Parallels Alexander Ffinch

• Gustav Holst (1874 - 1934): The Planets, Op. 32, H. 125:
• 1 Holst: The Planets, Op. 32, H. 125: IV. Jupiter, the Bringer of Jollity (Arr. for Organ by Thomas Trotter) 08:36
• Florence Price (1887 - 1953): Organ Suite No. 1:
• 2 Price: Organ Suite No. 1: I. Fantasy 04:35
• 3 Price: Organ Suite No. 1: II. Fughetta 02:33
• 4 Price: Organ Suite No. 1: III. Air 03:26
• 5 Price: Organ Suite No. 1: IV. Toccata 03:01
• Chris Martin (b. 1977): Paradise (Arr. for Organ by Alexander Finch)
• 6 Martin: Paradise (Arr. for Organ by Alexander Ffinch) 03:45
• Edward Elgar (1857 - 1934): Variations on an Original Theme, Op. 36 "Enigma":
• 7 Elgar: Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod (Arr. for Organ by William H. Harris) 03:37
• Dan Locklair (b. 1949): Rubrics:
• 8 Locklair: Rubrics: I. "The Ancient Praise-Shout 'Hallelujah,' Has Been Restored" 02:25
• 9 Locklair: Rubrics: II. "Silence May Be Kept" 03:33
• 10 Locklair: Rubrics: III. "...and Thanksgiving May Follow" 02:04
• 11 Locklair: Rubrics: IV. "The Peace May Be Exchanged" 03:10
• 12 Locklair: Rubrics: V. "The People Respond, Amen!" 02:15
• Sir Edward Elgar (1857 - 1934): Pomp and Circumstance Military Marches, Op. 39:
• 13 Elgar: Pomp and Circumstance Military Marches, Op. 39: No. 1 in D Major (Arr. for Organ by Edwin Henry Lemare) 06:40
• Chanson de nuit et chanson de matin, Op. 15:
• 14 Elgar: Chanson de nuit et chanson de matin, Op. 15: No. 2, Chanson de matin (Arr. for Organ by Herbert Brewer) 03:21
• Léon Boëllmann (1862 - 1897): Suite gothique, Op. 25:
• 15 Boëllmann: Suite gothique, Op. 25: I. Introduction - Choral 02:24
• 16 Boëllmann: Suite gothique, Op. 25: II. Menuet gothique 03:14
• 17 Boëllmann: Suite gothique, Op. 25: III. Prière à Notre-Dame 04:59
• 18 Boëllmann: Suite gothique, Op. 25: IV. Toccata 04:15
• Total Runtime 01:07:53

Info for Parallels

Parallels is meticulously curated album that explores the organ’s remarkable breadth and sonority. Featuring three monumental organ works and delightful arrangements of English classics, the collection is a testament to the grandeur and versatility of the instrument.

Florence Price’s Suite No. 1, makes its debut commercial recording. This substantial and captivating composition draws inspiration from spirituals, hymns, and pentatonic themes, showcasing a harmonious fusion of jazz influences. The rhythmic drive and themes in the final Toccato pay homage to the engaging Rubrics by Dan Locklair, creating a seamless connection between the featured works.

The album’s title, Parallels, reflects Florence Price’s artistic vision, aiming to convey a heritage through the past while being influenced by contemporary contacts. This intention is beautifully realised in Suite No. 1, where the chromatic harmony reminiscent of Suite Gothique meets the rhythmic vitality of Rubrics. As a nod to the present day, the album includes Alexander’s own arrangement of Coldplay’s hit single Paradise, seamlessly blending modernity with Price’s timeless compositions. Parallels is not just an album; it’s a transformative auditory experience that invites listeners to explore the intersections of tradition and innovation on the Harrison and Harrison organ. The past converges with the present in perfect harmony.

The surprise appearances of music not typically associated with the organ successfully adds an element of excitement and discovery. The album also features splendid organ arrangements of English staples like Elgar’s Chanson de Matin and Pomp and Circumstance, further showcasing the instrument’s versatility. “Parallels” is an invitation to discover the intersections of tradition and innovation, a celebration of timeless compositions, and a showcase of the capabilities of Cheltenham College Chapel’s Harrison and Harrison organ. This album also celebrates the 150th anniversary of Gustav Holst’s birth with the inclusion of Jupiter, the Bringer of Jollity fromThe Planets Op. 32 arranged by Thomas Trotter.

Alexander Ffinch has established himself as a renowned organist with performances spanning the UK, Europe, USA, and Asia. Notable for his role as the College Organist at Cheltenham College since 2004, Alexander oversees daily organ performances in the College Chapel and accompanies choirs while maintaining an active schedule as a recitalist, featuring prominently in events like the Cheltenham International Music Festival and BBC Radio 3 broadcasts. His 2019 album, Transformations (DDA 25193), received critical acclaim.

Alexander Ffinch, organ Cheltenham College Chapel

No biography found.

Booklet for Parallels