
Women's Work for Viola: Sounds of Discovery Maggie Snyder & Timothy Lovelace
Album info
Album-Release:
2025
HRA-Release:
20.05.2025
Label: Arabesque Recordings
Genre: Classical
Subgenre: Instrumental
Artist: Maggie Snyder & Timothy Lovelace
Album including Album cover
- K. Dorothy Fox (1894 - 1934): Sonata for Viola and Piano, Op. 7:
- 1 Fox: Sonata for Viola and Piano, Op. 7: I. Molto moderato 06:21
- 2 Fox: Sonata for Viola and Piano, Op. 7: II. Allegro molto 03:09
- 3 Fox: Sonata for Viola and Piano, Op. 7: III. Allegro moderato 07:02
- Ruth Gipps (1921 - 1999): Lyric Fantasy for Viola and Piano, Op. 46:
- 4 Gipps: Lyric Fantasy for Viola and Piano, Op. 46 05:27
- Mary Kouyoumdjian (b. 1983): And a Cry Came From the People, for Viola and Piano (2024):
- 5 Kouyoumdjian: And a Cry Came From the People, for Viola and Piano (2024) 09:04
- Tessa Lark: Variations on a Moment (2024):
- 6 Lark: Variations on a Moment (2024) 07:28
- Sakari Dixon Vanderveer (b. 1992): Bagatelles for Strings: I:
- 7 Vanderveer: Bagatelles for Strings: I: Prelude for solo viola (2024) 05:55
- Rebecca Clarke (1886 - 1979): Sonata for Viola and Piano:
- 8 Clarke: Sonata for Viola and Piano: I. Impetuoso 08:02
- 9 Clarke: Sonata for Viola and Piano: II. Vivace 04:16
- 10 Clarke: Sonata for Viola and Piano: III. Adagio 11:00
Info for Women's Work for Viola: Sounds of Discovery
This album includes world premieres of new works by women for solo viola and viola and piano.
Maggie Snyder is Professor of Viola at the University of Georgia, Principal Violist of the Chamber Orchestra of New York, with whom she records for Naxos, and is on the Artist-Faculty of the Brevard Music Festival. Ms. Snyder made her Carnegie Hall debut in Weill Recital Hall with her sister duo, Allemagnetti, in 2009.
Maggie Snyder, violin
Timothy Lovelace, piano
Maggie Snyder
is Professor of Viola at the University of Georgia, Principal Violist of the Chamber Orchestra of New York, with whom she records for Naxos, and is on the Artist-Faculty of the Brevard Music Festival. She has performed solo recitals, chamber music, concertos and as an orchestral musician throughout the United States and abroad in such halls as the Kennedy and Kauffman Centers, all three halls at Carnegie Hall, Merkin Hall, Spivey Hall, and the Seoul Arts Center, and in England, Korea, Greece, and Russia. She has performed under the batons of Yuri Temirkanov, David Zinman, Robert Spano, Leonard Slatkin, James dePriest, Julius Rudel, James Conlon, Keith Lockhart, and Michael Tilson Thomas, and at such festivals as the Brevard Music Festival, the Sewanee Summer Music Festival, and the Aspen Music Festival where she was a Time Warner Fellow. In 2001, Ms. Snyder was a semi-finalist at the 8th Primrose International Viola Competition, and made her recital debut in Weill Recital Hall at Carnegie Hall with her sister duo, Allemagnetti in 2009. The group was called a "winning pair" with a "highly promising debut" by the New York Concert Review. She has performed chamber music with members of the Parker, Jupiter, Cleveland and Tokyo Quartets, Jonathan Carney, the Aspen String Trio, Jon Manassee, Ivo Van der Werff, Itamar Zorman, Orli Shaham, and Peter Frankl, among others.
Ms. Snyder has released four solo recordings: Womens Works for Solo Viola (2023), Viola Alone: Old New and Borrowed (2018), Modern American Viola Music (2015), and Allemagnetti – Music for Viola and Harpsichord (2013) are represented exclusively through Arabesque Recordings and available through iTunes and amazon.com. Her recordings feature new commissions by Libby Larsen, Gabriela Lena Frank, Gity Razaz, Kirsten Volness, Virginia Samuel, Garrett Byrnes, Kamran Ince, and Thomas Pasatieri. She was the 2018 recipient of the University of Georgia’s Creative Research Medal in the Arts and Humanities for her project commissioning and recording new works for viola. In 2019, she released a collaborative recording featuring the works written for her by Leonard “Chic” Ball titled “Worlds Translucent” with Tim Lovelace and Michael Heald, on PARMA. She has an upcoming recording scheduled in 2024 titled Women’s Works Past Present and Future, featuring new commissions by Mary Kouyoumdjian and Tessa Lark and the winner of an international call for scores by women.
Ms. Snyder received the 2023 University of Georgia Sandy Beaver Teaching Award. Ms. Snyder has given master classes, clinics, and recitals at universities and music schools throughout the country, including The Universities of Michigan, Colorado, Minnesota, Michigan State, Tennessee, Kentucky, South Carolina, Interlochen, Hartt, and Converse College, among others. Ms. Snyder earned graduate degrees from The Peabody Conservatory of Music, where she was the teaching assistant for Victoria Chiang. Her Bachelor's degree is from the University of Memphis, where not only she was born and raised, but where she was a Pressar Scholar.
Timothy Lovelace
heads the Collaborative Piano program at the University of Minnesota and is an active recitalist, having been featured at Rio de Janeiro’s Sala Cecilia Meireles, Carnegie’s Weill Recital Hall, Washington’s Kennedy Center, New York’s Merkin Concert Hall, Chicago’s Dame Myra Hess Memorial Concerts and on chamber music series sponsored by the symphony orchestras of Chicago, Cincinnati, Detroit, Minnesota and the Saint Paul Chamber Orchestra. As a soloist, he has performed with the Minnesota Orchestra conducted by Osmo Vänskä, The roster of internationally-known artists with whom Lovelace has appeared includes Miriam Fried, Nobuko Imai, Robert Mann, Charles Neidich, Paquito D’Rivera, and Dawn Upshaw. For thirteen years, he was a staff pianist at the Ravinia Festival’s Steans Institute, where he played in the classes of Barbara Bonney, Christoph Eschenbach, Thomas Hampson, Christa Ludwig and Yo-Yo Ma, among others. A proponent of new music, Lovelace has performed the works of many living composers, and he presented the world premiere of Osvaldo Golijov’s Third World. He has recorded for the Albany, Arabesque, Blue Griffin, Boston Records, and MSR labels. His principal teachers were Harold Evans, Gilbert Kalish, Donna Loewy, and Frank Weinstock.
This album contains no booklet.