Antonio de Cabezón: Tientos, diferencias y glosadas Léon Berben

• Antonio de Cabezón (1510 - 1566):
• 1 Tiento del primer tono 06:46
• 2 Canción glosada Triste départ 04:51
• 3 Diferencias sobre La dama le demanda 03:07
• 4 Himno Ave Maris Stella 1 03:17
• 5 Himno Ave Maris Stella 2 04:03
• 6 Diferencias sobre El Canto llano del Caballero 03:23
• 7 Ad Dominum cum tribularer 03:58
• 8 Tiento del sexto tono 05:31
• 9 Canción glosada Anchor che col partire 04:57
• 10 Diferencias sobre Quién tu me enojó Isabel 08:12
• 11 Tiento del sexto tono 09:40
• 12 Canción glosada Au joly boys 04:47
• 13 Diferencias sobre La Gallarda Milanesa 02:29
• 14 Comunio Beata viscera Mariae 03:20
• 15 Diferencias sobre La Pavana Italiana 03:51
• 16 Tiento del 1er tono 01:55
• 17 Tiento del cuarto tono 04:27
• Total Runtime 01:18:34

Info for Antonio de Cabezón: Tientos, diferencias y glosadas

Virtuoso keyboard music of the early 16th century: Léon Berben plays works by Antonio de Cabezón on one of the oldest organs in the world, the Gothic organ of St.Andreas in Soest-Ostönnen.

The organs that Antonio de Cabezón knew were still pretty "gothic" in sound. Not least because of this, the instrument in Ostönnen is perfectly suited for his works. It impresses with its variety of timbres and the ability of the individual voices to blend with one another. Surprising enough: this organ has only seven stops! The homogeneous acoustics of the Romanesque St. Andrew's Church contribute to the refinement of the overall sound. Instrument and space inspire Léon Berben to a highly colorful and deeply inspired view of the works of this Spanish master. Lovers of historical keyboard instruments and archaic organ sounds will highly enjoy this new album.

Leon Berben, Gotische Orgel St. Andreas Soest-Ostönnen

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