Album info

Album-Release:
2022

HRA-Release:
04.03.2022

Label: Berlin Classics

Genre: Classical

Subgenre: Instrumental

Artist: Fabian Müller

Composer: Franz Peter Schubert (1797–1828)

Album including Album cover

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FLAC 96 $ 17.60
  • Franz Schubert (1797 - 1828): Drei Klavierstücke, D946:
  • 1 Schubert: Drei Klavierstücke, D946: I. Allegro assai 09:15
  • 2 Schubert: Drei Klavierstücke, D946: II. Allegretto 12:02
  • 3 Schubert: Drei Klavierstücke, D946: III. Allegro 05:03
  • Piano Sonata in C Minor, D958:
  • 4 Schubert: Piano Sonata in C Minor, D958: I. Allegro 08:00
  • 5 Schubert: Piano Sonata in C Minor, D958: II. Adagio 07:48
  • 6 Schubert: Piano Sonata in C Minor, D958: III. Menuetto. Allegro 03:06
  • 7 Schubert: Piano Sonata in C Minor, D958: IV. Allegro 09:10
  • 8 Schubert: Piano Sonata in A Major, D959: I. Allegro 12:07
  • 9 Schubert: Piano Sonata in A Major, D959: II. Andantino 07:24
  • 10 Schubert: Piano Sonata in A Major, D959: III. Scherzo. Allegro Vivace 04:38
  • 11 Schubert: Piano Sonata in A Major, D959: IV. Rondo. Allegro 12:55
  • Piano Sonata in B-Flat Major, D960:
  • 12 Schubert: Piano Sonata in B-Flat Major, D960: I. Molto Moderato 14:21
  • 13 Schubert: Piano Sonata in B-Flat Major, D960: II. Andante Sostenuto 09:14
  • 14 Schubert: Piano Sonata in B-Flat Major, D960: III. Scherzo. Allegro vivace con Delicatezza 04:07
  • 15 Schubert: Piano Sonata in B-Flat Major, D960: IV. Allegro, ma non Troppo 08:41
  • Total Runtime 02:07:51

Info for 31



On his new album “31” pianist Fabian Müller plays the late work of Franz Schubert – the Piano Sonatas nos.19-21 as well as Drei Klavierstücke, D946. The idea behind this recording is to play the late works as a young person-in view of the fact that Schubert himself was a young man when he composed them.

Müller plays the pieces lovingly, peaceful. Sad, but at the same time incredibly happy–and in his Interpretations he likes to take liberties with the tempo and sometimes leaves out repetitions. “It's important to take the composer seriously, but it's also important not to over-do it. In the end, it often remains a mystery what the composer really wanted anyway. That's why I have great confidence in making my own decisions,” Müller says.

Fabian Müller, piano

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