Schubertiade: Du holde Kunst, ich danke dir Anima Eterna Brugge & Jos van Immerseel

• Franz Schubert (1797–1828): Ständchen, D. 920
• 1 Ständchen, D. 920 05:29
• Auf der Bruck in G Major, D. 853
• 2 Auf der Bruck in G Major, D. 853 03:58
• Gretchen am Spinnrade, D. 118
• 3 Gretchen am Spinnrade, D. 118 03:36
• 4 Gesänge, Op. 17, D. 983
• 4 4 Gesänge, Op. 17, D. 983: IV. Die Nacht 02:42
• Deux marches caractéristiques in C Major, Op. 121, D. 886
• 5 Deux marches caractéristiques in C Major, Op. 121, D. 886: Marche No. 1 06:27
• Die junge Nonne, D. 828
• 6 Die junge Nonne, D. 828 04:45
• Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-
• 7 Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: I. Allegro vivace 13:26
• 8 Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: II. Andante 07:12
• 9 Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: III. Scherzo 04:32
• 10 Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: IV. Andantino (Theme & Variations) 07:47
• 11 Piano Quintet in A Major, Op. 114, D. 667 -Die Forelle-: V. Allegro giusto 07:12
• Nachtgesang im Walde, D. 913
• 12 Nachtgesang im Walde, D. 913 06:08
• Ganymed, Op. 19/3, D. 544
• 13 Ganymed, Op. 19/3, D. 544 04:17
• Du liebst mich nicht, Op. 59/1, D. 756
• 14 Du liebst mich nicht, Op. 59/1, D. 756 03:44
• Piano Trio in E-Flat Major, Op. 100, D. 929
• 15 Piano Trio in E-Flat Major, Op. 100, D. 929: II. Andante con moto 10:01
• Drei Gesänge, Op. 83, D. 902
• 16 Drei Gesänge, Op. 83, D. 902: I. L'incanto degli occhi 02:54
• 17 Drei Gesänge, Op. 83, D. 902: II. Il traditor deluso 03:48
• 18 Drei Gesänge, Op. 83, D. 902: III. Il modo di prender moglie 04:25
• Divertissement à la hongroise in G Minor, Op. 54, D. 818
• 19 Divertissement à la hongroise in G Minor, Op. 54, D. 818: I. Andante 10:54
• 20 Divertissement à la hongroise in G Minor, Op. 54, D. 818: II. Marcia (Andante con moto) 03:06
• 21 Divertissement à la hongroise in G Minor, Op. 54, D. 818: III. Allegretto 13:50
• Fantasie in F Minor, Op. 103, D. 940
• 22 Fantasie in F Minor, Op. 103, D. 940 18:11
• Der Wanderer, D. 489
• 23 Der Wanderer, D. 489 04:55
• Nacht und Träume, Op. 43/2, D. 827
• 24 Nacht und Träume, Op. 43/2, D. 827 03:46
• Der König in Thule, Op. 5/5, D. 367
• 25 Der König in Thule, Op. 5/5, D. 367 03:49
• La pastorella al prato, D. 513
• 26 La pastorella al prato, D. 513 01:55
• Du bist die Ruh, Op. 59/3, D. 776
• 27 Du bist die Ruh, Op. 59/3, D. 776 04:54
• An Sylvia in A Major, Op. 106/4, D. 891
• 28 An Sylvia in A Major, Op. 106/4, D. 891 02:50
• Violin Sonata in G Minor, Op. 137/3, D. 408
• 29 Violin Sonata in G Minor, Op. 137/3, D. 408: I. Allegro giusto 04:58
• 30 Violin Sonata in G Minor, Op. 137/3, D. 408: II. Andante 04:39
• 31 Violin Sonata in G Minor, Op. 137/3, D. 408: III. Menuetto 02:20
• 32 Violin Sonata in G Minor, Op. 137/3, D. 408: IV. Allegro moderato 03:54
• Der Tod und das Mädchen, Op. 7/3, D. 531
• 33 Der Tod und das Mädchen, Op. 7/3, D. 531 02:37
• Schwanengesang, D. 957
• 34 Schwanengesang, D. 957: 14. Die Taubenpost, D. 965a 03:55
• Der Hirt auf dem Felsen, D. 965
• 35 Der Hirt auf dem Felsen, D. 965 12:20
• Der Gondelfahrer in C Major, Op. 28, D. 809
• 36 Der Gondelfahrer in C Major, Op. 28, D. 809 03:22
• Der Zwerg, Op. 22/1, D. 771
• 37 Der Zwerg, Op. 22/1, D. 771 05:04
• Allegro in A Minor, Op. 144, D. 947
• 38 Allegro in A Minor, Op. 144, D. 947 14:10
• Meeres Stille, Op. 3/2, D. 216
• 39 Meeres Stille, Op. 3/2, D. 216 01:59
• Arpeggione Sonata in A Minor, D. 821
• 40 Arpeggione Sonata in A Minor, D. 821: I. Allegro moderato in A Minor 12:42
• 41 Arpeggione Sonata in A Minor, D. 821: II. Adagio in E Major 04:23
• 42 Arpeggione Sonata in A Minor, D. 821: III. Allegretto in A Major 11:23
• An die Musik in D Major, Op. 88/4, D. 547
• 43 An die Musik in D Major, Op. 88/4, D. 547 02:53
• Total Runtime 04:21:12

Info for Schubertiade: Du holde Kunst, ich danke dir

Happy Birthday, Mister Jos! Jos Van Immerseel is celebrating his 70th birthday with three important releases that will punctuate the end of the year at Alpha: a symphonic programme (Janacek, Dvorak), a chamber music programme (Schubert) and a set grouping the rereleases of his recordings of French music. These anthologies will once again demonstrate everything the pianofortist brings to the interpretation of the symphonic and chamber repertoires.

4 CD’s, 17 musicians, 32 master pieces: these are the main ingredients of Schubertiade - a compilation of vocal and instrumental chamber music by Schubert, hand-picked and assembled by Jos van Immerseel to form the soundtrack to 4 imaginary Schubertian salons.

An ode to the master of Ständchen and Forellenquintett, this recording is also a celebration of Anima Eterna Brugge’s maestro, who, over the past 25 years, has led the orchestra to many happy encounters with his favorite composer.

Anima Eterna Brugge
Jos Van Immerseel, conductor

Anima Eterna Brugge
Founded in 1987 by Jos van Immerseel as a musical Petri dish to cultivate the results of his research into music of the baroque era, Anima Eterna Brugge evolved from a compact string ensemble to the full-bred symphonic orchestra that it is today, exploring repertoire from Bach, Mozart and Beethoven to Strauss, Debussy and Gershwin. The consequent use of period instruments, the permanent direction by its inspirator van Immerseel, a project-based setup and respect for the composer’s intentions, are at the core of this orchestra’s vision. Soloists either stem from Anima’s own ranks, or are ‘friends of the family’ - Claire Chevallier (piano), Midori Seiler (violin), Sergei Istomin (violoncello), Lisa Shklyaver (clarinet) and Thomas Bauer (baritone), to name but a few. With its partners Opéra de Dijon, Concertgebouw Brugge and Beethovenfest Bonn, AEB continues along the lines of an exceptional trajectory that by now stretches over a quarter of a century. During this time, the orchestra has produced an impressive range of recordings, since 2002 constituting the Zig-Zag Territoires (Outhere) series Collection Anima Eterna. Upcoming release in 2014 is the long-anticipated live-recording of Carl Orff’s Carmina Burana. Anima’s curiosity and the public’s amazement haven’t faded over the years: the orchestra still vouches for innovation without provocation, and keeps on getting its drive from musicological research and analysis, a logical and natural approach, and tons of musical passion and pleasure.

Jos van Immerseel
was born in Antwerp in 1945. He studied piano (Eugène Traey), organ (Flor Peeters), singing (Lucie Frateur) and direction (Daniel Sternefeld) as well as organology, rhetoric and historical fortepiano (autodidact). His passion for historical keyboard instruments burgeoned after coming into contact with two magnificent instruments at the Antwerp Museum Vleeshuis (Joannes Dulcken – 1747; Conrad Graf – 1826), and with exceptional musicians such as René Jacobs, the Kuijken brothers, Jaap Schröder, Anner Bijlsma, Paul Van Nevel, Guy de Mey and Paul Dombrecht. Reinforced by his fascination for organ and vocal music, these interests naturally guided van Immerseel to the field of early music. Shortly thereafter, he founded his own ensemble (Collegium Musicum, 1964-1968) that experimented with music from the renaissance and the baroque era on period instruments. Still on the same track, Jos van Immerseel embarked upon harpsichord studies with Kenneth Gilbert and carried off the palm at the first edition of the Paris Harpsichord Competition (1973) after a unanimous decision of both the jury and the audience. Van Immerseel turned out to be the only competitor rigorously choosing to play the historical harpsichord, thereby starting a new chapter of the French harpsichord school’s history.

Booklet for Schubertiade: Du holde Kunst, ich danke dir