Time Before and Time After Dominique Pifarély Quartet

• 1 Sur terre 07:34
• 2 Meu Ser Elástico 05:54
• 3 L'air soudain 07:28
• 4 D'une main distraite 06:50
• 5 Avant le regard 08:38
• 6 Gegenlicht 11:10
• 7 Violín y Otras Cuestiones 08:08
• 8 L'oubli 03:26
• 9 My Foolish Heart 04:00
• Total Runtime 01:03:08

Info for Time Before and Time After

French violinist Dominique Pifarély – last heard on ECM a decade ago on Stefano Battaglia’s Re: Pasolini – returns to the label with an outstanding solo violin recital, drawn from performances at the Auditorium Saint-Germain in Poitiers and Cave Dimière in Argenteuil. The music is totally improvised – apart from a free interpretation of the jazz standard “My Foolish Heart” by Victor Young – and it roves through a range of moods and atmospheres, textures and tone colours, dynamically and unpredictably.

“Playing solo is exciting for me,” says Dominque. “It’s like a very personal workshop. More than in any other configuration it is in the solo playing that I work on and develop my improvisational language – the grammar, the style and the shape of the music.”

Solo performance has been a major part of Pifarély’s work in recent years. “It was important to me to document the music in a live context. To be able to play with this kind of intensity I find I need the audience, the feeling of having someone to address the music to. There is a certain rapport that develops, based on shared listening.”

Pifarély says that he allows himself to think “only ten or twenty seconds before a performance” of how he will begin an improvised set, to keep the edge of discovery in the music. “So it’s as spontaneous as I can make it. At the same time, of course, the instrumental techniques used are things I have practised. But the form is not prepared – each piece is invented or discovered in real time.”

Amid the abstract playing, and the obvious deep involvement with the play of sounds and extended techniques, messages from the deep musical past emerge, sometimes including hints of the baroque. Does Pifarély feel the weight of solo violin history bearing down on him at such moments? “Well, I feel it, but it’s not a weight! It’s a musical richness which I try not to forget. And it’s very useful in this music, this improvised music which is more or less related to jazz – in quite what proportion I’m not sure. Maybe the way I play solo violin can be considered ‘orchestral’ in a sense. I’m thinking about the violin as a small orchestra and I have to pay attention to every detail. And of course Bach is in the air because Bach is polyphonic, and the violin is polyphonic.”

Of My Foolish Heart, which concludes the recital, Dominique says, “I usually like to include a standard in my solo performances, also to assert the autonomy of the violin. Conventionally in jazz we violinists are supposed to need a piano or guitar or a double bass, something to support the harmonies. And of course, Bach told us a long time ago that we really don’t.”

Time Before And Time After borrows its generic title from TS Eliot’s poem “Burnt Norton”, and the individual tracks are also named for poets and poetry, with dedications to Mahmoud Darwish, Fernando Pessoa, André du Bouchet, Henri Michaux, Paul Celan, Juan Gelman, and Bernard Noël. The literary references are, however, afterthoughts. “I’m a big reader of poetry and my idea was that the album could resemble a collection of poems. For me the gesture of improvisation and the gesture of poetry are quite close. After the recordings were made, I thought about relating a particular piece to this or that poet, and used a few words from each as titles for the improvisations.”

Dominique Pifarély, violin

Dominique Pifarély
is a musician who thrives in the unstable territory between improvisation and composition, and his pieces here establish ideas, structural elements and themes which encourage textural, lyrical and abstract improvising to develop in the moment. The interplay amongst the players is dynamic, exploratory and engaging, inspiring Dominique to fine and differentiated soloing. The free movement of energy is central to the music, which incorporates group improvising, luminous counterpoint, intense inner pulsations and open, lyrical expanses.

This quartet was founded in the spring of 2014, but Pifarély, bassist Bruno Chevillon and drummer François Merville have been regularly crossing each other’s musical paths for a few decades. They are cornerstone players of improvised music in France and they’ve brought new impulses to it, other ways of thinking about freedom and form. The band is completed by pianist Antonin Rayon, making a first appearance on ECM.

Booklet for Time Before and Time After