Schumann: Poetica Claudio Bohórquez & Péter Nagy

• Robert Schumann (1810 - 1856): Dichterliebe, Op. 48:
• 1 Dichterliebe, Op. 48: I. Im wunderschönen Monat Mai (Arr. for Cello) 01:39
• 2 Dichterliebe, Op. 48: II. Aus meinen Tränen sprießen (Arr. for Cello) 00:55
• 3 Dichterliebe, Op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (Arr. for Cello) 00:33
• 4 Dichterliebe, Op. 48: IV. Wenn ich in deinen Augen seh' (Arr. for Cello) 01:36
• 5 Dichterliebe, Op. 48: V. Ich will meine Seele tauchen (Arr. for Cello) 00:42
• 6 Dichterliebe, Op. 48: IV. Im Rhein, im heiligen Strome (Arr. for Cello) 02:05
• 7 Dichterliebe, Op. 48: VII. Ich grolle nicht (Arr. for Cello) 01:28
• 8 Dichterliebe, Op. 48: VIII. Und wüssten's die Blumen (Arr. for Cello) 01:04
• 9 Dichterliebe, Op. 48: IX. Das ist ein Flöten und Geigen (Arr. for Cello) 01:22
• 10 Dichterliebe, Op. 48: X. Hör' ich das Liedchen klingen (Arr. for Cello) 02:16
• 11 Dichterliebe, Op. 48: XI. Ein Jüngling liebt ein Mädchen (Arr. for Cello) 01:03
• 12 Dichterliebe, Op. 48: XII. Am leuchtenden Sommermorgen (Arr. for Cello) 02:13
• 13 Dichterliebe, Op. 48: XIII. Ich hab' im Traum geweinet (Arr. for Cello) 02:02
• 14 Dichterliebe, Op. 48: XIV. Allnächtlich im Traume (Arr. for Cello) 01:22
• 15 Dichterliebe, Op. 48: XV. Aus alten Märchen winkt es (Arr. for Cello) 02:05
• 16 Dichterliebe, Op. 48: XVI. Die alten bösen Lieder (Arr. for Cello) 04:04
• Drei Fantasiestücke, Op. 73:
• 17 Drei Fantasiestücke, Op. 73: I. Zart und mit Ausdruck (Arr. for Cello) 03:14
• 18 Drei Fantasiestücke, Op. 73: II. Lebhaft, leicht (Arr. for Cello) 03:24
• 19 Drei Fantasiestücke, Op. 73: III. Rasch und mit Feuer (Arr. for Cello) 03:50
• Drei Romanzen, Op. 94:
• 20 Drei Romanzen, Op. 94: I. Nicht schnell (Arr. for Cello) 03:52
• 21 Drei Romanzen, Op. 94: II. Einfach, innig (Arr. for Cello) 03:54
• 22 Drei Romanzen, Op. 94: III. Nicht schnell (Arr. for Cello) 04:18
• Fünf Stücke im Volkston, Op. 102:
• 23 Fünf Stücke im Volkston, Op. 102: I. "Vanitas vanitatum". Mit Humor 03:13
• 24 Fünf Stücke im Volkston, Op. 102: II. Langsam 03:36
• 25 Fünf Stücke im Volkston, Op. 102: III. Nicht schnell, mit viel Ton zu spielen 04:14
• 26 Fünf Stücke im Volkston, Op. 102: IV. Nicht zu rasch 01:42
• 27 Fünf Stücke im Volkston, Op. 102: V. Stark und markiert 02:58
• Märchenbilder, Op. 113:
• 28 Märchenbilder, Op. 113: I. Nicht schnell (Arr. for Cello) 03:25
• 29 Märchenbilder, Op. 113: II. Lebhaft (Arr. for Cello) 03:45
• 30 Märchenbilder, Op. 113: III. Rasch (Arr. for Cello) 02:32
• 31 Märchenbilder, Op. 113: IV. Langsam, mit melancholischem Ausdruck (Arr. for Cello) 04:50
• Kinderszenen, Op. 15:
• 32 Kinderszenen, Op. 15: No. 13 "Der Dichter spricht" (Arr. for Cello) 02:05
• Total Runtime 01:21:21

Info for Schumann: Poetica

Claudio Bohórquez and Péter Nagy are releasing a new album, dedicated to the tone poet par excellence, Robert Schumann, and his works for chamber duo. Performing a programme comprising works from the clarinet, oboe, viola and vocal repertoires, the two renowned soloists throw renewed light on some unknown facets of a famous composer.

The key focus of the album is a central work in the field of Lieder: Schumann's Dichterliebe. Bohórquez and Nagy lure their listeners on a journey through the innermost core of Romantic emotions. Bohórquez has a highly interesting technique, sure to fascinate not just connoisseurs of Dichterliebe, of interpreting these songs without words with such a fine level of tonal nuance and such songful bowing that they never seem like wordless songs.

There are further chamber works by Schumann to enjoy, the majority not actually written for the combination of cello and piano: his Three Fantasy Pieces op. 73 were originally composed for clarinet or violin and piano. Schumann actually wrote the Three Romances op. 94 for oboe, the Fairytale Pictures op. 113 for viola and piano. The experienced chamber music duo simply claim as their own these pieces which might seem alien to their combination of instruments. "This gave me the opportunity to immerse myself in a whole range of other instruments and to find a solution for the cello," explains Bohórquez. Only the Five Pieces in Folk Style op. 102 were originally scored for the cello.

Altogether, the resulting album, by combining these five works, does not standardise them into part of the cello-piano repertoire. On the contrary: in each of the works, Bohórquez and Nagy immerse themselves in a thoroughly new and individual tonal landscape, and in Schumann's Dichterliebe they even succeed in conjuring up the lyrics of Heinrich Heine.

Claudio Bohórquez, cello
Peter Nagy, piano

Claudio Bohórquez
The German-born cellist of Peruvian-Uruguayan descent is one of the most sought-after musicians in his field. As a student of Boris Pergamenschikow, Claudio Bohórquez achieved success at an early age at international competitions such as the Tschaikowsky Youth Competition in Moscow and the Rostropovich Cello Competition in Paris. This culminated in 2000 with three awards at the first International Pablo Casals Competition held under the auspices of the Kronberg Academy: Marta Casals Istomin presented Claudio Bohórquez with first prize, a special award for the best chamber music, and also the use of Casals’ Gofriller cello for a period of two years. He also won first prize at the International Music Competition in Geneva, an achievement that marked the start of his career as a soloist. Meanwhile he has become a teacher himself: from 2011 to 2016 he was professor at the Musikhochschule Stuttgart, in September 2016 he was appointed to the Hochschule für Musik "Hanns Eisler" Berlin, where he has been a guest professor since 2003.

Among others, Claudio Bohórquez has performed with almost all German radio orchestras, the Staatskapelle Dresden, the Leipzig Gewandhaus Orchestra, the Wiener Symphoniker, the Collegium Musicum Basel, the Orchestre de Paris, the Orchestre Philharmonique de Radio France, the Tonhalle Orchestra Zurich and the Academy of St. Martin in the Fields. In Japan, he performs with the NHK Symphony Orchestra and the Tokyo Philharmonic Orchestra. In the US, Claudio Bohórquez recently gave concerts with the Boston Symphony, Chicago Symphony, Cleveland Orchestra, Detroit Symphony, Los Angeles Philharmonic, National Symphony and the Philadelphia Orchestra.

Renowned conductors Claudio Bohórquez has worked with include Daniel Barenboim, Christoph Eschenbach, Manfred Honeck, Sir Neville Marriner, Eiji Oue, Krzysztof Penderecki, Leonard Slatkin, Tugan Sokhiev, Lothar Zagrosek and David Zinman.

Claudio Bohórquez is a guest at numerous festivals. Among them are the Casals Festival in Puerto Rico, the City of London Festival, the Penderecki Festival in Warsaw and the Jerusalem International Chamber Music Festival. Appearances in the United States have included performances at the Tanglewood, Ravinia and Aspen Festival as well as the Hollywood Bowl. He participated in the chamber music festival Lockenhaus in Austria and at Gidon Kremer's festival "Les Musiques" in Basel. As a passionate chamber musician, he has performed together with Jörg Widmann in Bilbao/Madrid, and with Viviane Hagner and Jonathan Gilad at the Beethoven Marathon at Konzerthaus Berlin.

The past seasons have led the artist to many festivals, including: a. to the Rheingau Music Festival with the Columbian Youth Philharmonic under Andrés Orozco-Estrada, to the Dresden Music Festival with a Chamber Music Project together with the violinist Philippe Quint and the pianist Boris Giltburg, to the Schleswig-Holstein Music Festival and the Rheingau Music Festival. The upcoming season includes, among others, the Elbphilharmonie debut on November 8, 2018 and an Elgar cello concert with the Staatsphilharmonie Nürnberg on February 15, 2019.

In addition to numerous CD recordings, radio recordings and television appearances Claudio Bohórquez worked as an interpreter for the soundtrack of Paul English by to the film "Ten Minutes Older - The Cello", which was shown in theaters worldwide. Together with the painter Klaus-Peter Kirchner, Claudio Bohórquez developed the installation project "Raum für Pablo Casals" in homage to this great cellist. He was part of the ECHO-winning album "Four Seasons" (2017) of Daniel Hope, released by Deutsche Grammophon. In July 2018 Berlin Classics will release a new CD with the sonatas of Johannes Brahms and some bonus tracks together with Claudio Bohórquez's duo partner Péter Nagy.

Since the season 2017/18 Claudio Bohórquez is Artistic Director of the Festival Winnenden.

Claudio Bohórquez plays a G. B. Rogeri violoncello presented to him by the Landeskreditbank Baden-Württemberg.

Péter Nagy
A first prize in the 1979 Hungarian Radio Competition launched virtuoso pianist Péter Nagy into a remarkable international career. He had begun studying at the Liszt Academy of Music in Budapest and at the age of just eight years old.

Péter Nagy has performed in Europe, the USA, Asia and Australia and has given solo recitals in New York, Sydney, New Zealand and throughout Japan. As a soloist and chamber musician, Péter Nagy has performed at major music festivals including those in Aix-en-Provence, Bastad, Blonay, Davos, Divonne, Edinburgh, Eisenach, Fayetteville, Frenswegen, Helsinki, Llandoff, Kilkenny, Kuhmo, Kronberg, Moritzburg, Nelson, Ojai, Oberstdorf, Stresa, West Cork, the Marlboro Music Festival and the international piano festivals in Beijing, Shanghai and Shenzhen, China.

Péter Nagy gives regular chamber music performances with partners such as Zoltán Kocsis, László Polgár, Miklós Perényi, Leonidas Kavakos, the St Lawrence String Quartet, Kim Kashkashian, Charles Neidich, Nobuko Imai, Tanja Becker-Bender, Ruggiero Ricci, Frans Helmerson and Claudio Bohórquez.

Péter Nagy is a professor of piano at the State University of Music and the Performing Arts Stuttgart and director of the department for keyboard instruments at the Doctoral School of the Liszt Academy of Music in Budapest. He has released CDs under Hungaroton, Delos, Naxos, SWR/Naxos, BIS, Berlin Classics, Hyperion, Decca and ECM. In 2001, he received the prestigious Liszt Award from the Hungarian Ministry of Education and Cultural Affairs.

This album contains no booklet.