here, with her usual boundless curiosity, Ophélie Gaillard explores the diversity of the music and culture of Argentina. Tango, chacarera, Piazzolla and his “tango nuevo”, the evocative world of Ginastera, the Pampas and the Andean plateaux, a Carnival dance, a love song… this, and more. Joined by distinguished artists, Juanjo Mosalini and William Sabatier (bandoneons) and Tomás Bordalejo (guitar) – also the arrangers, or re-interpreters of these pieces – and singers Nahuel di Pierro, Inés Cuello and Agnès Jaoui, plus members of the Debussy Quartet, Ophélie Gaillard invites us to savour some of her favourite Argentine gems: the iconic La Cumparsita, the intimate Oblivion, Volver (recalling Carlos Gardel), and poetic treasures such as Pampeana, Puneña, and the delightful Canciónes – al árbol del olvido and a la luna lunanca.

Ophelie Gaillard, cello
William Sabatier,bandoneon
Juanjo Mosalini, bandoneon
Tomas Bordalejo, guitar
Romain Lecuyer, double bass
Emilie Aridon-Kociolek, piano
Christophe Collette, violin
Emmanuel Bernard,violin
Vincent Deprecq,viola
Ines Cuello, soprano
Nauel di Pierro,bass
Agnes Jaoui, mezzo-soprano
Les Debussys

Ophélie Gaillard
… could we read in the editorial published in the Diapason magazine of June 2011, (Ophélie Gaillard was awarded the Diapason d’Or for the Suites of Bach). The English Newspapers also underlined this appreciation. In August 2011, The Strad magazine wrote that “Gaillard was at the top “ whereas in 2007 The Times already welcomed her “wizard fingering, big lyrical heart, and kaleidoscope of colors”.

This brilliant Franco-Swiss musician embodies an insatiable curiosity, a taste for risk and an immoderate appetite for the whole of the concertante cello repertoire.

Voted “Revelation: Solo Instrumentalist of the Year” at the Victoires de la Musique Classique in 2003, she has since then appeared in recital at many prestigious venues.

Ophélie Gaillard is a child of Baroque. From a very young age, she was specialized in the early and classical cellos and soon shared the stage with Christophe Rousset, Emmanuelle Haïm and Amaryllis. Then, in 2005, she found Pulcinella, a collective of virtuosos with a passion for performance practice on period instruments. The recordings devoted to Vivaldi, Boccherini and Bach reaped excellent ratings and several awards.

In 1998, she was the winner of the Leipzig Bach Competition. Then, in 2000 she recorded Bach’s complete Cello Suites for the Ambroisie label and enjoyed a great critical acclaim. She renewed that exploit in 2011, this time for the Aparté label, and received maximum ratings from Diapason, Strad magazine, etc.

Ophélie Gaillard also performs modern and contemporary works. She has made successful recordings of Britten’s complete cello suites or Pierre Bartholomée’s Oraison.

The Romantic repertoire is not neglected: she has successfully recorded the complete cello works of Schumann, Fauré, Chopin and Brahms.

She appears as a soloist with the Orchestre de Cannes-Provence-Alpes Côte d’Azur, the Polish Radio Orchestra (Gabriel Chmura), the Orchestre de Picardie (Edmon Colomer), the European Camerata, the Franz Liszt Orchestra of Budapest, the New Japan Philharmonic under the baton of Werner Andreas Alpert, the Bangkok Symphony Orchestra, the Moscow Chamber Orchestra, the Orchestre de Chambre de Toulouse, the Romanian Radio Orchestra or else, the Monte-Carlo Philharmonic Orchestra under the direction of James Judd.

Her solo album Dreams, made with the Royal Philharmonic Orchestra at the legendary Abbey Road Studios in London, proved to be a great public success.

A sought-after teacher, she regularly gives master classes in Europe, Asia and in Latin and Central America. She is invited as a member of the jury at the ARD competitions and is a professor at the Haute Ecole de Musique of Geneva (HEM) since 2014.

She is regularly heard on radio (France Musique, France Culture, France Inter, Radio Classique, Espace 2, BBC Radio 3) and often appears on television (France 2, Mezzo, Arte).

In December 2015, her double-CD album Alvorada won over a vast audience and was named a ‘Star Recording’ by The Strad magazine. This programme, blending ‘highbrow’ and popular Spanish and South-American music went on tour in 2016 through France, Italy (MiTo festival), and Mexico (Cervantino Festival), in particular with the Brazilian singer Toquinho.

After the international success of her first album (Diapason d’Or in 2014, special recognition from the Strad magazine, concerts in France and Germany…), a second recording of CPE Bach for the Aparté Label will be released in 2016 with the Pulcinella Orchestra and incensed by the press (Diapason d’Or, Choc de la Musique Classica, ffff Télérama, Gramophone …).

She was invited to play for the prestigious concert series given at the honour court of the Prince’s Palace of Monaco. She subsequently recorded her next disc Exils (expected release in Spring 2017) around the concertos of Korngold and Bloch with the Philharmonic orchestra of Monte Carlo and supervised by James Judd.

Ophélie Gaillard plays a cello by Francesco Goffriller (1737), generously loaned to her by CIC, and also a Flemish violoncello piccolo (anonymous).

Booklet for CelloTango