Ocean's Kingdom Paul McCartney

• Paul McCartney (1942-): Ocean’s Kingdom (Studio Recording)
• 1 Movement 1: Ocean’s Kingdom 14:08
• 2 Movement 2: Hall of Dance 16:19
• 3 Movement 3: Imprisonment 13:37
• 4 Movement 4: Moonrise 12:31
• Ocean’s Kingdom (Bonus Live Gala Premiere Recording)
• 5 Movement 1: Ocean's Kingdom 12:15
• 6 Movement 2: Hall Of Dance 14:27
• 7 Movement 3: Imprisonment 10:14
• 8 Movement 4: Moonrise 10:31
• Total Runtime 01:44:02

Info for Ocean's Kingdom

Marking his first foray into the word of dance, Paul has announced the general release of „Ocean’s Kingdom“, commissioned by the New York City Ballet. The recording is conducted by John Wilson, produced by John Fraser and performed by The London Classical Orchestra.

„Ocean’s Kingdom“ is the first time Paul has written an original orchestral score or any kind of music for dance and is the result of a collaboration between Paul and New York City Ballet’s Master in Chief Peter Martins, who have worked together to present the world premiere of a new ballet for the company’s 2011 / 2012 season this September.

Though the work is Paul’s first ballet, he approached the project in the same way he writes all other music, driven by his heart rather than his head and inspired by feeling rather than specific technical knowledge. While this may have been another new turn for his staggeringly varied career to take, Paul knew it had to be influenced by his own personal experience and that he needed to create a story the audience would find equally compelling and moving.

Paul’s first step was to visit the Royal Opera House to see Adolphe Adam’s „Giselle“, danced by the Royal Ballet. Afterwards, Paul met the dancers and discussed the work with them, realising as he did so that he was still without a central theme to his work. Keen to tell a story through his music, Paul decided to focus on the purity of the ocean and within just two months, the first draft had been completed. He then went through the music again thinking specifically of the ballet itself, thereby creating a world featuring distinctive characters and a vibrant underworld kingdom. Finally Paul spent many more weeks working alongside Peter Martins to refine the work, before Peter created the choreography with the NYCB dancers.

An hour long score featuring four stunning movements – Ocean’s Kingdom, Hall of Dance, Imprisonment and Moonrise – the ballet tells of a love story within the story of an underwater world whose people are threatened by the humans of Earth. A potently expressive and richly varied work, the score is Paul’s most challenging and emotionally complex yet. As he explains: “What was interesting was writing music that meant something expressively rather than just writing a song. Trying to write something that expressed an emotion – so you have fear, love, anger, sadness to play with and I found that exciting and challenging.”

The artwork that accompanies the release is equally striking and inventive. Though it seems to suggest a city skyline, it is actually a digital readout of the notes from the ballet score.

Although this is his first orchestral score for dance, Paul is already quite at home in the world of classical music. His back catalogue already carries four classical albums, the most recent of which was the Classical BRIT Award winning „Ecce Cor Meum (Behold My Heart)“; a work for chorus and orchestra in four movements that was released in 2006.

“Superior souls may complain of a lack of great substance; but that's the nature of much ballet music. What's on offer is agreeably tuneful and sometimes stimulating music, with undeniably sumptuous orchestral sound...the ultimate impression is of music with a rightful place in the British light orchestral tradition.” (Gramophone)

London Classical Orchestra
John Wilson, conductor

Produced by John Fraser

No biography found.

Booklet for Ocean's Kingdom