Boccherini: Madrid (Remastered) Ophélie Gaillard, Sandrine Piau & Pulcinella Orchestra

• Luigi Boccherini (1743 - 1805): Guitar Quintet No. 4 in D Major, G. 448:
• 1 Boccherini: Guitar Quintet No. 4 in D Major, G. 448: IV. Fandango 14:40
• Cello Concerto No. 10 in D Major, G. 483:
• 2 Boccherini: Cello Concerto No. 10 in D Major, G. 483: I. Allegro moderato 07:53
• 3 Boccherini: Cello Concerto No. 10 in D Major, G. 483: II. Andante lentarello 06:17
• 4 Boccherini: Cello Concerto No. 10 in D Major, G. 483: III. Allero con moto 06:21
• Aria Accademia in B-Flat Major, G. 557:
• 5 Boccherini: Aria Accademia in B-Flat Major, G. 557: Se d'un amor tiranno 14:33
• Cello Concerto in G Major, G. 480:
• 6 Boccherini: Cello Concerto in G Major, G. 480: I. Allegro 06:33
• 7 Boccherini: Cello Concerto in G Major, G. 480: II. Adagio 05:29
• 8 Boccherini: Cello Concerto in G Major, G. 480: III. Allegro 05:03
• Total Runtime 01:06:49

Info for Boccherini: Madrid (Remastered)

"Cellist Ophélie Gaillard and Pulcinella Orchestra focus on Luigi Boccherini, Italian composer and first virtuoso cellist in history. Born in the Tuscany, Boccherini then went to the Court of Prussa and Spain. His musical education looks like a journey around Europe, as it used to be.

Long eclipsed by the violin, star of the string instruments, the cello slowly fit in the eighteenth century repertoire thanks to composers who played the instrument themselves. The now famous Suites of Johan Sebastian Bach are the first master pieces composed for the cello. Then Luigi Boccherini strengthened its place in the musical creation, thus becoming to cello what Vivaldi was to the violin one generation earlier.

With rhythms of dance from Andalusia and melodies dug along the streets of Madrid, Boccherini draws with notes his adopted country such as his contemporary Francisco Goya did with colours.

This double album explores all the genres (concertos, sonatas, symphonies) and invites the gorgeous Sandrine Piau to perform Boccherini’s poignant Stabat Mater for string quintet and solo soprano."

"Very moving and of great delicacy, a *Stabat Mater* from 1781 sheds light on another, more vocal and sacred side of Boccherini's writing, in a first, highly chamber-like version for string quintet and soprano soloist (a later version would feature three singers)." (Sophie Bourdais, Télérama)

Ophélie Gaillard, cello, direction
Sandrine Piau, soprano
Pablo Valetti, violin 1
Mauro Lopes Ferreira, violin 2
Patricia Gagnon, alto
Ophélie Gaillard, violoncelle
David Sinclair, double bass
Pulcinella Orchestra

Digitally remastered

Ophélie Gaillard
This brilliant Franco-Swiss musician embodies an insatiable curiosity, a taste for risk and an immoderate appetite for the whole of the concertante cello repertoire.

Voted “Revelation: Solo Instrumentalist of the Year” at the Victoires de la Musique Classique in 2003, she has since then appeared in recital at many prestigious venues.

Ophélie Gaillard is a child of Baroque. From a very young age, she was specialized in the early and classical cellos and soon shared the stage with Christophe Rousset, Emmanuelle Haïm and Amaryllis. Then, in 2005, she found Pulcinella, a collective of virtuosos with a passion for performance practice on period instruments. The recordings devoted to Vivaldi, Boccherini and Bach reaped excellent ratings and several awards.

In 1998, she was the winner of the Leipzig Bach Competition. Then, in 2000 she recorded Bach’s complete Cello Suites for the Ambroisie label and enjoyed a great critical acclaim. She renewed that exploit in 2011, this time for the Aparté label, and received maximum ratings from Diapason, Strad magazine, etc.

Ophélie Gaillard also performs modern and contemporary works. She has made successful recordings of Britten’s complete cello suites or Pierre Bartholomée’s Oraison.

The Romantic repertoire is not neglected: she has successfully recorded the complete cello works of Schumann, Fauré, Chopin and Brahms.

She appears as a soloist with the Orchestre de Cannes-Provence-Alpes Côte d’Azur, the Polish Radio Orchestra (Gabriel Chmura), the Orchestre de Picardie (Edmon Colomer), the European Camerata, the Franz Liszt Orchestra of Budapest, the New Japan Philharmonic under the baton of Werner Andreas Alpert, the Bangkok Symphony Orchestra, the Moscow Chamber Orchestra, the Orchestre de Chambre de Toulouse, the Romanian Radio Orchestra or else, the Monte-Carlo Philharmonic Orchestra under the direction of James Judd.

Her solo album Dreams, made with the Royal Philharmonic Orchestra at the legendary Abbey Road Studios in London, proved to be a great public success.

A sought-after teacher, she regularly gives master classes in Europe, Asia and in Latin and Central America. She is invited as a member of the jury at the ARD competitions and is a professor at the Haute Ecole de Musique of Geneva (HEM) since 2014.

She is regularly heard on radio (France Musique, France Culture, France Inter, Radio Classique, Espace 2, BBC Radio 3) and often appears on television (France 2, Mezzo, Arte).

In December 2015, her double-CD album Alvorada won over a vast audience and was named a ‘Star Recording’ by The Strad magazine. This programme, blending ‘highbrow’ and popular Spanish and South-American music went on tour in 2016 through France, Italy (MiTo festival), and Mexico (Cervantino Festival), in particular with the Brazilian singer Toquinho.

After the international success of her first album (Diapason d’Or in 2014, special recognition from the Strad magazine, concerts in France and Germany…), a second recording of CPE Bach for the Aparté Label will be released in 2016 with the Pulcinella Orchestra and incensed by the press (Diapason d’Or, Choc de la Musique Classica, ffff Télérama, Gramophone …).

She was invited to play for the prestigious concert series given at the honour court of the Prince’s Palace of Monaco. She subsequently recorded her next disc Exils (expected release in Spring 2017) around the concertos of Korngold and Bloch with the Philharmonic orchestra of Monte Carlo and supervised by James Judd.

Ophélie Gaillard plays a cello by Francesco Goffriller (1737), generously loaned to her by CIC, and also a Flemish violoncello piccolo (anonymous).

Booklet for Boccherini: Madrid (Remastered)